Engraving Interior Prints
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Medium: Engraving
Lillies and Bowls (still life of flowers and colorful bowls)
Located in New Orleans, LA
The moon, bowls, lillies and birds are featured in this 2002 mezzotint. It is #17 from an edition of 75 and is signed, titled, dated and edition by hand by this Korean artist born i...
Category
Late 20th Century Contemporary Engraving Interior Prints
Materials
Mezzotint
Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust.
This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition.
William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782.
The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister.
Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category
Late 18th Century Old Masters Engraving Interior Prints
Materials
Mezzotint
Différentes Especes de Buffets et Leurs Developments, French design engraving
Located in Melbourne, Victoria
'Différentes Especes de Buffets et Leurs Developments'
(Different types of buffet and their formation)
French copper-line engraving by PL Cor after Andre Jacob Roubo (1739–1791). 18...
Category
Late 18th Century Naturalistic Engraving Interior Prints
Materials
Engraving
Interiors IV : Hotel Paradise Cafe
By Peter Milton
Located in New York, NY
“INTERIORS IV : HOTEL PARADISE”
Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces.
“I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton”
“Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer
Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category
Late 20th Century Contemporary Engraving Interior Prints
Materials
Engraving, Etching
Interiors VI: Soundings
By Peter Milton
Located in New York, NY
Contemporary artist Peter Milton created this etching and engraving entitled "Interiors VI: Soundings" in 1989. The printed image size is 29 7/8 x 23 13/16 and paper size is 36 x 29 inches. This impression is signed, dated, and titled in pencil and inscribed “93/175” – the 93 impression of 175.
“I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton”
“Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul."
– T. L. Johnson and A. Shafer
Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category
Late 20th Century Surrealist Engraving Interior Prints
Materials
Etching, Engraving
James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894
Located in San Francisco, CA
James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894
Original 19th century color engraving
Engraved by James Dobie after artwork b...
Category
Late 19th Century Engraving Interior Prints
Materials
Engraving
In a tavern. Paper, engraving, 21x25 cm
Located in Riga, LV
In a tavern.
engraver Jan De Visscher (1933-1692)
Paper, engraving, 21x25 cm
Category
17th Century Realist Engraving Interior Prints
Materials
Paper, Engraving
Urn Stands, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Urn Stands'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style ...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Mid 19th Century Figurative Scene from "Great Exhibition of 1851", London
By Lowes Cato Dickinson
Located in Soquel, CA
Hand-colored steel engraving of a the Turkish section of the Great Exhibition of 1851 by Lowes Cato Dickinson (British, 1819-1908). On verso i...
Category
1850s Aesthetic Movement Engraving Interior Prints
Materials
Watercolor, Engraving
Dressing Drawers, Hepplewhite Georgian furniture design engraving
Located in Melbourne, Victoria
'Dressing Drawers'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Bidet Shaving and Night Tables, Hepplewhite Georgian furniture design engraving
Located in Melbourne, Victoria
'Bidet Shaving Table and Night Table'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These en...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
"Allegory of Justice": A 17th Century Old Master Engraving by van Swanenburg
By Willem van Swanenburg
Located in Alamo, CA
This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...
Category
Early 1600s Old Masters Engraving Interior Prints
Materials
Engraving
Side Board, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Side Board'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style ...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Side Board, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Side Board'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style ...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Dressing Glasses, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Dressing Glasses'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the o...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Pembroke Tables, Hepplewhite Georgian furniture design engraving
Located in Melbourne, Victoria
'Pembroke Tables'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's s...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Card Tables, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Card Tables'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Library Case, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Library Case'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's styl...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Library Table, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Library Table'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's sty...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Double Chest of Drawers, Hepplewhite Georgian furniture design engraving
Located in Melbourne, Victoria
'Double chest of Drawers'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplew...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
Side Board, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Side Board'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style ...
Category
Late 18th Century English School Engraving Interior Prints
Materials
Engraving
James Dobie "A Little Mortgage" Color Engraving After Walter Dendy Sadler c.1894
Located in San Francisco, CA
James Dobie "A Little Mortgage" Color Engraving After Walter Dendy Sadler c.1894
Original 19th century color engraving
Engraved by James Dobie after artw...
Category
Late 19th Century Engraving Interior Prints
Materials
Engraving
Desvelo (Sleeplessness or insomnia
Located in New Orleans, LA
A copper mezzotint printed on Hahnemulle paper in an edition of 20,
Graduated from the National Academy of Fine Arts "San Alejandro" in 2005. Study of graphic arts. Printer and spe...
Category
21st Century and Contemporary Modern Engraving Interior Prints
Materials
Mezzotint
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Engraving, Handmade Paper
Carbonrel
By Anne Dykmans
Located in New Orleans, LA
This impression was created in 1977 and is #20 out of edition of25
Anne Dykmans employs her superb command of engraving techniques, especially mezzotint, to create a special light w...
Category
1970s Contemporary Engraving Interior Prints
Materials
Mezzotint
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Handmade Paper, Engraving
Set of Two 18th Century Engravings from William Hogarth's "Analysis of Beauty"
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Mid-18th Century Old Masters Engraving Interior Prints
Materials
Engraving, Etching
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Mid-18th Century Rococo Engraving Interior Prints
Materials
Etching, Engraving
American Modernist "Feast of Pure Reason" Aquatint Mezzotint Etching WPA Artist
By Jack Levine
Located in Surfside, FL
Jack Levine, American, 1915–2010
The Feast of Pure Reason, 1970
Etching, mezzotint and aquatint on copper in black ink.
20 w. 25 in., sight
overall: 27 x 31.75 in., matted.
Depict...
Category
1970s Expressionist Engraving Interior Prints
Materials
Mezzotint, Etching, Aquatint
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Engraving, Handmade Paper
INTERIORS VII: THE TRAIN FROM MUNICH
By Peter Milton
Located in Portland, ME
Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...
Category
1990s Engraving Interior Prints
Materials
Etching, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Handmade Paper, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Handmade Paper, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Handmade Paper, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831).
The Pio-Clementino museum, named after the two popes wh...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Color, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Handmade Paper, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Micenelli and Costa.
The Pio-Clementino museum, na...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Handmade Paper, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Color, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Engraving, Handmade Paper
INTERIORS IV: HOTEL PARADISE CAFE.
By Peter Milton
Located in Portland, ME
Milton, Peter (American, born 1930). INTERIORS IV: HOTEL PARADISE CAFE. Milton 110. Resist-ground etching and engraving on copper, 1987. Edition of 175. Signed and dated in pencil. P...
Category
1980s Engraving Interior Prints
Materials
Etching, Engraving
Politics
Located in Storrs, CT
Politics (Tonnere de Brest). 1926. Drypoint. Appleby 108. 7 x 9 (sheet 10 1/2 x 15 1/2). A rich impression printed on cream wove paper with full margins. Illustrated: Salaman, Modern...
Category
Early 20th Century Modern Engraving Interior Prints
Materials
Drypoint, Etching
Mosque of the Sultan Bayazid, Constantinople
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category
1920s American Realist Engraving Interior Prints
Materials
Drypoint
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
1790s Naturalistic Engraving Interior Prints
Materials
Handmade Paper, Engraving
The Letter
Located in Storrs, CT
The Letter. 1921. Drypoint. Appleby 107. 7 x 9 3/8 (sheet 10 1/2 x 15 7/16). Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching: Edmund Blamp...
Category
Early 20th Century Modern Engraving Interior Prints
Materials
Drypoint, Etching
Four 19th Century Hand Colored Engravings Depicting English Royal Residences
By Charles Wild
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
Category
1810s Academic Engraving Interior Prints
Materials
Engraving
"Inspection Tour in the Wine Vaults", 1876 Philadelphia Centennial Exposition
Located in Alamo, CA
This engraving is entitled "Philadelphia, PA- The Centennial Exposition - the Jury of Award on an Inspection Tour in the Wine Vaults of Agricultural Hall", ...
Category
Late 19th Century Naturalistic Engraving Interior Prints
Materials
Engraving
"Whisperings at a Cross Point" - Doorway Arch Drypoint Etching
By Susan Varjavand
Located in Soquel, CA
Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W
Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...
Category
1980s American Impressionist Engraving Interior Prints
Materials
Paper, Ink, Drypoint
The Heidelberg Tun: A Framed 17th Century Engraving of a Huge Wine Cask
Located in Alamo, CA
"The Heidelberg Tun" is a 17th century engraving by an unknown artist. It depicts a famous huge ornamental wine cask that resided in the wine cellar of Heidelberg Castle. The cask shown here, built in 1664, is the second of four Heidelberg Tuns; the first was destroyed during the Thirty Years' War, between 1618 and 1648. This cask was built in 1664 when Karl Ludwig ordered Heidelberg cellar master...
Category
Late 17th Century Old Masters Engraving Interior Prints
Materials
Engraving
Remington Strip Tease
By Carol Wax
Located in New Orleans, LA
Remington Strip Tease had a black iron dome covering the moving parts and suppressing noise. It is presented in a light that suggests a monument. It is f...
Category
Late 20th Century American Modern Engraving Interior Prints
Materials
Mezzotint
G. Paterson "Dinner Party at a Mandarin's House" Engraving After T. Allom c.1840
Located in San Francisco, CA
G. Paterson "Dinner Party at a Mandarin's House" Original Engraving After T. Allom C.1840
Original engraving
Dimensions 8" wide x 5" high
The frame measures 20.5" wide x 18.5" hig...
Category
Mid-19th Century Realist Engraving Interior Prints
Materials
Engraving
The Card Game: An Early 17th Century Engraving by A. Voet after Cornelis de Vos
By Alexander Voet
Located in Alamo, CA
A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...
Category
1630s Old Masters Engraving Interior Prints
Materials
Engraving
Set of 6 French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.'
Collection of 6 engravings with designs for chimney-pieces. Published in Paris, circa 1670.
210mm ...
Category
Mid-17th Century Baroque Engraving Interior Prints
Materials
Etching, Engraving
Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750.
Published by Martin Engelbrecht (1684–1756).
Similar works ar...
Category
Mid-18th Century Rococo Engraving Interior Prints
Materials
Etching, Engraving
Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750.
Published by Martin Engelbrecht (1684–1756).
Similar works ar...
Category
Mid-18th Century Rococo Engraving Interior Prints
Materials
Etching, Engraving
Set of 3 Copper Plate Engravings, by Giovanni Battista Piranesi
Located in New York, NY
G. B. Piranesi in his fifties was interested in archaeology and studied in Southern Italy where he produced drawings of Greek architecture
Category
18th Century Old Masters Engraving Interior Prints
Materials
Engraving, Handmade Paper
Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787
Located in San Francisco, CA
Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787
Late 18th century hand colored engraving after Thomas Rowlandson
A scene of a young student asking ...
Category
Late 18th Century Engraving Interior Prints
Materials
Engraving
Three 19th C. Engravings of Classical Italian Bronze Architectural Elements
Located in Alamo, CA
A grouping of three engravings depicting classical Italian architectural features held in the National Museum of Naples, entitled "Bronze Hydria", "Marbre Naissance de Bacchus" and "...
Category
1880s Other Art Style Engraving Interior Prints
Materials
Engraving
Engraving interior prints for sale on 1stDibs.
Find a wide variety of authentic Engraving interior prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Carol Wax, Edmund Blampied, Peter Milton, and Laurent Schkolnyk. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving interior prints, so small editions measuring 2.01 inches across are also available Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $66 and tops out at $59,000, while the average work can sell for $560.
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