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Style: Modern
Style: Contemporary
Medium: Engraving
Bambalina (Are ornaments, decorations mere backdrop for true Christmas story)
Located in New Orleans, LA
Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery.
Francisco Souto was born in Venezuela. He received a BFA from Herron Schoo...
Category
21st Century and Contemporary American Modern Engraving Interior Prints
Materials
Mezzotint
Days Gone
Located in New Orleans, LA
Finns always seek the solace of nature. Is this mysterious stairway an escape from the challenges of civilization? Vanttinen created this mezzotint in an edition of 100 and it is tit...
Category
Early 2000s Contemporary Engraving Interior Prints
Materials
Mezzotint
Armin Landeck, Window on 14th Street
Located in New York, NY
The reference number on this work is Kraeft 103. It's from an edition of 100 and is signed, dated, and numbered, in pencil.
Always an intaglio printmaker, Landeck switched from a more atmospheric drypoint technique to engraving while working at Stanley William Hayter's New York Atelier 17, in the 1940s. This print combines the forceful engraved diagonals with the softer drypoint lines.
This is a view from the artist's window at the Delmonico Hotel, 3 East 14th Street...
Category
Mid-20th Century American Modern Engraving Interior Prints
Materials
Drypoint, Engraving
Landscape with Window and Chair
Located in Fairlawn, OH
Landscape with Window and Chair
Mezzotint on wove paper, 2000
Signed in pencil lower right (see photo)
Edition: 150 (93/150) (see photo)
Special Presentation Print for the Print Club of Albany, 2000
Condition: Mint
Image/Plate size: 4 1/2 x 3 1/2 inches
Sheet size: 7 x 5 1/2 inches
From the Print Club of Albany:
"Kipniss states that it is part of his working process to explore an image in pencil, in paint and in print. As the image evolves, its ramifications lead to hints of the next work. This image is well-suited for this medium since in mezzotint the artist literally draws the light as he burnishes the tiny rocked copper pinholes that trap the ink and become the image."
From 1968 into 1990, Kipniss created lithographs that followed the style and content of his paintings, whether generally or specifically. A commission from a print publisher in 1968 for five editions of lithographs precipitated his adoption of lithography as a medium.
Kipniss's first lithographs were done in black and white, but by 1970 he was also working in color. He taught himself "to lay in the most delicately light silvery tones on the surface of the limestone by maintaining an exceptionally sharp point on the lithographic pencil and drawing with no pressure other than the weight of the pencil itself." He built up a support so that his hand and wrist could "dangle" over the stone. By 1990 Kipniss had completed about 450 editions of lithographs, usually of 90 to 250 impressions, at the Burr Miller studio in Manhattan. He worked from 1969 with master printer Burr Miller and then with Steve and Terry, his sons.
Works by the artist are in the following public collections:
• Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor*
• Albertina Museum, Vienna, Austria*
• Albright-Knox Art Gallery, Buffalo, NY
• Arkansas State University Permanent Collection, State University, AR
• Art Institute of Chicago, Chicago, IL
• Art Museum of Western Virginia, Roanoke, VA
• Art Students League of New York, New York, NY
• Bates College Museum of Art, Lewiston, ME
• Berkshire Museum, Pittsfield, MA
• Bibliothèque nationale de France, Paris*
• Boston Athenæum, Boston, MA
• Bowdoin College Museum of Art, Brunswick, ME*
• British Museum, London, England*
• Brooklyn Museum of Art, Brooklyn, NY*
• Butler Institute of American Art, Youngstown, OH
• Canton Art Institute, Canton, OH
• Carnegie Museum of Art, Pittsburgh, PA
• Century Association, New York, NY
• Cleveland Museum of Art, Cleveland, OH*
• Columbus Museum of Art, Columbus, OH
• Coos Art Museum, Coos Bay...
Category
Early 2000s Contemporary Engraving Interior Prints
Materials
Mezzotint
Europa, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper
Medium: Resist Ground Etching & Engraving
Edition of 125
Year: 1982
One o...
Category
1980s Contemporary Engraving Interior Prints
Materials
Etching, Engraving
Bernard Sanders, (Mesopotamian Figure)
Located in New York, NY
Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago!
There's an initial 'S' in the plate...
Category
Early 20th Century American Modern Engraving Interior Prints
Materials
Etching, Drypoint
Bernard Sanders, (Lovers)
Located in New York, NY
Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension.
Perhaps reflecting the print here, (Lovers), he, in fact, w...
Category
Early 20th Century American Modern Engraving Interior Prints
Materials
Etching, Drypoint
Bernard Sanders, (Nude Woman with Orb)
Located in New York, NY
Sander's figures are captivating. Here a women stands facing right, just touching, and holding still, a globe shape, on a flat surface.
It was difficult getting the color to show p...
Category
Early 20th Century American Modern Engraving Interior Prints
Materials
Drypoint, Etching
Garden With Henry, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Medium: Resist Ground Etching & Engraving
Image Size: 9.5 x 12 inches
Year: 1993
Signed, titled and numbered by the artist, this print was specially made by Milton to accom...
Category
Early 2000s Contemporary Engraving Interior Prints
Materials
Etching, Engraving
Intérieur bois I
Located in PARIS, FR
It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the s...
Category
21st Century and Contemporary Contemporary Engraving Interior Prints
Materials
Engraving
Un Sculpteur de Paris
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category
Early 20th Century Modern Engraving Interior Prints
Materials
Laid Paper, Drypoint, Etching
Backy, Contemporary Animal Art, Black Dog Art, Bright Minimalist Art
Located in Deddington, GB
Backy is a hand coloured limited edition drypoint etching with carborundum by Kate Boxer. Backy is a limited edition print in an edition of 30. The bold monochromatic work contrasts ...
Category
2010s Contemporary Engraving Interior Prints
Materials
Paper, Drypoint
Sew What (the swells and swirls of the stripes are now in the hands of others)
By Carol Wax
Located in New Orleans, LA
"Sew What" is a color mezzotint with burin engraving created in an edition of 35. This impression is #6. I love sumptuously designed textiles in both real life and art. Patterns metamorphosing over fabric folds appeal to my interest in modulating rhythmic forms, particularly the swells and swirls of calligraphic stripes. I’m also fascinated by articulated wooden hand models, which appear in many of my paintings. Combining these passions with sewing paraphernalia from my seamstress days provided inspiration for my color mezzotint engraving "Sew What".
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer...
Category
21st Century and Contemporary Contemporary Engraving Interior Prints
Materials
Mezzotint
Points of Departure II: Nijinsky Variations
By Peter Milton
Located in Middletown, NY
Points of Departure II: Nijinsky Variations
Robert E. Townsend, 1996
Resist-ground etching and engraving on BFK-Rives paper, 24 x 38 inches (618 x 965 mm), full margins. Signed, ti...
Category
1990s American Modern Engraving Interior Prints
Materials
Etching, Engraving
"Dark Box" Drypoint Etching with Aquatint (no. 10/20)
Located in Soquel, CA
Finely balanced etching by Benjamin Vasserman (Estonian, b 1949). A squash sits atop a small black box with a latch. There is a drapery behind the squa...
Category
1980s Modern Engraving Interior Prints
Materials
Ink, Aquatint, Drypoint, Paper
The Smithy
Located in Middletown, NY
A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop.
Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...
Category
Late 20th Century Modern Engraving Interior Prints
Materials
Drypoint, Laid Paper, Etching
Interiors VII: The Train from Munich
By Peter Milton
Located in Middletown, NY
Interiors VII: The Train from Munich
Robert E. Townsend, 1991.
Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113].
When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...
Category
1990s American Modern Engraving Interior Prints
Materials
ABS, Charcoal, Engraving, Etching
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion
1984
Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107]
Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category
1980s American Modern Engraving Interior Prints
Materials
Etching, Engraving
Les Belles et la Bête: Before the Hunt
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area.
[Milton 99].
Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category
1970s American Modern Engraving Interior Prints
Materials
Engraving, Archival Paper, Etching
Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish.
[Milton 98].
Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category
1970s American Modern Engraving Interior Prints
Materials
Engraving, Archival Paper, Etching
Sleep (Woman at slumber in bed)
Located in New Orleans, LA
Jukka Vanttinen (Finn, b. 1954)
Jukka Vanttinen was introduced to the medium of mezzotint through a book by Sir Frank Short on British mezzotints. He learned through experimentatio...
Category
Early 2000s Contemporary Engraving Interior Prints
Materials
Mezzotint
Lillies and Bowls (still life of flowers and colorful bowls)
Located in New Orleans, LA
The moon, bowls, lillies and birds are featured in this 2002 mezzotint. It is #17 from an edition of 75 and is signed, titled, dated and edition by hand by this Korean artist born i...
Category
Late 20th Century Contemporary Engraving Interior Prints
Materials
Mezzotint
Interiors IV : Hotel Paradise Cafe
By Peter Milton
Located in New York, NY
“INTERIORS IV : HOTEL PARADISE”
Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces.
“I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton”
“Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer
Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
Category
Late 20th Century Contemporary Engraving Interior Prints
Materials
Engraving, Etching
Desvelo (Sleeplessness or insomnia
Located in New Orleans, LA
A copper mezzotint printed on Hahnemulle paper in an edition of 20,
Graduated from the National Academy of Fine Arts "San Alejandro" in 2005. Study of graphic arts. Printer and spe...
Category
21st Century and Contemporary Modern Engraving Interior Prints
Materials
Mezzotint
Carbonrel
By Anne Dykmans
Located in New Orleans, LA
This impression was created in 1977 and is #20 out of edition of25
Anne Dykmans employs her superb command of engraving techniques, especially mezzotint, to create a special light w...
Category
1970s Contemporary Engraving Interior Prints
Materials
Mezzotint
Politics
Located in Storrs, CT
Politics (Tonnere de Brest). 1926. Drypoint. Appleby 108. 7 x 9 (sheet 10 1/2 x 15 1/2). A rich impression printed on cream wove paper with full margins. Illustrated: Salaman, Modern...
Category
Early 20th Century Modern Engraving Interior Prints
Materials
Drypoint, Etching
The Letter
Located in Storrs, CT
The Letter. 1921. Drypoint. Appleby 107. 7 x 9 3/8 (sheet 10 1/2 x 15 7/16). Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching: Edmund Blamp...
Category
Early 20th Century Modern Engraving Interior Prints
Materials
Drypoint, Etching
Remington Strip Tease
By Carol Wax
Located in New Orleans, LA
Remington Strip Tease had a black iron dome covering the moving parts and suppressing noise. It is presented in a light that suggests a monument. It is f...
Category
Late 20th Century American Modern Engraving Interior Prints
Materials
Mezzotint
Bernard Sanders, (Interior with Five Men)
Located in New York, NY
The always fashionable Bernard sanders draws a mysterious spaces with well-dressed gentlemen. Signed in pencil.
Category
Early 20th Century American Modern Engraving Interior Prints
Materials
Drypoint
Bernard Sanders, Dancers
Located in New York, NY
Sander's interiors are always intriguing. This work also reads as a stage with a dance; it recalls the Porch of the Maidens at the Erectheum at the Acropolis in Athens. There of cour...
Category
Early 20th Century American Modern Engraving Interior Prints
Materials
Drypoint
Bernard Sanders, Head of Girl
Located in New York, NY
For a print that's nearly one hundred years old it feels very contemporary.
Signed in pencil; titled in lower margin in pencil.
Category
Early 20th Century American Modern Engraving Interior Prints
Materials
Drypoint
Bernard Sanders, Bird on Piano
Located in New York, NY
Sander's interiors are always intriguing. This one certainly is. Signed in pencil.
Category
Early 20th Century American Modern Engraving Interior Prints
Materials
Drypoint
York Avenue, Sunday Morning.
Located in Storrs, CT
York Avenue, Sunday Morning. 1939. Drypoint. Kraeft 78. 7 3/4 x 12 7/8 (sheet 8 x 12). Edition 100. Provenance: Estate of David Llewellyn Reese, New York. ...
Category
1920s American Modern Engraving Interior Prints
Materials
Drypoint, Etching
Sewing Circles
By Carol Wax
Located in New Orleans, LA
A play on words provides the title for this image -- a circle created out of the deconstructed parts of Singer IV This image is #37 from an edition of only 50, referenced as Firos 78...
Category
1990s American Modern Engraving Interior Prints
Materials
Mezzotint
Painter and Model
Located in Roma, IT
Painter and Model is an original artwork realized by Giacomo Manzù in 1964.
Hand signed on the lower right margin. Numbered on the lower left.
Edition of 102 copies (16/102), etch...
Category
1960s Modern Engraving Interior Prints
Materials
Drypoint, Etching
Adele and the Ladies (Rochester's fashion conscious ward in Jane Eyre)
Located in New Orleans, LA
Adele, the 10 year-old girl who may be the daughter of Rochester and Celine in "Jane Eyre" is being scrutinized by three women. One is seated on an ornate sofa...
Category
Early 20th Century American Modern Engraving Interior Prints
Materials
Wool, Engraving
Night Game (games of our waking life versus those we play in our dreams)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint "Night Game" explores the games of our waking life versus those we play in our dreams. It is signed, titled and numbered in pencil -- an edition of 75.
Carol W...
Category
Late 20th Century American Modern Engraving Interior Prints
Materials
Mezzotint
Le Mais (Corn on the cob) in woven basket)
Located in New Orleans, LA
Maize by Scholnyk is a mezzotint of ears of corn in a woven basket. This impression is #25 of an edition of 80.
Schkolnyk was born in Paris, France in 1953 and currently resides in...
Category
1890s American Modern Engraving Interior Prints
Materials
Mezzotint
Store I
By Anne Dykmans
Located in New Orleans, LA
In "Store I", Anne Dykmans depicts the stark outline of a very modest store interior.
Anne Dykmans employs her superb command of engraving techniques, especially mezzotint, to creat...
Category
1970s Modern Engraving Interior Prints
Materials
Mezzotint
Telephone (The iPhone of the early 20th Century)
Located in New Orleans, LA
This is an artist's proof (xv/xv) of an early telephone that is signed and numbered by the artist in pencil
Schkolnyk was born in Paris, France in 195...
Category
1980s American Modern Engraving Interior Prints
Materials
Mezzotint
Attic
Located in New Orleans, LA
This Finnish artist creates a mezzotint in black and white. This impression is #34 of 100 and is signed, dated and titled in pencil.
Jukka Vanttinen (Finn, b. 1954)
Jukka Vanttinen...
Category
Early 2000s Modern Engraving Interior Prints
Materials
Mezzotint
Architextures
By Carol Wax
Located in New Orleans, LA
Architextures is a suite of 8 mezzotints in an edition of 50 created in 1984:
Mosque and Mosque Interior (5.1 cm x 5.1 cm)
Dome and Dome Interior (5.7cm x 3.8 cm)
Castle and Castle ...
Category
1980s American Modern Engraving Interior Prints
Materials
Mezzotint
Man By a Radiator.
Located in Storrs, CT
Man By a Radiator. 1912. Etching. Hausberg catalog 247 state iii/iv. Only 2 impressions in this state. 16 x 8 7/8 (sheet 8 x 10 3/8). Vertical printing fold. Printed by the artist on...
Category
Early 20th Century American Modern Engraving Interior Prints
Materials
Drypoint, Etching
The Sacristan
By Harry Morley
Located in New Orleans, LA
This image shows a cleric seated in a church sacristy surrounded by religious statues, croziers, various saints, statues and chalices. It is an origina...
Category
Early 20th Century Modern Engraving Interior Prints
Materials
Engraving
Le Talon Aigviille (Marlene Dietrich's Stiletto Heel -- In time for PRIDE)
Located in New Orleans, LA
This mezzotint was created by Laurent Sckolnyk and was meant as an homage to the movie stars of yesteryear -- in this case Marlene Dietrich. Dietrich was an icon in the gay community...
Category
Late 20th Century Contemporary Engraving Interior Prints
Materials
Mezzotint
France at her Furnaces
By James McBey
Located in Storrs, CT
1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
Category
1910s Modern Engraving Interior Prints
Materials
Drypoint, Etching
Singer 10101
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Singer 10101", is an image of Singer I as seen through a drafting template. It was issued as an edition of 40 and was printed at the Indiana University print...
Category
Early 2000s Contemporary Engraving Interior Prints
Materials
Mezzotint
Rue du Printemps (Shadows in house on Spring Street in Brussels)
By Anne Dykmans
Located in New Orleans, LA
Light pours through a sparsely furnished room in a space on Spring Street in Brussels creating stark shadows as it streaks through the bushes, blinds and the outline of a modern chai...
Category
1990s Contemporary Engraving Interior Prints
Materials
Aquatint, Mezzotint
The Old Clothesline
By Carol Wax
Located in New Orleans, LA
This is the first image in which the artist used back lighting. "The Old Clothesline" is an edition of 75 and was featured on the cover of Carol Wax's book "The Mezzotint, History a...
Category
Late 20th Century American Modern Engraving Interior Prints
Materials
Mezzotint
Before It Happened (A mysterious staircase offers no clues as to what happened)
Located in New Orleans, LA
This Finnish artist creates a mezzotint in black and white. This impression is #44 of 100 and is signed, dated and titled in pencil.
Jukka Vanttinen (Finn, b. 1954)
Jukka Vanttinen...
Category
Early 2000s Modern Engraving Interior Prints
Materials
Mezzotint
Fructidore (Fruit being carried is hard to distinguish from the woman's body)
By Anne Dykmans
Located in New Orleans, LA
In Anne Dykmans' "Fructidore", a well endowed woman uses her plaid apron to carry a bunch of fruit. Parts of her body clothed in plaid seem to suggest the same fruit she is carrying...
Category
1970s Modern Engraving Interior Prints
Materials
Mezzotint
Le Seuil (The Threshold)
Located in New Orleans, LA
"Le Seuil" (The Threshold) is an image printed in 2006. This impression is Roman numeral X of XX. It is titled, dated, numbered and signed by the artist.
Judith Rothchild, printma...
Category
21st Century and Contemporary Contemporary Engraving Interior Prints
Materials
Mezzotint
In the Silence of Passing Years
Located in New Orleans, LA
This image is an artist proof XII / XII. The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...
Category
Late 20th Century Contemporary Engraving Interior Prints
Materials
Mezzotint
One Night of the Week - Original Handsigned Etching - Limited 60 copies
Located in Paris, FR
Richard DAVIES (1945-1991)
The Belvedere
Original etching and mezzotint
Handsigned in pencil
Numbered / 60
On vellum 51 x 66 cm (c. 20 x 26 inch)
REFERENCES : Catalog Raisonne Plum...
Category
1980s Modern Engraving Interior Prints
Materials
Mezzotint, Etching
Soup
Located in Storrs, CT
Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil.
Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour.
In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography.
In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories.
In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé.
During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful.
In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category
1920s Modern Engraving Interior Prints
Materials
Drypoint, Etching
Portrait of Albert Schweitzer.
Located in Storrs, CT
Portrait of Albert Schweitzer. Etching. 11 3/4 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205....
Category
1950s American Modern Engraving Interior Prints
Materials
Etching, Drypoint
Night Time in a Stable.
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
Category
Early 20th Century Modern Engraving Interior Prints
Materials
Drypoint, Etching
Returning to the Stable.
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category
1920s Modern Engraving Interior Prints
Materials
Drypoint, Etching
Engraving interior prints for sale on 1stDibs.
Find a wide variety of authentic Engraving interior prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Carol Wax, Edmund Blampied, Peter Milton, and Laurent Schkolnyk. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving interior prints, so small editions measuring 2.01 inches across are also available Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $66 and tops out at $59,000, while the average work can sell for $560.
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