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Joan MiróJoan Miró, "Pintura, Escultura, Ceramica" - 1982 Exhibition Poster1982
1982
$160.08
£119.32
€135
CA$219.68
A$245.98
CHF 128.34
MX$2,997.10
NOK 1,628.55
SEK 1,548.32
DKK 1,027.84
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About the Item
Discover the captivating beauty of "Pintura, Escultura, Ceramica," an extraordinary artwork by Joan Miró that serves as a stunning focal point in any space. This color lithography exhibition poster was created for the Center d'Estudis d'Art Contemporani during the exhibition held from June to September 1982.
Featuring Miró's signature style, this piece blends vibrant colors and abstract forms, making it an ideal addition for art collectors and enthusiasts alike. Perfect for displaying in your home, office, or gallery, this poster not only commemorates a significant event in contemporary art but also showcases Miró's enduring legacy.
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1982
- Dimensions:Height: 16.54 in (42 cm)Width: 11.7 in (29.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Winterswijk, NL
- Reference Number:Seller: KC013321stDibs: LU1124215320632
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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