Medium Landscape Prints

Image dimensions 45x65.6. Veduta del Ponte Lugano su l'Anione is a superb black and white etching on laid paper realized by Giovan Battista Piranesi....

Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...

Ted Jeremenko, Yugoslavian/American (1938 - ) - A Sleeping Place. Year: 1986, Medium: Screenprint on Arches, signed and numbered in pencil, Edition: 175, Size: 25 x 30 in. (63.5 x 76...

Artist: Julian Stanczak (1928-2017) Title: Trespass Year: 1979 Edition: 106/175, plus proofs Medium: Silkscreen on Somerset paper Size: 26.75 x 22.5 inches Condition: Good Inscriptio...

This limited edition seascape print by S.C. Aldo captures a coastal scene overlooking water from a sandy shore, with green trees lining part of the horizon and a sailboat sailing in ...

This artwork "Landscape" is an original lithograph by Swiss artist Aime Daniel Steinlen,1923-1996. It is hand signed and numbered 235/260 in pencil by the artist. The image and sheet...

Rome is an etching realized by Mihu Vulcanescu (1937 - 1994) in 1979. Black and white etching. Hand-signed on the lower right margin. Dated on plate. Numbered on the lower ma...

This exceptional hand colored etching and aquatint is by the noted Parisian artist William Adolphe Lambrecht (1876-1940). The print depicts the Souk, or market in Gabes, Tunisia. It ...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

A bird's eye view of Devonshire Square, engraved by British master Sutton Nicholls. Published according to the act of Parliament in 1754 for Stow's Survey of London. This detailed en...

Franz Eggenschwiler The Hanging Gardens of Babylon (Eggenberger 1970.8), 1970 Lithograph with Embossing Hand signed and numbered 26/200 on the lower front 19 3/4 × 25 3/4 inches Unfr...

Lalibela - Bièt Gàbriel is an original etching on paper realized by Lino Bianchi Barriviera in 1939- 1943. Hand-signed in pencil on the lower margin. Title and dated on the lower ma...

Sunset is an original print realized in the 1970s. Mixed colored lithograph This lithograph is hand-signed. Unreadable signature. Artist's proof. Good conditions.

This artwork titled "Gull Point" 1987 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011. It is hand signed, titled, dated and numbered 62/100 in penc...

18th Century Engraving "Birdseye View of Grand Country House at Hamstead Marshall" C.1924 Bird's eye view of the grand country house and gardens at Hamstead Marshall in Berkshire, o...

This realistic limited edition print by John Harris captures a highly detailed, cropped view of water lightly rippling over river rocks in a cool blue palette. This Limited Edition...

Drought is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original Etching. Good conditions. Hand-signed. The artwork is d...

Spring is a very brightly colored serigraph realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-signed i...

This realistic limited edition print by John Harris captures a highly detailed, cropped view of water lightly rippling over river rocks in a cool blue palette. This Limited Edition...

Edge of the Woods Susan Hall, American (1943) Date: Circa 1980 Lithograph, signed and numbered in pencil Edition of 195 Image Size: 30 x 22 inches Size: 30 in. x 22 in. (76.2 cm x 55...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

On BFK Rives French art paper. This is a Photograph silkscreen print of the Kotel, Western Wall in Jerusalem overlaid with Kadishman drawing. Menashe Kadishman was born in Tel-Aviv ...

Red Breasted Merganser PL 58 from a rare black and white edition of Prideaux John Selby’s two volume set of 222 engravings “Illustrations of British Ornithology”. These original...

Johns, Joan. STERLING HARBOUR. Etching, not dated, but probably 1950s-60s. titled, inscribed "Artist's Proof," and signed in pencil. Printed on heavy wove paper. 19 1/4 x 23 5/8 inch...

Hand embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 95. Stretched....

To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

This abstract landscape limited edition print by Elwood Howell features a vibrant green palette. Colorful orange, blue, and violet accent the green area of the composition, which ext...

Lalibela - Bièt Gàbriel is an original etching on paper realized by Lino Bianchi Barriviera in 1939. Hand-signed in pencil in the lower right. Image Dimensions: 45 x 37.5 cm. Num...

This is a framed hand-colored 16th century map of Northern Scotland by Gerard Mercator entitled "Scotiae pars Septentrionalis", published in Amsterdam in 1636. It is a highly detailed map of the northern part of Scotland, with the northwest Highlands and the cities Inverness and Aberdeen, as well as the Orkney Islands and the Hebrides. There is a decorative title cartouche in the upper left corner. The map is presented in an antiqued brown wood...

SALE ONE WEEK ONLY “Birch Forest” is a monotype oil. The process is the simplest form of printmaking in a way because the artist does not etch or carve into a plate. Instead, a mono...

Claude Tabet, French (1924 - 1979) - Promenade at the Square. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Siz...

This artwork titled "Lake Summit" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated and titled in pencil by the artist. The image size is 14 x 25 inches, sheet size is 22.5 x 27 inches. It is in excellent condition. About the artist: Virgil Thrasher...

This abstract limited edition print features a blue heron bird in flight (facing left). The background is an abstract rectangular pattern with blue and gold rectangles, which blend i...

A ca. 1958 lithograph with applied pastel titled "Edgartown Harbor" by notable Chicago artist Francis Chapin. Image size: 14 3/4" x 19 3/4. Archivally matted to: 20" x 25 1/2". ...

This artwork titled "Kreuzenstein Courrtyard, Austria" c. 1960 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil by the artist at the lower center. The image (plate mark) size is 15.75 x 17.35 inches, framed size is 25.25 x 26 inches. Custom framed in a wooden antique silver frame, with decorated matting. It is in excellent condition, the colors are fresh and bright, the frame has minor restorations, practically invisible. About the artist. Born in Vienna in 1914, Robert Kasimir began drawing at age 4, taught by his grandfather Alois. He made his first etching at age 5. He graduated from Vienna schools and attended the Technological College before switching to the Academy for Graphic Art, where he studied under Professor Hans Frank, a painter and graphic artist. Robert inherited the talent of his famous parents. His technique and subject matter are quite similar to those of his father. He signed his early etchings with the pseudonym "F.O. Robert" until he became established as a successful artist in his own right. Only then did he begin signing his etchings with his own name. In 1936 he came to the United States for a year of study at the Academy of Fine Arts, Philadelphia. During that year he made drawings for his American etchings, including the Capitol in Washington, Yale University, Broad Street, New York, and the University of California in Berkeley. He completed the actual etchings after his return to Vienna. In 1938 he was drafted into the army. He was sent to several fronts (Belgium, Holland, France, Russia) as a war reporter. He did many drawings during the war. In 1945 he returned to Vienna. For the next several years industrial commissions comprised most of his work, though he did several of his Viennese and Austrian scenes such as the Vienna Opera House...

Vintage European School Hand Colored Lithograph C.1940s Beautiful hand colored lithograph Rich Color - Strong Pencil Signature (illegible - see images) Dimensions 14" wide x 18" ...

Pont Neuf Le Soir is a hand drawn, limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography techniques on archival Arches paper by the popular French artist Michel Delacroix, well known for his naif style paintings of a city he calls "the Paris of then". Pont Neuf Le Soir is a dramatic Paris night scene depicted with a deep gray blue moonlit evening sky as a backdrop for the oldest historic Paris bridge crossing the River Seine - the Pont Neuf. In the foreground, a nostalgic street scene of people in Victorian dress strolling beneath the glowing lampposts; women with a baby carriage, flowers, children, small dog, and a black tugboat billowing smoke heading up river toward a rosy...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Somme, Coucher De Soleil Year: Circa 1965 Medium: Color Etching Edition: Numbered 109/300 i...

This abstract landscape limited edition print by Ken Elliott features a warm palette and impressionistic style. It pictures a forest-scape with thin, dark tree trunks, surrounded by ...

This abstract landscape limited edition print by Elwood Howell features a vibrant green palette. Colorful orange, blue, and violet accent the green area of the composition, which ext...

Beautiful colored lithograph, representing a marine landscape. Numbered and hand-signed with pencil on the lower margin by the Italian artist, Ampelio Tettamanti. Edition of 90 print...

View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido, and like others built by Marcus Agrippa in the time of Augustus when he cleaned all the sewers leading...

This contemporary abstract landscape limited edition print by Ken Elliott features tall, lush trees, the leaves of which are cool blue and violet tones. Small portions of the bottoms...

This artwork titled "Cornucopia" 1987 is an original color lithograph on Aches paper by American artist Helen Rundell, b. 1935. It is hand signed and numbered 103/295 in pencil by th...

Medium: Serigraphy (Silkscreen Printing). These are the original high quality serigraphs produced in partnership with Disney first released at D23. Edition: Varying Edition Sizes ba...

Ira Moskowitz, Polish/American (1912 - 2001) - Flowers 5, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 30 in. x 21.5 in. (76.2 cm x 54.61...

My Garden by Dody Müller, American Date: 1979 Screenprint, signed in pencil Edition of AP Image Size: 19 x 25 inches Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

The Balcony is an original digigraph realized by Martine Goeyens in the 2000s. The artwork is hand-signed in pencil by the artist on the lower right. Hand-retouched by the artist on the lower left margin. Embossed stamp of "Fondazione Di Paolo" on the lower right margin. Very good conditions. The artwork represents a beautiful balcony with flowers. On the background, a romantic seascape...

Paper: 25.25 x 20.5 in. / 64.1 X 52 cm. Image: 10.75 x 11.5 in / 27.3 x 29.2 cm. One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 bo...

Evening Light over Torcross by Ann Burnham [2021] limited_edition linocut Edition number 1 -10 Image size: H:15cm cm x W:35cm cm Complete Size of Unframed Work: H:55cm cm x W:75cm c...

Maya Lin: Systematic Landscapes poster (hand signed and dated), 2006 Offset lithograph poster Hand signed and dated 2006 in black marker by Maya Lin on the front 16 1/2 × 26 inches U...

Early 18th Century Etching "Badminton in the County of Gloucester" C.1724 Bird's eye view of Badminton House, in Gloucestershire; the seat of the Duke...

Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...

Artist: Kaiko Moti – Indian/French (1921-1989-) Title: Champs de Lavande (Fields of Lavender) Year: 1979 Medium: Color Aquatint on Arches paper Sight size: 17.25 x 22.5 inches. She...

Trees is an original black and white etching realized by Lino Bianchi Barrivera in 1964. Hand signed on the right margin. Numbered on the lower left. Edition of 102 copies (16/102...

A letterpress and engraving print by Salvador Dali on Japon paper, made in 1973. Numbered as 7/250, this piece was published by EGI and referenced in Field as 73-21. Road To Ampurda...

Salvador Dali - City Hall - San Francisco - Original Hand-Signed Etching Title: City Hall - San Francisco Drypoint Handsigned Dimensions: 65 x 50 cm Edition EA Catalogue raisonné: Fi...

Gulls by Dody Müller, American Date: 1979 Lithograph, signed, titled, numbered and dated in pencil Edition of 250 Size: 22 x 30 in. (55.88 x 76.2 cm)

Overgrown Quarry-Poster. New York Graphic Society Ltd. Printed in Switzerland. Measures 25.5 x 30 inches and is Unframed. Good/Fair Condition-creasing/discoloration primarily in the ...