Medium Landscape Prints

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as reported on the lower left margin) Dry stamp on the lower margin. Maurizio Coccia, also known as "Rolandi" painter, engraver, sculptor, artistic decorator. Born in Rome in 1940, he studied painting and turned to the masters of the Via Margutta and was inspired by the works of Cagli and Guttuso. After making his debut in the 70s with two exhibitions in Trieste and Rieti, he also exhibits in the United States and in the major Italian galleries...

Framed 34.25 x 38.50 in Color lithograph after the 1951 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300.

Three boys stand near a periscope on a boardwalk, one using it to peer out beyond into the vastness of the waterfall before them. The composition is simple and resembles a style that would be used in traditional Japanese ukiyo-e woodblock prints. From the Mother Goose Portfolio, this print is signed and numbered in pencil by the artist. Three Children...

American Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...

Serge LASSUS (1933-) Thalasso at Saint Malo, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 76 x 56 cm (c. 30 x 22 ...

Emile OTHON FRIESZ Sainte Victoire Mountain near Aix en Provence Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Exce...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 017 Subject: Autumn Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are...

Artist: Alexander Calder (1898-1976) Title: Friendship, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inc...

M.C. ESCHER (1898-1972) Between Sky and Water, 2008 Facsimile after the original woodcut from 1938 Signed in the plate Numbered / 450 copies (the number you can see can be different...

This realistic nautical limited edition print by Michel Brosseau captures the folded and tied white sails of a boat. The subject is rendered realistically with a flat light umber bac...

Les Fleures is an original colored lithograph on cream-colored paper print realized in 2010 by Martine Goeyens. The contemporary artwork, representing a wonderful still life of flow...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller." Hart Ski Vintage Poster...

Artist: Ernie Barnes Title: Destination Unknown Year: 1979 Print - Lithograph Size: 25" x 19 ½" inches Edition: Pencil signed and numbered 24/300 Unframed ‘Destination Unknow...

This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...

Artist: Julian Stanczak (1928-2017) Title: Continual Year: 1979 Edition: 41/175, plus proofs Medium: Silkscreen on Somerset paper Size: 25 x 25 inches Condition: Good Inscription: Si...

Artist: Peter Max (1937) Title: Vase of Flowers Year: 1979 Edition: 138/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: S...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Horses in Moonlight Year: circa 1975 Medium: Lithograph, signed in pencil Edition: Epreuve d'Artiste Size: 25.25 x 19.5 in. (64.14 x...

M.C. ESCHER (1898-1972) Surrealist Lovers, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different) On...

Lu Lu Bisquites; Lefevre -Utile ( Lefèvre-Utile) crackers. The original lithographic poster is printed in colors, and the vintage vintage poster is archival li...

Artist: Salvador Dali (1904-1989) Title: Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid tornado bathtub, Imaginations a...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 1...

Linda Plotkin, American (1938 - ) - Two Elms, Year: circa 1965, Medium: Etching on Arches, signed, titled and numbered in pencil, Edition: 6/120, Image Size: 22 x 18 inches, Size...

Bernard Buffet French Riviera : Saint Tropez Village, 1977 Original lithograph (Mourlot workshop) Unsigned On vellum 76 x 65 cm (c. 30 x 26 in) Authenticated with the blind stamp o...

Jean-Claude PICOT (1933-) French Riviera : The old village of St Tropez, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Co...

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Plafond de l’Opera de Paris (The Ceiling of the Paris Opera), from the album Le plafond de l’Opera de Paris par Ma...

Marc Chagall, After, Russian (1887 - 1985) - La Procession de Noel, Medium: Giclee, facsimile signed, Edition: 375, Image Size: 11 x 18 inches, Frame Size: 26 x 31 inches, Publ...

Emilio Sanchez (1921-1999) created this color lithograph entitled “LAS CABANAS” in 1996-98. This impression is signed, titled, and inscribed in pencil. Estate stamped on verso. The...

Suggestive of the misty cool colors and contours of the Pacific Northwest, this scenic framed lithograph is numbered #5 of 40. Let it inspire a restful palette for the bedroom. Sign...

SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled L'entree du village (The Entrance to the Village), from the album Roger de la Fresnaye, III, Collection Pierr...

Artist: After Jim Dine (1935) Title: Four Hearts, exhibition poster Year: 1971 Medium: Lithograph on Arches paper Size: 30.75 x 22 inches Condition: Excellent Inscription: Signed by ...

This artwork titled "La Cote d'Azur" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Jean Claude Picot, 1933-2020. It is hand signed and ...

Medium: Digital archival print Image Size: 13.5 x 35 inches Year: 2024 Edition: 500 This is a unusual item from Romero, a project completed for a movie. The Pleasantville Color Car...

This charmingly whimsical lithograph of a classic Toronto image—the streetcar was one of a series Charles Pachter first created in the seventies. Two electric streetcars moving away from the viewer fill the frame—in yellow and pink— hydro lines above them appear to be suspended above a large cloud. Pachter is a much-admired Canadian artistic polymath, his colourful pop artwork merging playful even irreverent elements with deeply iconic imagery. Number 5 0f 20. “…and a good art critic would compare it with Warhol’s soup cans...

Nautical abstract expressionist painting that is signed by the artist, but spelling of name is unclear: either Palermo or Palmaro? Signed in bottom right corner. Bottom Left co...

The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...

Duane Bryers, American (1911 - 2012) - All The Yesterdays, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 16 x 23.5 in., Size: 20.5...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

Salvador Dali Individual Etchings: Notre Dame de Paris, Published 1969 Medium: E.A. Copper Etching on Japon Artwork Size: 20 x 25 in Framed Size: 33.75 x 28.75 in This work is...

Christo and Jeanne-Claude, Christo, Javacheff Christo Wrapped Trees, Switzerland (Hand Signed by Christo and Jeanne-Claude), 1998 Offset lithograph poster (Hand Signed) Signed Christ...

Flowers on Window Sill by Guy Charon, French (1927) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 250, EA Image Size: 25.5 x 19.5 i...

Offset print with coater varnish Edition of 286 300 71 cm (D) (28 in) Signed, numbered and titled on front Mint. Minor imperfections may appear due to the production process. Sold wi...

Lithograph realized by Lucio Rofrano in 1990s. Edition of 150, numbered and hand signed. Excellent condition.

This artwork titled "Hoer Dachstein, Austria" c. 1960 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate ...

OUT WEST is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid free. OUT ...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Village Provençal' and inscribed lower left 'Epreuve d'Artiste'. A vibrant Artist's Proof, stone lith...

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Artist: Peter Max (1937) Title: Angel Year: 1978 Edition: 234/250, plus proofs Medium: Silkscreen on Fabriano Rosapina paper Size: 22 x 30 inches Condition: Good Inscription: Signed ...

Bernard BUFFET Buildings in New York, 1967 Original stone lithograph Printed signature in the plate Printed in Mourlot workshop 71 x 52 cm (c. 28 x 21 in) REFRENCES : Catalog raiso...

Whitefish Point is a famous lighthouse located in Paradise, Michigan at the southeastern end of Lake Superior. Leo Kuschel's paintings and prints are hig...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

Lloyd Lozes Goff, American (1918 - 1982) - Woodstock, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 19 x 23 inches, Size: ...

Photographed in Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk. This artwork is a limited edition of 25, gloss photograph...

Irish Setters in the Field is an original etching by Leon Danchin showing two adult Irish Setters in a field pointing to the right.This etching is printed on Arches paper, pencil si...

(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851) THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Experience the intense and striking art of Cleon Peterson with his "Black Endless Sleep" print. This hand-pulled screen print, created in 2016, features Peterson's signature black an...

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

Offset print with coater varnish Edition of 271 of 300 71 cm (D) (28 in) Signed, numbered and titled on front Mint. Minor imperfections may appear due to the production process. Sold...