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Paul Jeffay
Caberet du Lapin Agile, Montmartre, Paris 1920

Circa 1920

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Fishing Boats in the Wharf - San Francisco Bay Area Maritime Landscape
Located in Soquel, CA
Delicate print of Fishing and sailboats on the Wharf In San Francisco from the collection of Patricia Pearce by one of her contemporaries or students, at the College of San Mateo, sh...
Category

1980s Contemporary Landscape Prints

Materials

Paper, Ink, Etching

"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Located in Soquel, CA
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...
Category

1820s American Realist Landscape Prints

Materials

Paper, Printer's Ink, Etching

Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper
Located in Soquel, CA
Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper Clean, modern lithograph of the Ennis House in Los Angeles by Frances Myers (American, 1936-2014). The Ennis House sits at the top of a small hill, cutting a strong line against a soft peach-colored sky. Wright's strong sense of balance is highlighted in this composition, with patterns and lines guiding the viewers eye in various directions around the piece. Numbered, titled, signed and dated along the bottom edge: 7/50 Ennis House - Los Angeles Frances Myers 1980 Paper size: 29.5"H x 38"W Print size: 24"H x 32"W Shipped rolled in a tube. Myers was born on April 16, 1936, in Racine, Wisconsin. She began her studies at the San Francisco Art Institute, but soon transferred to the University of Wisconsin–Madison where she earned a BS in 1962, and an MFA in 1965. Myers employed a variety of printmaking techniques in her career including "relief, photo-etching, and mixed media processes." Myers is best known for her prints depicting various buildings. She once said, “I don’t want to invent a building, I want to bring new life to a building.” Growing up in Racine, Myers was exposed to many of Frank Lloyd Wright's architectural works, and she paid tribute to this in her 1980 work The Frank Lloyd Wright Print...
Category

1980s Modern Landscape Prints

Materials

Paper, Ink, Lithograph

"School and Hot Rods Just Don't Mix" - Pop Art Multi-layer Screenprint
Located in Soquel, CA
Highly saturated multi-layer screenprint by Steve J. Pon (20th Century). A 1930's roadster is parked on grass, against a backdrop of trees. The car is rendered in pink with black half-tone dots. The grass and sky are rendered in bold green and blue, respectively. Titled "Achool and Hot Rods Just Don...
Category

1970s Pop Art Landscape Prints

Materials

Paper, Ink

"Bord de Fleuve" Impressionist Landscape of Riverside Paris, Lithograph on Paper
Located in Soquel, CA
"Bord de Fleuve" Impressionist Landscape of Riverside Paris, Lithograph on Paper (#86/90) A stone arch bridge spans the Seine in this Paris landscape by French artist, Jacques Voyet...
Category

20th Century Impressionist Landscape Prints

Materials

Paper, Printer's Ink, Lithograph

"Animated Formation" Abstract Aquatint Etching
Located in Soquel, CA
"Animated Formation" Abstract Aquatint Etching Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...
Category

1950s Post-War Abstract Prints

Materials

Etching, Archival Paper, Aquatint

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Branches Blue, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
This print is part of a small series of works to investigate the use of layering, colour blends and texture in screen print to elicit an ethereal, eerie and potentially dizzying sens...
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Branches Gold, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...
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2010s Contemporary Landscape Prints

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Restaurant in Mott Street
By Charles Frederick William Mielatz
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
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Early 20th Century American Modern Landscape Prints

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Winter Chestnut, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...
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2010s Contemporary Landscape Prints

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Autumn Light, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
Drypoint print onto photolitho printed kitakata with subtle gold ink and mounted onto Hahnemule printmaking paper. This print of a tree uses litho printed kitakata chine collé to dep...
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2010s Contemporary Landscape Prints

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Autumn Pine, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
This print of a pine tree uses kitakata Japanese tissue chine collé to depict the warmth and colour of early autumnal light. It is then backed onto Hahnemule printmaking paper. The subject matter is from Ashton Court Estate in Bristol. This body of work is based on the book by Suzanne Simard, 'Finding the Mother Tree'. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene. My work explores the ecological sublime and an appreciation of the majesty of nature. I use detailed intaglio etching, drypoint, lithography and chine collé to draw the viewer into an ethereal landscape that has an impact on our sense of place in relation to the natural world. I use primarily black and white with natural tones of chine collé and sometimes layers of lithographic texture to introduce warmth to the stark palette and to invoke a sublime emotional connection. I work from sketches, photographs, notes and memory to create my prints. ADDITIONAL INFORMATION: Black & White, Chine Collé, Drypoint, Drypoint print, Etching, Etching print on Paper Edition of 20 44 H x 32 W x 1 D cm (17.32 x 12.60 x 0.39 in) Sold unframed Image size: Height: 30cm (11.81 in) Width: 20cm (7.87 in) Complete size of sheet Height: 44cm (17.32 in) Width: 32cm (12.60 in) Depth: 1cm (0.39 in) ARTIST BIOGRAPHY: Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil. Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...
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