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Medium: Drypoint
Billie Holiday , limited edition print, still-life, contemporary
Located in Deddington, GB
Billie Holiday [2023]
limited_edition
Drypoint
Edition number 5
Image size: H:51 cm x W:59 cm
Complete Size of Unframed Work: H:68 cm x W:75.5 cm x D:0.1cm
Sold Unframed
Please note ...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Drypoint
Isle of View
Located in New York, NY
George Trakas
Isle of View, 2006
Aquatint and dry point etching printed on Lana Gravure paper
Signed, titled and numbered X/X in pencil; bears publishers' blind stamp on the front
18...
Category
Early 2000s Contemporary Drypoint Landscape Prints
Materials
Mixed Media, Drypoint, Etching
Ponte dei Baratteri, Venice
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
"St. Nicolas du Chardonnet" Etching in Ink on Paper
Located in Soquel, CA
"St. Nicolas du Chardonnet" Etching in Ink on Paper
Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings.
Stamp with coat of arms on verso.
Artist's info written on verso.
Presented in a new black mat with foamcore backing.
Mat size: 16"H x 12"W
Paper size: 10.75"H x 6.75"W
Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...
Category
1910s American Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Caberet du Lapin Agile, Montmartre, Paris 1920
By Paul Jeffay
Located in Soquel, CA
Caberet du Lapin Agile, Montmartre, Paris - 13/250
This charming etching depicts a French residential street scene by Saul Yaffie a.k.a., Paul Jeffay (Scotland, 1898–1957) in varying shades of lights and darks with intricately made hash marks.
Frame Size: 12.25"H x 14.88"W.
Image size: 6"H x 8.75"W.
Signed lower right Paul Jaffay and lower left "13 of 250" (impressions)
Saul Yaffie, a.k.a. Paul Jeffay, (1898–1957) was a Scottish Jewish artist. Known for his charming French street scenes as well as his Judaica work. Saul Yaffie is listed in the Glasgow School of Art's World War One Roll of Honor. After (1918) the armistice Saul returned briefly to Glasgow, before ‘try[ing] his luck in Paris’ (Schotz, pg. 64). It is around this time that Saul began to sign his work with the pseudonym ‘Paul Jeffay’.He later went by the name Paul Jeffay, and much of his work is signed under this name.
Saul Yaffie was born in Blythswood, Glasgow on 29 April 1898. His mother was Kate Yaffie (née Karkonoski), and his father, Bernard Yaffie, was a master tailor. Like many Russian Jews, Kate and Bernard Yaffie fled persecution in Russia during a wave of anti-Jewish pogroms triggered by the assassination of Tsar Alexander II in 1881. Saul's father was naturalised as a British citizen by the time that Saul himself was three; a Bernard Yaffie is recorded as living at Abbotsford Place in the old Gorbals, where the young Saul spent the early years of his childhood. The Yaffies were not unique in their situation: the Gorbals was the centre of Scotland's Jewish community and home to a large proportion of Glasgow's immigrants throughout the early 20th century. Over time, there was a movement to some of the more affluent communities in Glasgow, such as Pollokshields and Garnethill, as many Jewish families gradually improved their social and economic situation. Like these, the Yaffies also experienced a time of good fortune, moving to a more agreeable address on Sinclair Drive, Cathcart as Bernard's tailoring business prospered.
Saul attended day classes in drawing and painting, modelling, and life drawing at The Glasgow School of Art from 1912 to 1919. During the First World War, he was required to interrupt his studies to serve in the King's Own Scottish Borderers in 1916/17. Although subject to military conscription, Yaffie reached the rank of corporal during his service. Prior to his conscription Yaffie engaged in munitions work, something that was recorded in the GSA's student registers.
The post-war economic depression that affected the country during the 1920s, also affected the Yaffie family directly: Bernard Yaffie's business suffered greatly, and the family eventually emigrated to Canada. Saul did not emigrate with his family, choosing instead to stay in Europe, and relocate to jazz age Paris where he continued his artistic practice. Now married, Saul sought to escape persecution in Europe by returning to the UK before the Second World War with his wife, Estusia. The two settled in Manchester, but returned to France after the war.
In his memoires ‘Bronze in My Blood’, German-born sculptor Benno Schotz describes a Saul ‘Yaffe’, one of only three other Jewish students who attended The Glasgow School of Art at the time. (Schotz himself was exempt from joining the forces because he was ‘not yet a British subject’, and was engaged in war work in the drawing office of John Brown’s shipyards). On the outbreak of the war, Schotz writes, Yaffie won a poster competition to be displayed in Glasgow tramcars at the beginning of the 1914-18 war – his winning design depicted a woman with a child in her arms, fleeing from a fire behind her. While on leave from service, the young Saul told Schotz he had briefly been stationed in the same unit as Jewish American sculptor Jacob Epstein. This was most likely the 38th Battalion of the Royal Fusiliers...
Category
Mid-20th Century Post-War Drypoint Landscape Prints
Materials
Drypoint, Paper, Etching
Wet Night, Route 6
By Martin Lewis
Located in Oakland, CA
McCarron, 104. Drypoint on cream laid paper. Edition of approximately 51.
Signed in pencil.
This print is also featured in the collections of the Art Institute of Chicago and the Detroit Institute...
Category
20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint
Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition.
About the artist:
Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL.
Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Category
Mid-20th Century American Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Grande Albero
By Safet Zec
Located in Ljubljana, SI
Grande Albero. Original aquatint and dry-point, 1992-3. Edition of 60 signed and numbered impressions on Arches paper.
Safet Zec is a Bosnian painter and graphic designer, known as one of the major artists of poetic realism. At the beginning of the 90’s he became one of the most important artists...
Category
1990s Post-Modern Drypoint Landscape Prints
Materials
Drypoint, Aquatint
Blue Spruce
Located in Brooklyn, NY
Donald Baechler sees himself as an abstract artist whose concerns are formalist such as line, form, and balance. HIs images are often playful, almost naive, seeming Neo expressionis...
Category
Early 2000s Contemporary Drypoint Landscape Prints
Materials
Drypoint, Aquatint
'New York' — 1930s American Scene Etching
Located in Myrtle Beach, SC
Chester Leich, 'New York,' drypoint, c. 1935, edition 100. Signed, titled, and numbered '20/100' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins, in excellent condition. Image size 4 7/8 x 3 1/2 inches; sheet size 6 3/8 x 5 inches. Matted to museum standards, unframed.
ABOUT THIS WORK
Leich's evocative drypoint depicts the New York City skyline from the busy East River, with the landmark Chrysler Building rising prominently above the passing ships' billowing exhaust clouds. The Chrysler Building, an iconic Art Deco skyscraper on the East Side of Manhattan was the world's tallest building for 11 months after its completion in 1930; it remains the tallest brick building in the world with a steel framework.
ABOUT THE ARTIST
Painter and etcher Chester Leich (1899-1978) was born in Evansville, Indiana. He spent much of his youth in Europe, studying drawing, painting, and printmaking in Germany, Italy, and Switzerland. Upon his return to the U. S., Leich established a studio in Evansville, then in New York, and later in Leonia, New Jersey, where he settled. With the outbreak of World War II, he volunteered as a cartographer for the U. S. Coast and Geodetic Survey in Washington, D. C. where he worked until 1956.
Leich traveled extensively throughout the United States and Europe. His graphic work, consisting mainly of etchings and drypoints, was exhibited at The Society of Washington Printmakers, the Metropolitan Museum, and internationally in Paris, London, Stockholm, and Tokyo. Leich also conducted classes in both painting and printmaking techniques. He was a member of the Society of American Etchers, Chicago Society of Etchers, Philadelphia Society of Etchers, Indiana Society of Print Makers, and the American Artists Professional League.
Leich’s etchings are held in the permanent collections of the Art Institute of Chicago, Connecticut Historical Society Museum and Library, Georgetown University (Special Collections Library), National Collection of Fine Arts...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint
Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East
Drypoint, 1930-1931
Signed in pencil lower right (see photo)
Initialed and dated the the plate above the pencil signature
From: Cincinnati Series (8 Plates), this No. 2
Edition: 155, completed May 4, 1931
Delivered to Fellheimer & Wagner, 1931
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint
Yellow Sky, limited edition print, still-life print, landscape, animal print
Located in Deddington, GB
Yellow Sky by Kate Boxer [2022]
limited_edition
Drypoint on Paper
Edition number of 30
Image size: H:49 cm x W:49 cm
Complete Size of Unframed Work: H:69 cm x W:69 cm x D:0.5cm
Sold ...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Drypoint
Victorian Gasometer, by Jenny Robinson
Located in Palm Springs, CA
Medium: Etching and spitbite
Year: 2010
Edition: 7 (EV)
Image Size: 22 x 17.5 inches
Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the A...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Drypoint
Western Hills Viaduct Under Construction
Located in Fairlawn, OH
Western Hills Viaduct Under Construction
Drypoint, June 1931
Signed in pencil lower right (see photo)
Initialed and dated in the plate lower right above pencil signature (see photo)
From: Cincinnati Series, 1930-1931, 8 plates, this No. 5
Small edition, not specified
From Greenfield Hill
Condition: Excellent
Image/Plate size: 8 1/2 x 15 1/4 inches
Sheet size: 11 1/4 x 18 1/2 inches
Louis Conrad Rosenberg
1890-1983
An American architectural etcher...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint
Pie Case
Located in New York, NY
Wayne THIEBAUD
Pie Case, 1964
Edition AP
Drypoint on BFK Rives paper
Image: 3 7/8 x 4 7/8 in.
Sheet: 15 x 11 in.
Signed in pencil, dated and inscribed "artist's proof"
aside from th...
Category
1960s Pop Art Drypoint Landscape Prints
Materials
Drypoint
Rotherhithe (Wapping) - Drypoint Etching
Located in Soquel, CA
Etching from James A. M. Whistler's Thames Set ("A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects") originally published in 1871. Masterfully executed and highly detailed etching of two workers at a shipyard in Rotherhithe.
Signed and dated in plate ("Whistler 1860")
Paper size: 14.82"H x 11.19"W (37.6cm x 28.4cm)
Plate size: 10.63"H x 7.69"W (27cm x 19.6cm)
Presented in a new white mat with new backing.
Title
Rotherhithe (aka: Wapping)
Artist
James Abbott McNeill Whistler 1834 - 1903
Year
1860
Technique
etching and drypoint
Image Size
6 7/8 x 11 7/8" platemark
Signature
plate signed "Whistler" lower left image
Edition Size
118 known impressions (Glasgow)
Annotations
dated "1860" in lower left
Reference
G70; Kennedy 66; M. 66; T.41; W.60
Paper
antique-white laid, with KF watermark in center
State
vi/vi
Publisher
Published in the "Thames Set" in 1871 by Keppel (Published in this state in the 'Thames Set'. Diagonal drypoint lines augment the shading across the chest and pipe of the man on the left.)
Born in Lowell, Massachusetts, James Whistler became one of the most influential late 19th-century American painters and etchers, although he lived primarily in England. He worked in a wide variety of styles that included Impressionism, Symbolism, and Art Nouveau. He was especially influential in the Tonalist movement and was a catalyst for those who wanted to break away from prescribed academic methods, credited with being the first American modernist to influence European art.
He also created 179 lithographs, having received a commission in 1879, and from that time, he worked in graphics, pastel, and watercolor, and favorite subjects were subtly delineated cityscapes or ships at docks.
He was raised both in New England and in Russia where his father, an engineer, was commissioned by the Czar to build the Moscow-St. Petersburg railroad. In 1847, Whistler went to London for his sister's wedding to Seymour Haden, a key figure in 19th century etching, and association with this man stimulated Whistler's interest in that medium.
After the father's death in 1849, the family returned to the United States, and he entered the Military Academy at West Point where he did illustrations for student publications and also worked as surveyor and cartographer in U.S. Coastal and Geodetic Surveys.
In 1855, determined to have a fine art career, he sailed for Europe and never returned to the United States. He studied in Paris with Charles Gleyre and became a part of avant-garde circles that included Henri Fantin-Latour, Alphonse Legros, Edouard Manet, Gustave Courbet, and Edgar Degas. In 1859, he settled in England but stayed in close touch with his Parisian friends.
His style was independent of realism and of those such as John Ruskin who thought art...
Category
Late 19th Century Impressionist Drypoint Landscape Prints
Materials
Ink, Laid Paper, Drypoint
The Passing Freight, Danbury
By Martin Lewis
Located in Storrs, CT
.The Passing Freight, Danbury. 1934. Drypoint and sand ground. McCarron 108. 8 7/8 x 14 7/8 (sheet 12 1/7 x 17 5/8). Edition 46 (including 6 trial proofs). A rich, tonal impression p...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint
Cartas de Japon by Ray Smith surreal Dali esque print Japanese portfolio
By Ray Smith
Located in New York, NY
Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan.
Cartas del Japon, 1988-89
Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper
Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs.
Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989.
Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...
Category
1980s Pop Art Drypoint Landscape Prints
Materials
Drypoint
Bunny Gilp, Animal Art, Rabbit Art, Grounded Contemporary Artwork, Word Art
Located in Deddington, GB
Bunny Gilp is a limited edition drypoint etching with medium by Kate Boxer. The rich brown tones almost create a monochromatic look with an added warmth. Sheet sizes may vary. Kate B...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint
Stag, Animal Art, Grounded Contemporary Art, Brown and Neutral Art, Wildlife Art
Located in Deddington, GB
Stag by Kate Boxer [2021]
limited_edition and hand signed by the artist
Drypoint print on paper
Edition number of 30
Image size: H:72 cm x W:99 cm
Complete Size of Unframed Work: H:...
Category
21st Century and Contemporary Folk Art Drypoint Landscape Prints
Materials
Paper, Drypoint
New Viaduct
Located in Fairlawn, OH
From: The Cleveland Set (23 plates), No. 1
Edition: Small
Signed in pencil
Image: 7 3/4 x 11 1/2"
Category
1920s Drypoint Landscape Prints
Materials
Drypoint
The Gate, Chelsea
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches.
A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work.
According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Rising Tides, by Jenny Robinson
Located in Palm Springs, CA
Medium: Intaglio on Mulberry paper
Year: 2017
Edition: 15 (edition sold out, this is the last artist proof)
Image Size: 20 x 20 inches
Robinson has been honored as the recipient of...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Drypoint
Untitled (Sign), by Jenny Robinson
Located in Palm Springs, CA
Drypoint and monotype, signed and numbered by the artist.
Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the Academie des Beaux Arts in Pa...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Drypoint
Winter in Lincoln Park (Chicago)
Located in San Francisco, CA
This artwork titled "Winter in Lincoln Park (Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...
Category
Mid-20th Century American Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Drenched (Lincoln Park, Chicago)
Located in San Francisco, CA
This artwork titled "Drenched (Lincoln Park, Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...
Category
Mid-20th Century American Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Along the Lake (Lake Michigan, Chicago)
Located in San Francisco, CA
This artwork titled "Along the Lake (Lake Michigan, Chicago) c. 1960, is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It ...
Category
Mid-20th Century American Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Winter (Lion at the art institute of Chicago, Chicago)
Located in San Francisco, CA
This artwork titled "Winter (Lion at the Art Institute of Chicago, Chicago)" 1940 is an original drypoint etching by noted Chicago artist Jame...
Category
Mid-20th Century American Realist Drypoint Landscape Prints
Materials
Etching, Drypoint
"Coastal Ti Tree" Gums NSW Drypoint Etching in Ink on Paper No. 30/100
Located in Soquel, CA
"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100
Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore.
Titled and numbered "Coastal Ti Tree 30-100" in the left corner.
Signed "G. Cope" in the right corner.
Presented in a new black mat with foamcore backing.
Mat size: 11"H x 14"W
Paper size: 5.5"H x 10.25"W
According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope"
Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer.
Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...
Category
Early 20th Century Naturalistic Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Wrigley Building (Chicago)
Located in San Francisco, CA
This artwork titled "Wrigley Building (Chicago)" 1963, is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand sign...
Category
Mid-20th Century American Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Day's End
By Martin Lewis
Located in Oakland, CA
McCarron 120 iii/iii. Drypoint on wove paper, watermarked WHATMAN 1937 and ENGLAND. Edition of 34 plus 8 trial proofs, according to McCarron. Rare. Signed in pencil and inscribed “For Patricia and Martin D~ Printed especially for them by ‘le ancien’, December 1947” (Martin D and Patricia are Martin Lewis’ son and daughter-in-law. The artist, the elder of the two Martins, refers to himself as Le Ancien.).
The print was awarded an honorable mention by the Philadelphia Print...
Category
20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint
Le Marché aux Puces
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Serenite
Located in Palm Springs, CA
This is a unique print from the second state, signed and titled in pencil. the final edition of 180 was completed for the Société des peintres-graveurs français. This is a great example of the texture and tone that can be achieved with drypoint.
In keeping with the best Italian traditions, Houtin's gardens are well furnished with fragmentary architecture conveying a mood of elegiac decay, while the vestiges of grand designs, manifest in a profusion of topiary-lined avenues, evoke French precedents. Elsewhere, temples and pavilions scattered over undulating slopes speak of an enthusiasm for English garden practice.
Bordering at times on the surreal, baroque in their richness and extravagance of conception, Houtin's gardens are hybrid creations in terms of both their botany and architecture, which wittily plunder a wide spectrum of conventions.
François Houtin was born in Craon en Mayenne, France in 1950. He has lived and worked in Paris since 1971. He was trained as a landscape architect, and worked on such prominent projects as the renovation of the Jardin des Tuilleries in 1991. It wasn't until 1973 that he learned printmaking from Jean Delpech, and by 1979 he had become a full-time artist known for his highly detailed prints...
Category
1980s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Puffin, Limited edition print, Handmade print, Drypoint print, Animal Art, Bird
Located in Deddington, GB
Puffin is a hand coloured limited edition drypoint etching with carborundum by artist and printmaker, Kate Boxer. Kate Boxer brings the vibrant colours of the puffin's beak to life in this drypoint print made with carborundum and finished with hand coloured details.
Kate Boxer prints are available with Wychwood Art...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint
Derricks at Night
By Martin Lewis
Located in Oakland, CA
McCarron 62 i/ii. Drypoint on wove paper, full margins with FJ Heard & Co watermark. Edition of 104, including 3 trial proofs. Signed and inscribed “imp” in pencil.
Derricks at Nigh...
Category
20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint
Stevie Sitting, Handmade Drypoint print, Animal Print, Dog Art, Vizla Art
Located in Deddington, GB
Stevie Sitting by Kate Boxer [2022]
Please note that insitu images are purely an indication of how a piece may look
Stevie Sitting is a handmade dry point print...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint
"Sausalito" Harbor Seascape Drypoint Etching on Paper
Located in Soquel, CA
"Sausalito" Harbor Seascape Drypoint Etching on Paper
Lovely drypoint etching of Sausalito harbor by Harriet Gene Roudebush (American, 1908-1998). From a vantage point above the har...
Category
1940s American Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Stevie Sitting, Animal Art, Handmade Drypoint Prints, Dog Art, Happy Art
Located in Deddington, GB
Stevie Sitting by Kate Boxer [2022]
Please note that insitu images are purely an indication of how a piece may look
Stevie Sitting is a handmade dry point print...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint
QUARTER OF NINE - SATURDAY'S CHILDREN
By Martin Lewis
Located in Portland, ME
Lewis, Martin (American, born Australia, 1881-1962). QUARTER OF NINE, SATURDAY'S CHILDREN. McCarron 79. Drypoint, 1929. McCarron says the intended edition was 100 , but 107 were prin...
Category
1920s Drypoint Landscape Prints
Materials
Drypoint
"Telegraph Hill from Russian Hill" Landscape Drypoint Etching on Paper
Located in Soquel, CA
"Telegraph Hill from Russian Hill" Landscape Drypoint Etching on Paper
Elegant drypoint etching of Coit Tower on Telegraph Hill by Harriet Gene Roudebu...
Category
1940s American Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Located in Soquel, CA
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Detailed drypoint etching by Wolfgang Tritt (German, 1913-1983). The Kaiser Wilhel...
Category
Mid-20th Century Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Palm Springs Courtyard with Fountain - Drypoint Etching on Paper
Located in Soquel, CA
Palm Springs Courtyard with Fountain - Drypoint Etching on Paper
Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...
Category
1920s American Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Evening, Port of Genoa
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
1910s Modern Drypoint Landscape Prints
Materials
Drypoint
Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
1920s Other Art Style Drypoint Landscape Prints
Materials
Drypoint, Etching
Street Market - Montmatre, France, etching, 1922
Located in Melbourne, Victoria
Monogram and date of etching in the plate bottom left.
220mm by 305mm (platemark) 310mm by 390mm (sheet)
Category
1920s Art Nouveau Drypoint Landscape Prints
Materials
Drypoint, Etching
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
By Doris Warner
Located in Soquel, CA
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
Minimalist landscape with two figures walking along the shore by Doris Ann Warner (American, 1925-201...
Category
1980s Minimalist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Cowboy and Horse – Blue by Kate Boxer, Drypoint print, Handmade print [2022]
Located in Deddington, GB
Cowboy and Horse – Blue by Kate Boxer [2022]
limited_edition and hand signed by the artist
Drypoint Print on Paper
Edition number of 30
Image size: H...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint
![Cowboy and Horse – Blue by Kate Boxer, Drypoint print, Handmade print [2022]](https://a.1stdibscdn.com/kate-boxer-prints-works-on-paper-cowboy-and-horse-blue-by-kate-boxer-drypoint-print-handmade-print-2022-for-sale/a_6323/1669982405441/AD3E0317_59D9_4344_8552_D1578FBAD463_1_105_c_1fcff7db_master.jpeg?width=240)
RELICS (SPEAKEASY CORNER)
By Martin Lewis
Located in Portland, ME
Lewis, Martin. RELICS (SPEAKEASY CORNER) McCarron 74. Drypoint, 1928. Stated Edition of 100 , but 111 were printed. Signed in pencil, lower right. Printed on laid paper watermarked ...
Category
1920s Drypoint Landscape Prints
Materials
Drypoint
A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich wiped impression on ant...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Yellow Sky, Kate Boxer, Limited edition print, Drypoint print, 2022
Located in Deddington, GB
Yellow Sky by Kate Boxer [2022]
limited_edition and hand signed by the artist
Drypoint on Paper
Edition number of 30
Image size: H:49 cm x W:49 cm
Complete...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint
Lioness, Kate Boxer, Drypoint print, Animal art, Folk Art, Limited edition print
Located in Deddington, GB
Lioness by Kate Boxer [2017]
limited_edition and hand signed by the artist
Chine-colléé and drypoint
Edition number of 30
Image size: H:69 cm x W:98 cm
Complete Size of Unframed Wor...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint
Sotto Portico, Venice.
By James McBey
Located in Storrs, CT
Sotto Portico, Venice. 1928. Etching. Hardie/Carter 235. 12 1/2 x 8 3/4 (sheet 8 1/4 x 11 3/8). Edition 80, #39. A rich impression printed in black/brown ink with subtle tonal wiping...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Gannet, Kate Boxer, Limited edition print, Drypoint print, Bird and Wildlife art
Located in Deddington, GB
Gannet by Kate Boxer [2022]
limited_edition and hand signed by the artist
Drypoint on Paper
Edition number of 30
Image size: H:124 cm x W:71 cm
Complete Size of Unframed Work: H:134...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint
White Polar (Bear), Kate Boxer, Limited edition print, Drypoint print, 2020
Located in Deddington, GB
Polar Bear (White) by Kate Boxer [2020]
limited_edition and hand signed by the artist
Drypoint on paper
Edition number 30
Image size: H:72.5 cm x W:94 cm
C...
Category
21st Century and Contemporary Folk Art Drypoint Landscape Prints
Materials
Paper, Drypoint
Drypoint landscape prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green, yellow, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Martin Lewis, James Abbott McNeill Whistler, Sir Francis Seymour Haden, R.A., and Edmund Blampied. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint landscape prints, so small editions measuring 0.009999999776482582 inches across are also available
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