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Medium: Drypoint
Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Archival Paper, Drypoint, Etching
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Dulcinea - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Subject for this artwork comes from Miguel de Cervantes' book. The print comes from edition limited to 5.
CZESLAW TUMIELEWICZ (b. 1942)
In 1968, he studied at the Architecture facul...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint, Watercolor
Ponte della Trinità, Florence
Located in Middletown, NY
Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression.
Rinder 325
[Rinder 325 iii/vii].
The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
On the Grass - Etching and Drypoint by J. Tissot - 1880
By James Tissot
Located in Roma, IT
Very fine print on verge crème.
Some small traces of oxidation, dust and some flowerings on external edges of sheet, otherwise excellent conditions.
Full margins.
Ref. Wentworth 50.
Category
1880s Post-Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category
19th Century Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
$2,800 Sale Price
20% Off
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Early 18th Century Old Masters Drypoint Landscape Prints
Materials
Etching, Engraving, Drypoint
Prophétie de Dalínean (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Prophétie de Dalínean (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Dalínean Prophecy, Imaginations and Objects ...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$8,400 Sale Price
20% Off
Lunettes à hologrammes et ordinateurs pour voir les objets imaginés (F 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Hologram glasses and computers to see ...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
1920s Other Art Style Drypoint Landscape Prints
Materials
Drypoint, Etching
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
Guardians of the Spire; Amiens Cathedral Number 2
Located in Middletown, NY
Guardians of the Spire; Amiens Cathedral Number 2
New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...
Category
Mid-20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Tugs on the Hudson
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Le Marché aux Puces
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
The Mill, Amsterdam, 1889
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011)
On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches.
A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone.
provenance:
H. Wunderlich & Co., New York
Louis B. Dailey, New York (Lugt 4500)
sale, Sotheby’s, New York, October 31, 2003, lot 69
literature;
Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Rainy Day / Fifth Avenue in New York
By Levon West
Located in New Orleans, LA
This is a rare New York image by Levon West.
Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota....
Category
1930s Drypoint Landscape Prints
Materials
Etching, Drypoint
$2,200 Sale Price
20% Off
Street in Wilmersdorf, from: The Creators German Expressionism Berlin
Located in London, GB
LUDWIG MEIDNER (1884-1966)
Bernstadt 1884 - 1966 Darmstadt (German)
Title: Street in Wilmersdorf, from: The Creators Straße in Wilmersdorf, von: Die Schaffenden...
Category
1910s Drypoint Landscape Prints
Materials
Drypoint
'Grand Central, Night' — 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
1920s American Impressionist Drypoint Landscape Prints
Materials
Drypoint
Manhattan Nocturne
Located in Myrtle Beach, SC
A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...
Category
1930s American Realist Drypoint Landscape Prints
Materials
Drypoint
The Pool of London.
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category
1910s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$1,500 Sale Price
23% Off
Ostend Horse
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies)
Signed in pencil by the artist lower right (see photo)
Signed by his printer, Otto Felsing lower left ((see photo)
Annotated in pencil: "In kupfer geschnitten von einen Lapplander"
Printed by Otto Felsing, one of Germany's master printers of the era
One of several engravings Hagemann made based upon actual drawings given to him by Laplanders.
Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony.
He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category
1930s Outsider Art Drypoint Landscape Prints
Materials
Drypoint
Painter painting Don Quixote - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Subject for this artwork comes from Miguel de Cervantes' book. The print is signed, it comes from edition lim...
Category
Early 2000s Contemporary Drypoint Landscape Prints
Materials
Paper, Drypoint, Watercolor
The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
"The Boat" Hand Signed Drypoint Print
Located in Soquel, CA
"The Boat" Hand Signed Drypoint Print
Maritime drypoint print by Jeannette Maxfield Lewis (American. b 1894 d. 1982.) A boat is docked in a harbor, its sails are lowered over the c...
Category
1930s American Realist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Hommage a Picasso (Cannes) (Cote d'Azur) /// Surrealism Salvador Dali Surrealist
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Hommage a Picasso (Cannes) (Cote d'Azur)"
*Signed by Dali in pencil lower right
Year: 1973
Medium: Original Drypoint Etching on Riv...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Drypoint, Etching, Intaglio
The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Corkscrew Willows with Stairs - Hand Colored Drypoint Etching California Adobe
Located in Soquel, CA
Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
Signed in plate, lower left.
Paper size: 8.5"H x 10.5"W
Mat size: 10"H x 12"W
Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe.
Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia.
One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others.
Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...
Category
1930s American Impressionist Drypoint Landscape Prints
Materials
Paper, Watercolor, Drypoint
French Landscape - Original Etching by E. Corneau - 1930s
Located in Roma, IT
French Landscape is an original artwork realized by Eugène Corneau during the 1930s.
Etching and drypoint on paper.
Very good conditions except for some small folds on the left mar...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Cortland Street
Located in Middletown, NY
Etching with drypoint on antique handmade laid Japon paper, 12 7/8 x 7 1/2 (327 x 191 mm); sheet 15 5/16 x 10 7/16 (389 x 265 mm), full margins. Signed in pencil in the lower margin....
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Cartas de Japon by Ray Smith surreal Dali esque print Japanese portfolio
By Ray Smith
Located in New York, NY
Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan.
Cartas del Japon, 1988-89
Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper
Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs.
Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989.
Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...
Category
1980s Pop Art Drypoint Landscape Prints
Materials
Drypoint
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Greville Smyth Pine, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
A very detailed drypoint etching of a Pine tree printed onto gampi Japanese tissue and backed onto Hahnemule printmaking paper. This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Drypoint, Etching
Reguliersracht during winter, Amsterdam
Located in Middletown, NY
Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...
Category
Early 20th Century Dutch School Drypoint Landscape Prints
Materials
Drypoint, Etching
Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East
Drypoint, 1930-1931
Signed in pencil lower right (see photo)
Initialed and dated the the plate above the pencil signature
From: Cincinnati Series (8 Plates), this No. 2
Edition: 155, completed May 4, 1931
Delivered to Fellheimer & Wagner, 1931
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint
L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category
1870s Realist Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Drypoint Landscape Prints
Materials
Drypoint, Etching, Monotype
Street Booth, Tokyo, New Year's Eve
By Martin Lewis
Located in Middletown, NY
A superb impression of Martin Lewis's consummate image of Japan.
Etching with drypoint on fine cream laid paper, 13 7/8 x 10 3/8 inches (352 x 265 mm); sheet 17 3/4 x 14 1/4 inches ...
Category
Mid-20th Century American Modern Drypoint Landscape Prints
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
"Reverie"
Located in Astoria, NY
James Jacques Joseph Tissot (French, 1839-1906), "Reverie", Etching and Drypoint on Laid Paper, 1889, silvered wood frame. Image: 9" H x 4.5" W; frame: 14.75" H x 10" W. Provenance: ...
Category
1880s Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Laburnums and Battersea
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category
Late 19th Century Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Trees on the Shore of Grunewaldsee, from: Berlin Impressions - German Berlin
By Lesser Ury
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin.
It is numbered 20 from the standard edition of 100. There was also an edi...
Category
1920s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Espace-temps en fusion (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Espace-temps en fusion (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Fusing space-time, Imaginations and Objects...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$19,600 Sale Price
20% Off
Vegetation I
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation I" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 8/40 in pencil b...
Category
Mid-20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Fonte Nuova, Siena
Located in Middletown, NY
Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...
Category
Late 19th Century American Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
The Fair
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category
Late 19th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$2,450 Sale Price
30% Off
J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Color, Drypoint, Etching
Guardians of the Spire (Amiens Cathedral Number 2)
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category
1920s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Drypoint landscape prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Martin Lewis, James Abbott McNeill Whistler, Sir Francis Seymour Haden, R.A., and Edmund Blampied. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint landscape prints, so small editions measuring 0.01 inches across are also available