Drypoint Landscape Prints
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Medium: Drypoint
Cartas de Japon by Ray Smith surreal Dali esque print Japanese portfolio
By Ray Smith
Located in New York, NY
Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan.
Cartas del Japon, 1988-89
Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper
Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs.
Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989.
Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...
Category
1980s Pop Art Drypoint Landscape Prints
Materials
Drypoint
Untitled (Sign), by Jenny Robinson
Located in Palm Springs, CA
Drypoint and monotype, signed and numbered by the artist.
Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the Academie des Beaux Arts in Pa...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Drypoint
Rising Tides, by Jenny Robinson
Located in Palm Springs, CA
Medium: Intaglio on Mulberry paper
Year: 2017
Edition: 15 (edition sold out, this is the last artist proof)
Image Size: 20 x 20 inches
Robinson has been honored as the recipient of...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Drypoint
Comanche Dance, Ildefonso Pueblo, New Mexico Southwest Framed Etching
By Gene Kloss
Located in Denver, CO
Comanche Dance at San Ildefonso Pueblo (New Mexico). Etching and drypoint, artist's proof from an edition of 50 prints. Presented in a custom frame, outer dimensions measure 22 ¼ x 18 ½ x ½ inches. Image size is 11 ¾ x 14 ½ inches.
Print is clean and in very good vintage condition - please contact us for a detailed condition report.
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Gene (Alice Geneva) Kloss is considered one of America’s master printmakers. She was born in Oakland, California and established herself as an artist on the West coast.
Kloss was introduced to etching by Perham Nahl while at UC Berkley. She graduated in 1924, and in 1925 married poet Phillips Kloss. In her late twenties, Kloss moved to Taos, New Mexico and began her life’s work of the New Mexican landscape and peoples. It was at this time that she received national acclaim.
Her artwork exudes an unmistakable content and style. Enchanted by the architecture, mountainous landscapes and rituals of the inhabitants, Kloss captured the beauty of the Southwest and surrounding areas. Her style was bold yet deftly simple, masterfully expressing the elusive Southwestern light...
Category
1980s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
By Doris Warner
Located in Soquel, CA
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
Minimalist landscape with two figures walking along the shore by Doris Ann Warner (American, 1925-201...
Category
1980s Minimalist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
"Coastal Ti Tree" Gums NSW Drypoint Etching in Ink on Paper No. 30/100
Located in Soquel, CA
"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100
Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore.
Titled and numbered "Coastal Ti Tree 30-100" in the left corner.
Signed "G. Cope" in the right corner.
Presented in a new black mat with foamcore backing.
Mat size: 11"H x 14"W
Paper size: 5.5"H x 10.25"W
According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope"
Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer.
Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...
Category
Early 20th Century Naturalistic Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Serenite
Located in Palm Springs, CA
This is a unique print from the second state, signed and titled in pencil. the final edition of 180 was completed for the Société des peintres-graveurs français. This is a great example of the texture and tone that can be achieved with drypoint.
In keeping with the best Italian traditions, Houtin's gardens are well furnished with fragmentary architecture conveying a mood of elegiac decay, while the vestiges of grand designs, manifest in a profusion of topiary-lined avenues, evoke French precedents. Elsewhere, temples and pavilions scattered over undulating slopes speak of an enthusiasm for English garden practice.
Bordering at times on the surreal, baroque in their richness and extravagance of conception, Houtin's gardens are hybrid creations in terms of both their botany and architecture, which wittily plunder a wide spectrum of conventions.
François Houtin was born in Craon en Mayenne, France in 1950. He has lived and worked in Paris since 1971. He was trained as a landscape architect, and worked on such prominent projects as the renovation of the Jardin des Tuilleries in 1991. It wasn't until 1973 that he learned printmaking from Jean Delpech, and by 1979 he had become a full-time artist known for his highly detailed prints...
Category
1980s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Street Market - Montmatre, France, etching, 1922
Located in Melbourne, Victoria
Monogram and date of etching in the plate bottom left.
220mm by 305mm (platemark) 310mm by 390mm (sheet)
Category
1920s Art Nouveau Drypoint Landscape Prints
Materials
Drypoint, Etching
Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
1920s Other Art Style Drypoint Landscape Prints
Materials
Drypoint, Etching
Tugs on the Hudson
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City rive...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
QUARTER OF NINE - SATURDAY'S CHILDREN
By Martin Lewis
Located in Portland, ME
Lewis, Martin (American, born Australia, 1881-1962). QUARTER OF NINE, SATURDAY'S CHILDREN. McCarron 79. Drypoint, 1929. McCarron says the intended edition was 100 , but 107 were prin...
Category
1920s Drypoint Landscape Prints
Materials
Drypoint
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Located in Soquel, CA
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Detailed drypoint etching by Wolfgang Tritt (German, 1913-1983). The Kaiser Wilhel...
Category
Mid-20th Century Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Drypoint Landscape Prints
Materials
Etching, Drypoint
Palm Springs Courtyard with Fountain - Drypoint Etching on Paper
Located in Soquel, CA
Palm Springs Courtyard with Fountain - Drypoint Etching on Paper
Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...
Category
1920s American Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Evening, Port of Genoa
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
1910s Modern Drypoint Landscape Prints
Materials
Drypoint
Waterfall I (de-accessioned from the Denver Art Museum)
Located in New York, NY
David Shapiro (American, b. 1922)
Waterfall I (de-accessioned from the Denver Art Museum), 1979
Spit-bite etching, drypoint and carborundrum on Lanaquerelle...
Category
1970s Contemporary Drypoint Landscape Prints
Materials
Drypoint, Mezzotint, Etching
A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich wiped impression on ant...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
The Acropolis, Athens
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category
1920s Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Coentes Slip, NY
Located in Middletown, NY
Etching with drypoint on hand made laid Japan paper with a deckle edge, 8 9/16 x 11 5/8 inches (220 x 296 mm), full margins. Signed, dated and titled in pencil in the margin, recto. ...
Category
Late 19th Century Victorian Drypoint Landscape Prints
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Matinée Avenue de Clichy
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lowe...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
The Gargoyle and His Quarry
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Old Houses in Amsterdam
By T.F. Simon
Located in Fairlawn, OH
Old Houses in Amsterdam
Drypoint, 1909
Signed and dedicated in pencil lower right.
"A Mr. H. A. Webster, bien sympathiquement, T.F. Simon, Paris 26/10"
Simon...
Category
Early 1900s American Impressionist Drypoint Landscape Prints
Materials
Drypoint
Sotto Portico, Venice.
By James McBey
Located in Storrs, CT
Sotto Portico, Venice. 1928. Etching. Hardie/Carter 235. 12 1/2 x 8 3/4 (sheet 8 1/4 x 11 3/8). Edition 80, #39. A rich impression printed in black/brown ink with subtle tonal wiping...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Ikebana 2
Located in Dallas, TX
For this work, the artist made a printing plate by tracing Ikebana images from Kōyō Ikebana Hyakuheizu, a book of illustrations dating to the late 1700s...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Ink, Archival Paper, Drypoint
Ikebana 1
Located in Dallas, TX
For this work, the artist made a printing plate by tracing Ikebana images from Kōyō Ikebana Hyakuheizu, a book of illustrations dating to the late 1700s...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Ink, Archival Paper, Drypoint
A Mirage
By James McBey
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Ikebana 3
Located in Dallas, TX
For this work, the artist made a printing plate by tracing Ikebana images from Kōyō Ikebana Hyakuheizu, a book of illustrations dating to the late 1700s...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Ink, Archival Paper, Drypoint
Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
Guardians of the Spire; Amiens Cathedral Number 2
Located in Middletown, NY
Guardians of the Spire; Amiens Cathedral Number 2
New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...
Category
Mid-20th Century American Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Pavillon dans les Arbres (Pavilion in the Trees) /// Impressionist Henri Sidaner
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "Pavillon dans les Arbres (Pavilion in the Trees)"
Portfolio: Henri Le Sidaner (Camille Mauclair)
*Issued unsigned, though signed by Sidaner in the plate (printed signature) lower left
Year: 1928
Medium: Original Etching on Rives BFK paper
Limited edition: Unknown
Printer: Unknown
Publisher: Galeries Georges Petit and Henri Floury, Paris, France
Reference: Bibliothèque Nationale No. 12
Sheet size: 11" x 8.38"
Image size: 9.25" x 7.13"
Condition: Some minor foxing on verso. It is otherwise a strong impression in excellent condition
Notes:
Printed in one color: bistre. Comes from Camille Mauclair's 1928 book publication "Henri Le Sidaner" which contained two bound original drypoint etchings by Sidaner. Comes with its original tissue cover...
Category
1920s Post-Impressionist Drypoint Landscape Prints
Materials
Intaglio, Drypoint, Etching
La Fumée du Bateau
Located in New York, NY
A very good impression of this color drypoint and aquatint. Third state (of 3). Edition of 150. Signed and inscribed "No. 25" in pencil, lower right.
Category
1910s Impressionist Drypoint Landscape Prints
Materials
Color, Drypoint, Aquatint
Pie Case
Located in New York, NY
Wayne THIEBAUD
Pie Case, 1964
Edition AP
Drypoint on BFK Rives paper
Image: 3 7/8 x 4 7/8 in.
Sheet: 15 x 11 in.
Signed in pencil, dated and inscribed "artist's proof"
aside from th...
Category
1960s Pop Art Drypoint Landscape Prints
Materials
Drypoint
Woolworth Building, No. 2
By John Marin
Located in New York, NY
A superb, richly-inked impression of this extremely scarce etching and drypoint. Second state (of 2). Edition of approximately only 10. Signed in pencil by Marin. Published by Alfred...
Category
1910s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
The Tyne
Located in Storrs, CT
The Tyne. 1922. Etching and drypoint. Dickins 73. 5 7/8 x 7 7/8 (sheet 9 3/4 x 12 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping and more of a sepia coloring, printed on "J.Green & Son' cream-wove paper. Signed in pencil.
The image looks down on the open Swing Bridge, from the High-Level Bridge, Newcastle upon Tyne. The boats carry timber and coal.
The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey.
Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome.
The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing.
Opened in 1890, the Forth Bridge...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
Loading Barges on the Thames
Located in Storrs, CT
Loading Barges on the Thames. 1922. Etching with drypoint and aquatint. Dickins 72. 4 5/8 x 13 1/8 (sheet 9 3/8 x 15 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping, printed on 'J. Whatman' wove paper. Signed in pencil.
The complete set of The Arteries of Great Britain includes The Thames, The Tyne, The Forth, The Clyde, and The Mersey.
Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford, and Rome.
The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing.
Opened in 1890, the Forth Bridge...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979)
Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks.
A native of Charleston, South Carolina...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
N.Y. STEEL AND IRON.
Located in Portland, ME
Meyerowitz, William. N.Y. STEEL AND IRON. Drypoint, 1928. Edition of 40. Ttiled, numbered "2/40" and signed in pencil. 12 x 9 7/8 inches (plate), 13 1/2 x 11 inches (sheet). Inexcell...
Category
1920s Drypoint Landscape Prints
Materials
Drypoint
"Dialogue to the Wind" - Intaglio Print by Tomoya Uchida
Located in Soquel, CA
"Dialogue to the Wind" by Tomoya Uchida (American, 20th Century). Plant matter swirls in the air above a minimalist landscape. In the foreground, two bees have landed on a housekey. The sky is subtly textured, creating the impression of passing gusts of wind.
Titled "Dialogue to the Wind" along the bottom edge.
Signed and dated "T. Uchida - 89" in the lower right corner.
Presented in a new light grey mat with foamcore backing.
Mat size: 22"H x 17"W
Paper size: 19.75"H x 13"W
Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category
1980s Contemporary Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
A Sunset in Ireland.
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
19th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Make Fast, Plate 2.
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
The Little Putney
Located in New York, NY
James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...
Category
Late 19th Century Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
The Gothic Spirit
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category
1920s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Sunset in Ireland
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category
Mid-19th Century Realist Drypoint Landscape Prints
Materials
Etching, Drypoint
Corkscrew Willows with Stairs - Hand Colored Drypoint Etching California Adobe
Located in Soquel, CA
Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
Signed in plate, lower left.
Paper size: 8.5"H x 10.5"W
Mat size: 10"H x 12"W
Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe.
Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia.
One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others.
Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...
Category
1930s American Impressionist Drypoint Landscape Prints
Materials
Drypoint, Watercolor, Paper
Victoria Station (London)
By Kenneth Holmes, A.R.C.A.
Located in Middletown, NY
A lovely dark and inky impression, signed by the artist.
Drypoint etching on cream laid paper, 10 7/8 x 8 5/8 inches (275 x 218 mm), full margins. Signed in pencil, lower center marg...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Laid Paper, Etching
On the Hard
Located in Middletown, NY
An elegant and delicate seascape of Brightlingsea Hard, Essex
circa 1925
18/75. Drypoint etching on cream laid paper, 5 1/2 x 7 7/8 inches (138 x 198 mm), full margins. Signed and ...
Category
1920s Realist Drypoint Landscape Prints
Materials
Drypoint, Laid Paper
Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Handmade Paper, Etching
Slope w.five trees
Located in New York, NY
“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...
Category
21st Century and Contemporary Modern Drypoint Landscape Prints
Materials
Engraving, Drypoint
Twickenham Church
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category
Mid-19th Century Realist Drypoint Landscape Prints
Materials
Etching, Drypoint
SUNSET IN IRELAND (undescribed state?)
Located in Santa Monica, CA
SIR FRANCIS SEYMOUR HADEN (British 1818 -1910)
SUNSET IN IRELAND 1863 (Schneiderman 47 - Appears to be an undescribed state between XI and XII)
Etching and drypoint, signed in penci...
Category
1860s Impressionist Drypoint Landscape Prints
Materials
Drypoint
Drypoint landscape prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Martin Lewis, James Abbott McNeill Whistler, Sir Francis Seymour Haden, R.A., and Edmund Blampied. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint landscape prints, so small editions measuring 0.01 inches across are also available
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