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Medium: Drypoint
Woolworth Building, New York
Located in Middletown, NY
A rich and tonal image of an icon of Manhattan architecture.
Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...
Category
Early 20th Century Realist Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
The Manhattan Municipal Building
By Chester B. Price
Located in Fairlawn, OH
Signed in pencil and annotated "imp" lower right; Dedicated lower left: "To Bob Nisbet from…"
Note: Desgined by William M. Kendall of McKim, Mead and White, this classical skyscra...
Category
1910s Drypoint Landscape Prints
Materials
Drypoint
The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper
Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category
1930s Impressionist Drypoint Landscape Prints
Materials
Paper, Drypoint, Lithograph
$373 Sale Price
35% Off
Ponte della Trinità, Florence
Located in Middletown, NY
Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression.
Rinder 325
[Rinder 325 iii/vii].
The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Early 18th Century Old Masters Drypoint Landscape Prints
Materials
Etching, Engraving, Drypoint
Cambridge Midsummer Fair
Located in Middletown, NY
A peaceful image by Britian's first official war artist.
Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...
Category
Early 20th Century Realist Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint
Summer Maple
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category
21st Century and Contemporary Drypoint Landscape Prints
Materials
Drypoint
The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$850 Sale Price
43% Off
The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes.
Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category
Early 20th Century Realist Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Hommage a Picasso (Cannes) (Cote d'Azur) /// Surrealism Salvador Dali Surrealist
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Hommage a Picasso (Cannes) (Cote d'Azur)"
*Signed by Dali in pencil lower right
Year: 1973
Medium: Original Drypoint Etching on Rives BFK paper
Limited edition: L/CC (50/200)
Printer: Atelier Rigal, Paris, France
Publisher: Felicia, New York, NY and EGI, Beverly Hills, CA
Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 73-5, page 84; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 719, page 252
Sheet size: 26" x 19.63"
Image size: 19.88" x 14.5"
Condition: In excellent condition
Rare
Notes:
Provenance: private collection - Clearwater, FL. Numbered by Dali in pencil lower left. BFK Rives watermark lower right. Some dealer reference numbers pencil inscribed on verso. Dali executed this etching in Cannes, France when he learned of Picasso's death.
We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic.
Biography:
Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.
Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Etching, Drypoint, Intaglio
The Gargoyle and His Quarry
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$2,750 Sale Price
21% Off
'Grand Central, Night' — 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
1920s American Impressionist Drypoint Landscape Prints
Materials
Drypoint
'Noonday Shadows' — Mid-Century Southwest Regionalism
By Gene Kloss
Located in Myrtle Beach, SC
'Noonday Shadows', etching and drypoint, edition 75, 1941, Kloss 376. Signed, and titled in pencil. A superb, richly inked impression, in warm black ink, on buff wove paper, in excel...
Category
1950s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Tugs on the Hudson
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Printemps Breton
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category
1920s Realist Drypoint Landscape Prints
Materials
Engraving, Drypoint, Etching, Aquatint
Autumn Light
Located in Deddington, GB
This print of a tree uses litho printed kitakata chine collé to depict the warmth and colour of early autumnal sunlight. The depth of the blacks along with the layering, allude to th...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Rainy Night in Rome
Located in Fairlawn, OH
Rainy Night in Rome
Drypoint, 1913
Signed in pencil and titled in the lower margin by the artist
(see photo)
Provenance:
Kennedy Galleries, Stock # A6538
Reference; Doddgson 299 _/X
...
Category
1910s English School Drypoint Landscape Prints
Materials
Drypoint
"The Caissons Go Rolling Along".
By Kerr Eby
Located in Storrs, CT
"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...
Category
1920s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$1,250 Sale Price
28% Off
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Early 20th Century Santo Domingo Landscape Etching Proof
Located in Soquel, CA
Prize winning 1923 Dry Point Etching of Santo Domingo by George "Pop" Hart.
Wonderful early 20th century modern etching of the Santo Domingo, capital of Dominican Republic by Georg...
Category
1920s Contemporary Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
$1,400 Sale Price
20% Off
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Here They Come !
Located in New York, NY
This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s American Impressionist Drypoint Landscape Prints
Materials
Drypoint
Landscape with Horses.
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
Mid-19th Century American Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
$3,000 Sale Price
36% Off
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path.
Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category
Late 19th Century English School Drypoint Landscape Prints
Materials
Drypoint, Handmade Paper, Etching
Untitled (Venice canal, man departing the gondola)
By Levon West
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola)
Drypoint, c. 1930-1931
Signed in pencil lower right (see photo)
Annotated in the lower margin:
"Just a souvenir made ___ Monclair L...
Category
1930s American Impressionist Drypoint Landscape Prints
Materials
Drypoint
Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
The Pool of London.
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category
1910s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$1,500 Sale Price
23% Off
Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category
1990s Contemporary Drypoint Landscape Prints
Materials
Drypoint
The Mill, Amsterdam, 1889
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011)
On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches.
A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone.
provenance:
H. Wunderlich & Co., New York
Louis B. Dailey, New York (Lugt 4500)
sale, Sotheby’s, New York, October 31, 2003, lot 69
literature;
Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
London Bridge.
Located in Storrs, CT
London Bridge, London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 9 7/8 x 17 1/4). Mat line; otherwise fine condition. A rich impression with dryp...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Landscape, Modern Drypoint with Embossing by Alena Kučerová
Located in Long Island City, NY
Alena Kucerova, Czech (1935 - ) - Landscape, Year: 1971, Medium: Drypoint with Embossing, Signed, numbered, and dated in pencil, Edition: 1/100, Image Size: 10.5 x 15 inches, Siz...
Category
1970s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
NOCTURNE: PALACES
By James Abbott McNeill Whistler (circle)
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches.
Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso.
Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France.
In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category
1870s Drypoint Landscape Prints
Materials
Drypoint, Etching
Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid tornado bathtub, Imaginations a...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Lithograph, Drypoint, Screen
$6,000 Sale Price
20% Off
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Autumn Pine
Located in Deddington, GB
This print of a pine tree uses kitakata chine collé to depict the warmth and colour of early autumnal light.
This body of work is based on the book by Suzanne Simard, Finding the Mo...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Greville Smyth Pine
Located in Deddington, GB
This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Greville Smyth Cedar
Located in Deddington, GB
This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Autumn Light, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
Drypoint print onto photolitho printed kitakata with subtle gold ink and mounted onto Hahnemule printmaking paper. This print of a tree uses litho printed kitakata chine collé to dep...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Drypoint, Etching
Scots Pine
Located in Deddington, GB
This print depicts a mature pine tree, standing proud from the rest of the tree line. The use of gampi chine collé with it's delicate sheen, helps to give an ethereal glow to the maj...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Gleizes, Composition, Du cubisme (after)
Located in Southampton, NY
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Landscape Prints
Materials
Drypoint
$6,716 Sale Price
20% Off
Village in Southern Italy (Edition 10/30)
By Ruth Kerkovius
Located in New York, NY
Ruth Kerkovius (Latvian/American 1921-1970) "Village in Southern Italy" Edition 10/30, Landscape Etching/Drypoint/Aquatint signed and numbered in Pencil, 16.25 x 24.75, Late 20th Century, 1967
Colors: Black, Brown, Blue, White, Red
She was born in Latvia in 1921. She received her early training in Munich, Germany, working in theatre Costume History and Design, and in painting before she came to America.
Once in New York she studied at the Art Students League, the School of Visual Arts, the Pratt Graphic Art Center under Frasconi, and then continued at Pratt on a fellowship to work under Michael Ponce de Leon...
Category
1960s Abstract Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Branches Purple, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Drypoint, Etching
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Corkscrew Willows with Stairs - Hand Colored Drypoint Etching California Adobe
Located in Soquel, CA
Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
Signed in plate, lower left.
Paper size: 8.5"H x 10.5"W
Mat size: 10"H x 12"W
Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe.
Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia.
One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others.
Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...
Category
1930s American Impressionist Drypoint Landscape Prints
Materials
Paper, Watercolor, Drypoint
Saint Louis en Ile, by JMM Mathieux-Marie
Located in Palm Springs, CA
Medium: drypoint on chine collé
Edition of 180
Image Size: 4.5 X 9 inches
Signed, titled and numbered, from the edition of 180.
A view of a bridge over the Seine River in Paris wit...
Category
1970s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Matinée Avenue de Clichy
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lowe...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Drypoint Landscape Prints
Materials
Drypoint, Etching, Monotype
Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival.
The reference is Rose 183. It...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint
Les Piler, by JMM Mathieux-Marie
Located in Palm Springs, CA
Signed, titled and numbered, from the edition of 180. The base and parapets of a bridge.
Mathieux-Marie was born in Paris in 1947 and has been honored throughout his career with awa...
Category
1970s Contemporary Drypoint Landscape Prints
Materials
Drypoint
$200 Sale Price
20% Off
Greville Smyth Pine, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
A very detailed drypoint etching of a Pine tree printed onto gampi Japanese tissue and backed onto Hahnemule printmaking paper. This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Drypoint, Etching
"Whisperings at a Cross Point" - Doorway Arch Drypoint Etching
By Susan Varjavand
Located in Soquel, CA
Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W
Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...
Category
1980s American Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
$308 Sale Price
35% Off
L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category
1870s Realist Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Street in Wilmersdorf, from: The Creators German Expressionism Berlin
Located in London, GB
LUDWIG MEIDNER (1884-1966)
Bernstadt 1884 - 1966 Darmstadt (German)
Title: Street in Wilmersdorf, from: The Creators Straße in Wilmersdorf, von: Die Schaffenden...
Category
1910s Drypoint Landscape Prints
Materials
Drypoint
Drypoint landscape prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Martin Lewis, James Abbott McNeill Whistler, Sir Francis Seymour Haden, R.A., and Edmund Blampied. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint landscape prints, so small editions measuring 0.01 inches across are also available