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Medium: Drypoint
Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint
Ostend Bathing Machine.
Located in Storrs, CT
1926. Drypoint. Appleby 119. 6 7/8 x 8 7/8 (sheet 9 x 12 1/4). Edition 100, #97. Printed by David Strang on cream laid paper. Wrinkling in the margins; otherwise fine condition. A rich impression with tonal wiping and drypoint burr. Signed and numbered in pencil.n pencil. Housed in a 16 x 20-inch archival mat, suitable for framing.
The bathing machine...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Drypoint Landscape Prints
Materials
Drypoint, Etching, Monotype
The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Slope w.five trees
Located in New York, NY
“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...
Category
21st Century and Contemporary Modern Drypoint Landscape Prints
Materials
Engraving, Drypoint
J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category
1870s Realist Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
Laburnums and Battersea
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category
Late 19th Century Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Rue De Toiles, Bourges
Located in Middletown, NY
Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...
Category
Mid-19th Century French School Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
John Knox House in Edinburgh
Located in Middletown, NY
London: Fine Art Trade Guild, c1900.
Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...
Category
Early 20th Century English School Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Donald Baechler Blue Spruce 2005 (Donald Baechler prints)
Located in NEW YORK, NY
Donald Baechler, Blue Spruce, 2005
A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting.
Medium: Aquatint and drypoint, on ...
Category
Early 2000s Contemporary Drypoint Landscape Prints
Materials
Drypoint, Aquatint
$1,800 Sale Price
20% Off
Guardians of the Spire (Amiens Cathedral Number 2)
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category
1920s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Le Nid de Pauvres, Vendee (shelter for the Poor, Vendee)
Located in Middletown, NY
Etching and drypoint on cream laid paper, 7 3/4 x 8 inches (195 x 200 mm), full margins. Signed and numbered 8/35 in pencil, lower right margin. Laid down to non archival board, mat ...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Drypoint, Etching
Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Color, Drypoint, Etching
View of Venice - Etching by Alcione Gubellini - mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century.
Edition of 16.
Hand signed and numbered in pencil.
Excellent condition.
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
SAN BIAGIO
Located in Portland, ME
Whistler, James A. M. SAN BIAGIO. Etching and Drypoint, 1880. Glascow 237, K.197; M.194; W.163. State 8 of 17. With the printed butterfly at left, and with the butterfly signature in...
Category
1880s Drypoint Landscape Prints
Materials
Drypoint, Etching
A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$1,250 Sale Price
37% Off
Ruff's Farm
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era.
c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Coentes Slip, NY
Located in Middletown, NY
Etching with drypoint on hand made laid Japan paper with a deckle edge, 8 9/16 x 11 5/8 inches (220 x 296 mm), full margins. Signed, dated and titled in pencil in the margin, recto. ...
Category
Late 19th Century Victorian Drypoint Landscape Prints
Materials
Laid Paper, Handmade Paper, Drypoint, Etching
Riva San Giuliano
Located in Middletown, NY
Etching with drypoint on cream laid paper with a deckle edge, 7 7/8 x 13 1/8 inches ( 200 x 334 mm), full margins. Signed and numbered 27/100 in pencil in the lower margin. With two ...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid and carbonated television, Im...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
Palm Springs Courtyard with Fountain - Drypoint Etching on Paper
Located in Soquel, CA
Palm Springs Courtyard with Fountain - Drypoint Etching on Paper
Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...
Category
1920s American Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
Villefranche-sur-mer
Located in Middletown, NY
Etching with drypoint in brownish black ink on cream wove paper, 6 1/8 x 10 inches (155 x 255 mm), full margins with a deckle edge. Signed in pencil, lower right margin, and titled (...
Category
Early 20th Century American Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Le Pont
Located in Middletown, NY
Etching, engraving, roulette and drypoint on watermarked BFK Rives wove paper, 5 x 8 3/4 inches (126 x 222 mm), full margins. Signed and numbered 4/32 in pencil, lower margin. Minor ...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Drypoint, Etching, Engraving
Woodland
Located in New York, NY
Adams Wirt Garrett was a Texas native who was raised in Oklahoma and came to New York City. He earned a Masters Degree in Art from Columbia University and attend the Art Students Lea...
Category
1930s Abstract Impressionist Drypoint Landscape Prints
Materials
Drypoint
Evening, Port of Genoa
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
1910s Modern Drypoint Landscape Prints
Materials
Drypoint
$760 Sale Price
20% Off
"St. Nicolas du Chardonnet" Etching in Ink on Paper
Located in Soquel, CA
"St. Nicolas du Chardonnet" Etching in Ink on Paper
Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings.
Stamp with coat of arms on verso.
Artist's info written on verso.
Presented in a new black mat with foamcore backing.
Mat size: 16"H x 12"W
Paper size: 10.75"H x 6.75"W
Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...
Category
1910s American Impressionist Drypoint Landscape Prints
Materials
Paper, Ink, Drypoint
$460 Sale Price
20% Off
Twickenham Church
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category
Mid-19th Century Realist Drypoint Landscape Prints
Materials
Etching, Drypoint
12th Street Walls — 1940s New York City
Located in Myrtle Beach, SC
Armin Landeck, '12th Street Walls', etching, edition 100, first state, 1944, Kraeft 93. Signed in pencil. Initialed in the plate lower left. A superb, early impression, with all the ...
Category
1940s American Realist Drypoint Landscape Prints
Materials
Drypoint
The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes.
Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category
Early 20th Century Realist Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Matinée Avenue de Clichy
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lowe...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Locomotion paradisiaque intra-utérine (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Locomotion paradisiaque intra-utérine (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Paradise intrauterine locomo...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
Fauteuil à respirer pneumatique (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Fauteuil à respirer pneumatique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Pneumatic breathing chair, Imagina...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
The Fair
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category
Late 19th Century American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$2,450 Sale Price
30% Off
Birch
By Lars Nyberg
Located in Palm Springs, CA
Drypoint on paper
Dimensions: 5.9 x 3.9 in. (15 x 10 cm)
Signed in pencil, lower margin
Edition of 30
This exquisitely detailed drypoint print by Swedish printmaker Lars Nyberg reve...
Category
Early 2000s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Hillside Town
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category
Early 20th Century English School Drypoint Landscape Prints
Materials
Laid Paper, Etching, Drypoint
Maquillage cyclopéen (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Maquillage cyclopéen (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cyclopean makeup, Imaginations and Objects of...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path.
Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category
Late 19th Century English School Drypoint Landscape Prints
Materials
Drypoint, Handmade Paper, Etching
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979)
Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks.
A native of Charleston, South Carolina...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
Make Fast, Plate 2.
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category
1920s Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
$1,800 Sale Price
20% Off
Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
Harry Wickey, Snug Harbor (Riverside Drive, NYC)
By Harry Wickey
Located in New York, NY
The sailors are still in uniform in this post-World War I print of young people meeting at a semi-secluded park setting, Snug Harbor, along Riverside Drive...
Category
1920s Ashcan School Drypoint Landscape Prints
Materials
Drypoint
Microwave Oven (A Couple in the Sea)
By Colin Self
Located in New York, NY
A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings as seen here. The title of this print, Microwave Oven...
Category
Early 2000s Expressionist Drypoint Landscape Prints
Materials
Drypoint
Le Marché aux Puces
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
'Gloucester Harbor' — Mid-Century Cape Ann Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...
Category
1940s American Realist Drypoint Landscape Prints
Materials
Drypoint
$520 Sale Price
20% Off
Plage de Villerville
Located in Middletown, NY
Paris: Gazette des Beaux-Arts, 1856.
Drypoint etching on cream laid paper, 4 7/8 x 8 3/8 inches (124 x 245 mm), full margins. In good condition with light uniform age tone. Fourth s...
Category
Mid-19th Century Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
"Field in Darsham" Village in Suffolk - England
Located in Soquel, CA
"Field in Darsham" Village in Suffolk - England
Darsham village etching by London artist Pip Carpenter (UK, 20th C.)
Drypoint etching with hand coloring teal blue wash.
The name of...
Category
Late 20th Century Impressionist Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Rainy Night in Rome
Located in Fairlawn, OH
Rainy Night in Rome
Drypoint, 1913
Signed in pencil and titled in the lower margin by the artist
(see photo)
Provenance:
Kennedy Galleries, Stock # A6538
Reference; Doddgson 299 _/X
...
Category
1910s English School Drypoint Landscape Prints
Materials
Drypoint
Sunset in Ireland
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category
Mid-19th Century Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Brooklyn Bridge, New York, signed etching by William Walcot, c1925
Located in Melbourne, Victoria
Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...
Category
1920s Art Deco Drypoint Landscape Prints
Materials
Drypoint, Etching
“Fjärden” (Expansive Archipelago Landscape)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Fjärden” (Expansive Archipelago Landscape)
Signed "Oskar Bergman" in pencil
Drypoint etching
image size: 17.5 x 25 cm (6 7/8 x 9 7...
Category
1910s Naturalistic Drypoint Landscape Prints
Materials
Paper, Drypoint, Etching
The Workshop (Stirling)
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
$1,000 Sale Price
50% Off
Windy Night, Stockholm.
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Impressionism : House in the Woods - Original etching
Located in Paris, IDF
Henri LE SIDANER (1862-1939)
House in the Woods, 1928
Original drypoint etching
Signed in the plate
On vellum, 28 x 20.5 cm
Very good condition, minor flaws at the edges of the page
Category
1920s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Early 18th Century Old Masters Drypoint Landscape Prints
Materials
Etching, Engraving, Drypoint
The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
On the Hard
Located in Middletown, NY
An elegant and delicate seascape of Brightlingsea Hard, Essex
circa 1925
18/75. Drypoint etching on cream laid paper, 5 1/2 x 7 7/8 inches (138 x 198 mm), full margins. Signed and ...
Category
1920s Realist Drypoint Landscape Prints
Materials
Drypoint, Laid Paper
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Voyages fantastiques ...
Category
1950s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
$2,656 Sale Price
30% Off
Drypoint landscape prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Martin Lewis, James Abbott McNeill Whistler, Sir Francis Seymour Haden, R.A., and Edmund Blampied. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint landscape prints, so small editions measuring 0.01 inches across are also available