Charles François Daubigny Art

An excellent, early state impression before lettering. 1877 Etching with drypoint on Chine collé mounted to a cream wove matrix, as issued, 7 x 10 inches (176 x 252mm) (Chine), full ...

An oil on wood panel in stunningly good condition by renowned Barbizon painter Charles Daubigny. Everything checks out here: the signature, examination under UV light, the age of the...

"Plage de Villerville" is an original etching by Charles-Francoise Daubigny, this is the 4th state. The artist's name is written lower left. It can be found in Delteil 88. 5" x 8 1...

A characteristic and moving 19th century image by Charles Francois Daubigny depicting workers at sunset. A very prevalent artist in his time and popular amongst his peers. Oil on board, 1860. Charles François Daubigny belonged to a family of painters and engravers: his grandfather; his father, Edme-François; his sister, Rolande; his uncle, Pierre; his aunt, Amélie Dautel; and his son after him were artists. Daubigny studied first with his father. In 1840 he started to work for the historical painter Paul Delaroche. He earned a living by producing decoration for sweet boxes and countless illustrations mostly for wood engravings, being paid 20 sous for each. From 1844 his standing as an artist grew, and he was commissioned to decorate the reception rooms of the state ministry at the Louvre. Furthermore, the paintings resulting from his travels on barge-cum-studio were in great demand, to the extent that he was criticised for bucking the market. Daubigny painted first and foremost water and, as nobody else before him, he did so 'on the water', in this respect reminiscent of Claude Monet. He spawned followers throughout the second half of the 19th century until the beginning of World War I, just a few of which are Eugène Louis Boudin, Johan Jongkind, Stanislas Lépine, Antoine Chintreuil...

A distinctive painting by Charles Francois Daubigny. A very popular artist in his time and popular amongst his peers. Oil on panel signed and dated 1873 lower right. Provenance - Davis Galleries - New York City - Exhibition Labels verso. Charles François Daubigny belonged to a family of painters and engravers: his grandfather; his father, Edme-François; his sister, Rolande; his uncle, Pierre; his aunt, Amélie Dautel; and his son after him were artists. Daubigny studied first with his father. In 1840 he started to work for the historical painter Paul Delaroche. He earned a living by producing decoration for sweet boxes and countless illustrations mostly for wood engravings, being paid 20 sous for each. From 1844 his standing as an artist grew, and he was commissioned to decorate the reception rooms of the state ministry at the Louvre. Furthermore, the paintings resulting from his travels on barge-cum-studio were in great demand, to the extent that he was criticised for bucking the market. Daubigny painted first and foremost water and, as nobody else before him, he did so 'on the water', in this respect reminiscent of Claude Monet. He spawned followers throughout the second half of the 19th century until the beginning of World War I, just a few of which are Eugène Louis Boudin, Johan Jongkind, Stanislas Lépine, Antoine Chintreuil...

"La Voliere des Passereaux" or "The Aviary of Passion" is an original etching signed in plate by Charles Francois Daubigny. Daubigny is often considered an important precursor of Imp...

A distinctive painting by Charles Francois Daubigny. A very popular artist in his time and admired amongst his peers. Oil on panel signed and dated 1872 lower right. Charles François Daubigny belonged to a family of painters and engravers: his grandfather; his father, Edme-François; his sister, Rolande; his uncle, Pierre; his aunt, Amélie Dautel; and his son after him were artists. Daubigny studied first with his father. In 1840 he started to work for the historical painter Paul Delaroche. He earned a living by producing decoration for sweet boxes and countless illustrations mostly for wood engravings, being paid 20 sous for each. From 1844 his standing as an artist grew, and he was commissioned to decorate the reception rooms of the state ministry at the Louvre. Furthermore, the paintings resulting from his travels on barge-cum-studio were in great demand, to the extent that he was criticised for bucking the market. Daubigny painted first and foremost water and, as nobody else before him, he did so ‘on the water’, in this respect reminiscent of Claude Monet. He spawned followers throughout the second half of the 19th century until the beginning of World War I, just a few of which are Eugène Louis Boudin, Johan Jongkind, Stanislas Lépine, Antoine Chintreuil...

An original etching by French artist Charles Francois Daubigny (1817-1878) titled "Le Marais", published March 1874. Reference: catalogue: H. Beraldi No. 6; ...

Artist: Charles Francois Daubigny (French, 1817-1878) Title: "Lever de Lune (Moonrise)" Portfolio: Gazette des Beaux-Arts, Paris, France *Iss...