Want more images or videos?
Request additional images or videos from the seller
1 of 4
Armin Landeck Manhattan Nocturne1938
1938
About the Item
A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the artist, 'For Chester Price from—' Signed and dated in the matrix, lower left.
This exceptionally fine impression printed by the artist and gifted to his friend and fellow artist Chester Price. Slight glue discoloration from the original hinges on the top sheet edge, recto, well away from the image, otherwise in excellent condition.
Presentation Print of the Society of American Etchers, 1938. In 1974 the artist extensively reworked the plate with engraving, retitling it 'Manufacturer’s Trust' (Kraeft 127).
Exhibited and Reproduced: 'The American Scene: Prints from Hopper to Pollock,' Stephen Coppel, The British Museum, 2008; 'American Modern: Hopper to O’Keefe,' Kathy Curry and Esther Alder, Museum of Modern Art, 2013.
Impressions of 'Manhattan Nocturne' are in over 30 museum collections including: Crystal Bridges Museum of American Art, Brooklyn Museum, Corcoran Gallery of Art, Georgetown University Library, High Museum of Art, Honolulu Academy of Arts, Library of Congress, Metropolitan Museum of Art, Museum of Modern Art, Museum of Fine Art Boston, New York Public Library, Smithsonian American Art Museum, Whitney Museum of American Art, Yale University Art Gallery.
ABOUT THE ARTIST
Born in Wisconsin, Armin Landeck (1903-1984) was educated in New York at Columbia University School of Architecture. He made his first etching in 1927 and from that time on dedicated himself to printmaking. A trip to Europe in 1928-29 broadened his knowledge of graphic art techniques, and after his return to New York City, he joined with Martin Lewis and George Miller to found the School for Printmakers at Miller’s Fourteenth Street Studio.
The subjects of Landeck’s work and his precise draftsmanship are informed by his architectural training but unlike other precisionist work of the period, his scenes of New York City are imbued with a soft, painterly quality and a luminous sense of space and light.
During his acclaimed career, Landeck was awarded fifteen honors for printmaking including awards from National Academy of Design (1969), Guggenheim Fellowship (1962), Society of American Graphic Artists, and Boston Printmakers (1984). Landeck’s prints are held in numerous public and museum collections.
Impressions of Manhattan Vista are in the permanent collections of Crystal Bridges Museum of American Art, Brooklyn Museum, Corcoran Gallery of Art, Georgetown University Library, High Museum of Art, Honolulu Academy of Arts, Indiana University Art Museum, Joslyn Museum of Art, Santa Barbara Museum of Art, Whitney Museum of American Art, Yale University Art Gallery.
- Creator:Armin Landeck (1905-1984, American)
- Creation Year:1938
- Dimensions:Height: 7.13 in (18.12 cm)Width: 11.88 in (30.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2016
254 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Myrtle Beach, SC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- 'Gloucester Harbor 2' — Mid-Century East Coast RegionalismLocated in Myrtle Beach, SCLawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...Category
1940s American Realist Landscape Prints
MaterialsDrypoint
- 12th Street Walls — 1940s New York CityBy Armin LandeckLocated in Myrtle Beach, SCArmin Landeck, '12th Street Walls', etching, edition 100, first state, 1944, Kraeft 93. Signed in pencil. Initialed in the plate lower left. A superb, early impression, with all the ...Category
1940s American Realist Landscape Prints
MaterialsDrypoint
- 'Manhattan Old and New' —1920s Realism, CityscapeBy Samuel ChamberlainLocated in Myrtle Beach, SCSamuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...Category
1920s American Modern Landscape Prints
MaterialsDrypoint
- The Plaza, Sunset GlowBy Walter TittleLocated in Myrtle Beach, SC'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...Category
1920s American Impressionist Landscape Prints
MaterialsDrypoint
- Grand Central, NightBy Walter TittleLocated in Myrtle Beach, SCWalter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...Category
1920s American Impressionist Landscape Prints
MaterialsDrypoint
- 'The East River', Brooklyn Bridge — Mid-Century Realism, New York CityBy Lawrence WilburLocated in Myrtle Beach, SCLawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...Category
1940s American Modern Landscape Prints
MaterialsDrypoint
You May Also Like
- BastionsBy Michael Di CerboLocated in Fairfield, CTMichael Di Cerbo was born in Paterson, New Jersey in 1947. He received his BFA and MFA from Pratt Institute. He is a member of the National Academy of Art, the Society of American...Category
21st Century and Contemporary American Realist Landscape Prints
MaterialsDrypoint, Aquatint
- ParapetsBy Michael Di CerboLocated in Fairfield, CTMichael Di Cerbo was born in Paterson, New Jersey in 1947. He received his BFA and MFA from Pratt Institute. He is a member of the National Academy of Art, the Society of American...Category
21st Century and Contemporary American Realist Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Erie RR and FactoriesBy Reginald MarshLocated in New York, NYReginald Marsh (1898-1954), Erie RR and Factories, etching and engraving, 1930, signed in pencil lower right and numbered (10) lower left [also signed and dated in the plate]. Refere...Category
1930s American Realist Landscape Prints
MaterialsEngraving, Drypoint, Etching
- Rainy Day, QueensBy Martin LewisLocated in New York, NYMartin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...Category
1930s American Realist Landscape Prints
MaterialsDrypoint
- Tree, ManhattanBy Martin LewisLocated in New York, NYMartin Lewis (1881-1962), Tree, Manhattan, drypoint, 1930, signed in pencil lower right [also signed in the plate lower left]. Reference: McCarron 87, only state; 91 recorded impress...Category
1930s American Realist Landscape Prints
MaterialsDrypoint
- Walking in the WoodsBy Frank Arthur NankivellLocated in New York, NYFrank Arthur Nankivell (18691959), [Walking in the Woods at Night], drypoint, c. 1910, signed in pencil lower right. Printed on a cream laid paper. In good condition, with margins (s...Category
1910s American Realist Landscape Prints
MaterialsDrypoint
Recently Viewed
View AllMore Ways To Browse
Etchings Manhattan
Georgetown University
New York Nocturne
Vintage Barbara Lewis
Stephen Price Art
Etchings Brooklyn Bridge
Studio Armin
Martin Lewis Etching
Otto Kahn
David Hockney Henry
Return To Tiffany Collection History
Susan Power
Maine Lighthouse
Joan Rivers Flower
Vintage American Indian Clothing
Brooklyn Bridge Wood Wall Art
Lighthouse Maine
Wrapped Reichstag