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Artist: Jean-Michel Folon, Belgian (1934 - 2005) Title: 1988 Flag Series - United Nations Year: 1988 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 500 Size: 8....

Marc Chagall (1887-1985) - Les Grenouilles qui demandent un Roi Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Refere...

Marc Chagall (1887-1985) - The Wolf, the Mother, and the Child Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Referen...

Henri Michaux - Original Zinchograph 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Henri Michaux (1899 - 1984) The French writer, painter and graphic artist Henri Michau...

Marc Chagall (1887-1985) - La Rieur et Les Poissons Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Reference: Cramer ...

Color offset lithograph. Signed and numbered 2/100 in pencil by Cottingham. This work is based on the same-titled color screenprint by Cottingham.

An old fairy tale 1978, paper, linocut, 35x19 cm "An Old Fairy Tale" is a linocut artwork created on paper in 1978. The dimensions of the piece are 3...

Marc, Franz (German, 1880-1916). STELLA PEREGRINA. FranzHanffstaengl, Munich, 1917. Only edition. Number 25 of the limited edition of 110. Folio (18 x 13 inches), parchment-bac...

Marc Chagall (1887-1985) - The Offering Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Afterword. 1984. Paper, linocut, 20x34 cm imprint size 12x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pu...

This piece is a rare trial proof created by Henry Moore in 1950. It is from a portfolio entitled Promethee, which contained lithographic illustrations by Moore, which was published i...

This museum-quality photographic print on handmade paper by Carleigh Thomas measures 9 x 6”, and is on a mat that measures 14 x 11”. The photograph was taken in Tainan, Taiwan and is...

Seasons. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publ...

LADIES DRESS SHOES. Plate XI. The charming color lithograph is from the collection of “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by...

Lord of the manor. 1982. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illust...

ARTIST: Salvador Dali TITLE: Faust Sorceress au Bali MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Aegillet, Paris EDITION NUMBER: 9/95 MEASUREMENTS: 15" x 11.2" pa...

Rupprecht Geiger (German, 1908-2009) Black on Different Reds, 1981 Medium: Screen print on cardboard Sheet dimensions: 39.5 x 40 cm Edition of 100 + XX: Hand-signed in pencil, verso ...

Jim Dine (American, b. 1935) Etching depicting a dog or wolf Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet size This is not numbered. from a limited edition of 30 (plus proofs). Drypoints with aquatint and spit-bite Printed by Julia D'Amario Jim Dine (born June 16, 1935) is an American pop artist. He is sometimes considered to be a part of the Neo-Dada movement.He was born in Cincinnati, Ohio. In 1953, he attended evening classes at The Art Academy of Cincinnati taught by the influential instructor, Paul Chidlaw...

Artist: Denial Title: The End Size: 8-1/2 x 11-1/2 x 1-3/4 inches (21.6 x 29.2 x 4.4 cm) Medium: Spraypaint on Wood Edition: 4/10 Year: 2022 Notes: Signed and numbered in ink ...

Barrel. 1982. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publi...

Linocut block print on archival paper. Dark red ink. Female figure with sun, palm plant, palm leaf. Framing available. Hand signed by artist.

Taku Obata Signed And Numbered Art Book Zine Edition of 200 Street Art Japan. Thick heavy stock paper with vibrant inks. 8 1/4 × 6 in 21 × 15.2 cm Edition 1...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Basketballs, ceramics, and lush plants fill Jonas Wood’s paintings, drawings, and prints, which mostly comprise intricate still lifes and interior domestic scenes. Throughout his compositions, the artist draws from art history, memory, and the people, objects, and interiors that compose the fabric of his life (the ceramics, in fact, reference the practice of Shio Kusaka...

Silkscreen On Paperback Book 10 × 8 × 2 in 25.4 × 20.3 × 5.1 cm Edition 164/300 Materials Silkscreen On Paperback Book Size 10 × 8 × 2 in 25.4 × 20.3 × 5.1 cm Rarity Limited edit...

Untitled from Moonstrips Empire News By Eduardo Paolozzi Eduardo Paolozzi (1924-2005) was a pioneering Scottish artist and sculptor associated with the Pop Art movement. Renowned f...

"La Broc a Eau" is a Limited Edition Serigraph (43/80) by Laurent Schkolnyk. It is pencil-signed by the artist. The print measures 11 x 13 inches, unframed. The date of creation is u...

Drew Millward was born in 1981 in Coventry; he grew up in Bolton, studied and lived in Leeds for many years and now lives in a quarry in the Aire Valley. He has been drawing pictures...

Diptych 1980. paper, linocut, each artwork 24,5х15 cm The diptych created in 1980 consists of two linocut prints on paper. Each artwork measures 24.5x15 cm. The subject of the dipt...

Burn Baby Burn, inspired by the aesthetics of “live fast – die young” rock ’n’ roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning ...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Paul Jenkins - Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Paul Jenkins, American (1923 - 2012) Paul Jenkins, an artist originally associated with abstract expressionism, exhibits in his mature works a redefining of color, light and space on the canvas surface. Born in Kansas City, Missouri in 1923, Jenkins worked as a teenager in a ceramics factory, where he was first exposed to color intensity and the creation of form. From age 14 to 18, he studied drawing and painting at the city's Art Institute. Initially interested in drama, Jenkins received a fellowship to the Cleveland Playhouse, then continued his dramatic studies in Pittsburgh at the Drama School of the Carnegie Institute of Technology. Deciding to become an artist, Jenkins moved to New York City in 1948 and studied at the Art Students League. During Jenkins's three years at the League, Yasuo Kuniyoshi and Morris Kantor were his influential instructors. While Jenkins continued to live and paint in New York City, his personal explorations took a metaphysical turn, which would ultimately become dominant in his work. P.D. Ouspensky's The Search of the Miracu/ous changed the artist's thoughts on human growth and limitations, while the Chinese I Ching, through its thematic emphasis on constant change, heightened his interest in flowing paint on canvas. Painting for Jenkins became an intuitive, almost mystical process. He commented, "I paint what God is to me." In 1953, Jenkins traveled to Paris, where, a year later, he had his first one-man show. While working at the American Artists Center, he continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white thin spills as linear overlays. Jenkins's intent was to deny stasis and create a literal and metaphysical sense of dynamism, while maintaining a sense of unity. Beginning in 1958, Jenkins titled each canvas Phenomena, with additional identifying words. He believed the work to be descriptive of the discovery process inherent in each painting. Paralleling his beliefs, the artist's paintings have undergone subtle but definite changes. Beginning in the early 1 960s, a shift of color saturation and exposure of the white areas gave Jenkins's canvases an enhanced feeling of illumination. If Jenkins's technique is unorthodox, he is in many other ways a traditional artist. He works in an acrylic medium on traditional linen canvas or fine rag paper. Often he uses an ivory knife...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Richard Florsheim - Paris Seine - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 B...

LADIES DRESS SHOES. Plate XII. The charming color lithograph is from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Victor Vasarely (after) - pochoir print by Daniel Jacomet Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Victor Vasarely...

V Intro. 1982. Paper, linocut, 25x31 cm imprint size 20x20 cm total page size 25x31cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publ...

ARTIST: Salvador Dali TITLE: La Venus Aux Fourrures Woman with Crutch MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 25/145 MEASUREMENTS: 11" x 15" YEAR: 1968 FRAMED: No CONDITION: Excellent AUTHENTICITY: This piece has been certified by The Salvador Dali Archives. The Salvador Dali Archives, located in New York, is a private repository of information about Salvador Dali, established with the approval of the artist by Albert Field over 50 years ago. The Archives, under the direction of Albert Field's successor, Frank Hunter, is able to provide an Authentication Service to owners of Dali prints and other Dali works. The Salvador Dali Archives is used by major Auction Houses, Art Dealers and Collectors to Authenticate works by Salvador Dali. REFERENCE: The Official Catalog of The Works of Salvador Dali by Albert Field page 40...

Artist: Henri Matisse (after) Title: Nude With Oranges Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2" Signature: Si...

Signed and dated to lower right Edition 303/450 Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Obey publishing...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm From Chagall Lithograph II Reference: Mourlot 399 Condition : Excellent Unsigned and unumbered as issued

Longing for parents. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and...

Night of solstice. 1984. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fic...

Leonor Fini The Art lover, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Relatives arguing. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and f...

Very good impressions of these extremely scarce, early color lithograph proofs, double-sided, on Rives BFK. Each an unique proof with color variations, aside from the edition of 100. One side signed, inscribed "monoprint" and numbered 10/16 in pencil. Printed by Joe Funk at Joseph Press...

Day of solstice. 1984. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, il...

Leonor Fini Fantastical character, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Going in battle. 1982. Paper, linocut, 25x34 cm imprint size 13x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fi...

Flower barrel. 1984. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illu...

Pig farmer's job. 1979. Paper, linocut, 25x34 cm imprint size 13x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and f...

Bernard Buffet (1928-1999) - La Route du Village Original Lithograph from 1968. Dimensions of work: 31 x 24 cm Publisher: André Sauret, Monte Carlo. Printed by: Fernand Mourlot, ...

Published in a limited edition of 750. Author: Douglas Cooper Format: Hard Copy Publisher: Berggruen Éditeur Publisher Location: Paris, France Total Pag...

Dowry. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction public...

Sun and moon. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction...

Midsummer wreath. 1984. Paper, linocut, 20x34 cm imprint size 9x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Jean Fautrier - Naked Annabelle - Original Lithograph 1957 Dimensions: 32 x 24 cm Signed in the plate From the art review XXe siecle Unumbered as issued