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Jacques CallotDéfaite de la cavalerie Turque (1st State)
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
About the Item
Defeat of the Turkish Cavalry (1st State)
From: The Life of Ferdinando de'Medici
Engraving
224 x 300 mm.; 8 7/8 x 11 7/8 inches
Reference:
Lieure No. 154
Meaume No. 541
Russell, 1975 No. 174
Nancy, 1992 No. 72 I
Notes:
In the Bibliothèque Nationale, Russell notes a 1st state impression of this beautiful engraving before the inscription below the image. The Nancy catalogue of 1992 notes that the second state carries the inscription of: Matteo Rossellini inv. -Iacopo Callot inc., not yet found in this impression (no. 72 and reproduced on p. 177 of: Jacques Callot, Musée historique Lorrain, Nancy, 1992).
- Creator:Jacques Callot (1592 - 1635, French)
- Dimensions:Height: 8.88 in (22.56 cm)Width: 11.88 in (30.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU36531393673
Jacques Callot
Jacques Callot, at the age of 12 years old, he runs away in Italy with gypsies. Callot returned for the third time to Italy together with an embassy of Duke Henry II to the Holy See. In 1611, Callot entered the workshop of Tempesta, a famous Italian engraver, for three years. In 1614 Callot left Rome for Florence in the service of Cosimo II de Medici. Callot produced drawings and etchings that drew influence from Flemish art and Mannerist works in Roman churches. Callot’s career began in Florence in 1612 when he started work in the Medici court, where he was employed to make pictorial records of entertainments such as fairs and festivals and where he also drew and etched courtiers, beggars and other characters, excelling particularly at caricatures. Returning to his native France in the latter end of his career, Callot’s work became markedly soberer as he documented the horrors of the 30 years of war in his Miseries of War series, which would continue to influence the artistic representation of conflict social injustice into the 19th and 20th Centuries.
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