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Medium: Plastic
Friedensreich Hundertwasser Serigraph on Metal on Layered Plexiglas, 1979
Located in Phoenix, AZ
Friedensreich Hundertwasswer (Austrian 1928-2000)
Serigraph on Metal on Layered Plexiglas, 1979
“Fall in Cloud, Fall in Fog, Fall Out”
Measures: 11 3/8"h x 13 3/4"w x 1 1/2"d.
Prese...
Category
1970s Plastic More Prints
Materials
Plexiglass
Busy Signal
Located in New York, NY
A very good impression of this color lithograph with collage of screenprinted reflective Mylar on Arches. One of 9 numbered artist's proofs, aside from the edition of 84. Signed, tit...
Category
1970s Modern Plastic More Prints
Materials
Mylar, Color, Lithograph, Screen
Protest, Black and White Lenticular Print by DJ Leon, 47 x 33 in
By DJ Leon
Located in White Plains, NY
'Protest' by DJ Leon. The lenticular print measures 47 x 33 inches and contains images that shift depending on the viewer's perspective. Visuals of 1970s protests appear alongside sy...
Category
2010s Pop Art Plastic More Prints
Materials
Plexiglass, Digital, Lenticular
from "Structural Constellations" - Abstract, engraving, geometric, black, white
By Josef Albers
Located in Köln, DE
Josef Albers' works “Structural Constellations” were created from 1949 onwards. They demonstrate spatial perception on flat surfaces ‘as a function of phenomenal vision anchored in p...
Category
1960s Abstract Geometric Plastic More Prints
Materials
Plastic, Laminate, Engraving
from "Structural Constellations" - Abstract, engraving, geometric, black, white
By Josef Albers
Located in Köln, DE
Josef Albers' works “Structural Constellations” were created from 1949 onwards. They demonstrate spatial perception on flat surfaces ‘as a function of phenomenal vision anchored in p...
Category
1960s Abstract Geometric Plastic More Prints
Materials
Plastic, Laminate, Engraving
from "Structural Constellations" - Abstract, engraving, geometric, black, white
By Josef Albers
Located in Köln, DE
Josef Albers' works “Structural Constellations” were created from 1949 onwards. They demonstrate spatial perception on the surface ‘as a function of phenomenal vision anchored in phy...
Category
1960s Abstract Geometric Plastic More Prints
Materials
Plastic, Laminate, Engraving
Brown Cottonwood
Located in Missouri, MO
Brown Cottonwood, 2005
By Andrew Millner (American, b. 1967)
Lightjet Print Mounted on UV Plex
Signed Lower Right
Unframed: 87" x 44"
Framed: 88" x 45"
Andrew Millner is a visual artist based in St. Louis, MO. His work investigates the relationship between art and nature, the natural and the made. Millner received a BFA from University of Michigan, in Painting and Sculpture.
He has had more than 56 group exhibitions since 1987 and over 15 solo exhibitions at institutions including Miller Yezerski Gallery, Boston, Massachusetts; Ellen Miller Gallery, Boston, Massachusetts; CCA, Santa Fe, New Mexico; Tria Gallery, New York City, New York; Richard Levy Gallery, Albuquerque, New Mexico; David Floria Gallery, Aspen, Colorado; Contemporary Museum St. Louis, St. Louis, Missouri.
"I started drawing on the computer in 2005. Previous to that, most of my work had been about finding lines in nature; the contours of leaves, the ripples on rivers, the edges of overlapping hills. Although I was using traditional art materials, I prepared the canvases with slicker and slicker surfaces so that the lines wouldn’t soak into the background but sit on top, preserving the nuances of my hand. I thought of the drawings as photographic, in the diaristic sense of recording moments of time. I enjoyed the easy correspondence of the endless novelty of line in these natural forms and the endless variety of line created by my hand. I couldn’t draw the same leaf twice so my subject and process were well matched.
I had the idea to draw every leaf of a tree, but I struggled with the scale and complexity of the subject. How does one bring a tree indoors? How can one see the whole tree and its individual parts simultaneously? I tried traditional strategies and materials but the results were unsatisfactory. I wondered if it would be possible to make the drawing on a computer. Since everything… music, photos, movies & books were being digitized, what about drawing? I wasn’t interested in something computer-generated, but sought to “dumb down” the computer and use it as a repository for simple line drawings. In the program I use, Adobe Illustrator, lines are called “paths”… an apt name since the line exists at no set scale or color. Only later do I assign the attributes of color and thickness.
Taking my laptop outdoors, I drew my first tree “en plein air.” Using a digital tablet and pen, I drew simple contours of the leaves and branches. Having these drawings remain in digital form rather than in physical form, opened up interesting possibilities and enabled me to tackle the complexity of a tree in intriguing ways. My lines were free and separate from the background and from each other. I drew the branches individually and then later, I could cobble them together to reconstitute the whole tree. On the screen, I could zoom in and out and draw at different scales simultaneously. I could zoom out to draw a simple contour of the entire trunk and then zoom in to draw the smallest leaf with equal effort. I drew in layers so that as the drawings accumulated I could turn layers “off” so that they wouldn’t obscure subsequent layers. These two novelties, drawing at different scales simultaneously and making parts of the drawing invisible to allow for work on top or behind previous drawings, allowed for the accumulation of hundreds of simple outlines to create a dizzying visual complexity.
Subsequent trees I drew from photographs. I would take hundreds of close-ups of a tree from a single point of view and then stitch all of these close ups together on the computer. Sometimes I photographed the same tree in the summer and then in the fall after it lost its leaves. This allowed me to see and draw all of the branches and limbs unadorned and unobscured. I would draw the tree twice, with and without leaves, merging the two drawings into one document. In this way, the drawings comprise and compress great spans of looking over vast time frames and seemingly contradictory close-up and distant points of view.
My digital drawings have been outputted in different ways… mostly as photographs printed directly from the digital file or as archival inkjet prints. The results defy easy categorization. Are they drawings, prints, or camera-less photographs...
Category
21st Century and Contemporary American Modern Plastic More Prints
Materials
Plexiglass, Inkjet
Price Upon Request
Untitled #60 [Greece]
Located in New York, NY
Cibachrome print face-mounted to Plexiglas
Inscribed "Griechenland" in pencil, verso
Provenance:
Jay Gorney Gallery, New York
Private collection, 1990
Private collection, 2005
This...
Category
1990s Contemporary Plastic More Prints
Materials
Plexiglass, Color
Price Upon Request
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Plastic more prints for sale on 1stDibs.
Find a wide variety of authentic Plastic more prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add more prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, pink, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Axel Crieger, Jonathan Spector, Allyson Monson, and John Duckworth. Frequently made by artists working in the Pop Art, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plastic more prints, so small editions measuring 0.04 inches across are also available Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $44 and tops out at $225,000, while the average work can sell for $956.