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Period: Early 19th Century
52: Oyster Boats at Billingsgate
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
48: Gravesend Steam Packet
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
47: Barges
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
46: Folkstone Harbour
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
43: Prawn boats, Brighton Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
42: Boat-hut
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
13: Dover Cliffs
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
41: Rope houses on the beach at Brighton
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
34: Yarmouth Herring Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
38: Lugger on the Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
36: Brighton Fishing Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
25: Crab-boat at Rottingdean
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
14: Anchors
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
30: Collier
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
15: West Indiaman
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
26: Billy-Boy unloading, Shoreham Harbour
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
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Etching
11: On the Beach at Cromer
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
40: The Hastings
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
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Etching
39: Thames Wherries
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
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Etching
22: Lugger on the Beach at Brighton
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
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Etching
31: Dutch Galliot
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
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Etching
29: The Discovery, Convict Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
28: Thames East Indiaman
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
27: Lugger near the Blockade Station
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
19: Prison Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
24: Mackarel Boats coming in, Brighton
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
23: Hog-boats etc, near the Battery, Brighton
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
18: Fishing Smack
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century More Prints
Materials
Etching
17: Skiff
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
16: Yarmouth
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
12: Lobster-boat at Rottingdean
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
10: Thames Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
Materials
Etching
09: The Wolf Brig of War
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century More Prints
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Etching
Egyptians, Crocodile Catching, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Egyptians, Crocodile Catching'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Naturalistic Early 19th Century More Prints
Materials
Aquatint
Mamalukes Exercising the Spear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Mamalukes Exercising the Spear'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt ...
Category
Naturalistic Early 19th Century More Prints
Materials
Aquatint
01: Prussian Snow
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century More Prints
Materials
Etching
07: The Victory
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century More Prints
Materials
Etching
05: Cowes Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century More Prints
Materials
Etching
04: A Frigate
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century More Prints
Materials
Etching
02: Fishing Boat Arrived
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century More Prints
Materials
Etching
08: Dutch Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century More Prints
Materials
Etching
06: Baroque
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century More Prints
Materials
Etching
John Thomson (1777-1840) - 1830 Map Engraving, Northern Hemisphere
By John Thomson
Located in Corsham, GB
A fine engraved map of the Northern Hemisphere, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.
Category
Early 19th Century More Prints
Materials
Engraving
John Thomson (1777-1840) - 1830 Map Engraving, The Rivers of the World
By John Thomson
Located in Corsham, GB
A fine engraved chart table showing the lengths of the principal rivers across the world, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.
Category
Early 19th Century More Prints
Materials
Engraving
John Thomson (1777-1840) - 1830 Map Engraving, Eastern Hemisphere
By John Thomson
Located in Corsham, GB
A fine engraved map of the Eastern Hemisphere of Earth, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.
Category
Early 19th Century More Prints
Materials
Engraving
John Thomson (1777-1840) - 1830 Map Engraving, Chart of the World
By John Thomson
Located in Corsham, GB
A fine engraved map of the world on Mercator's projection, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.
Category
Early 19th Century More Prints
Materials
Engraving
Tomb of the Virgin Mary: An Early 19th C. Aquatint after a Luigi Mayer Drawing
By Luigi Mayer
Located in Alamo, CA
"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...
Category
Early 19th Century More Prints
Materials
Engraving
Two-coloured-leaved Cineraria. Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Cineraria Aurita - Two-coloured-leaved Cineraria'
Native of the Canary Islands.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Re...
Category
Naturalistic Early 19th Century More Prints
Materials
Engraving
Primula Cortusoides - Siberian Primrose. Henry Andrews botanical engraving print
Located in Melbourne, Victoria
'Primula Cortusoides - Siberian Primrose'
Native of Siberia.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
Category
Naturalistic Early 19th Century More Prints
Materials
Engraving
Persia & Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category
Old Masters Early 19th Century More Prints
Materials
Engraving
Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category
Naturalistic Early 19th Century More Prints
Materials
Engraving, Aquatint
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category
Naturalistic Early 19th Century More Prints
Materials
Engraving, Aquatint
Whales, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Whales, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects...
Category
Naturalistic Early 19th Century More Prints
Materials
Engraving
Echium Glaucophyllum, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Echium Glaucophyllum - Sea-green-leaved Viper's Bugloss'
Native of Cape of Good Hope, South Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews...
Category
Naturalistic Early 19th Century More Prints
Materials
Engraving
"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
By George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time.
The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
Category
Early 19th Century More Prints
Materials
Engraving
Purslane-leaved Aizoon. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Aizoon Canariense - Purslane-leaved Aizoon'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by ...
Category
Naturalistic Early 19th Century More Prints
Materials
Engraving
Yellow Pontic Azalea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Azalea Pontica - Yellow Pontic Azalea'
Native of the coat of the Black Sea.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Reposi...
Category
Naturalistic Early 19th Century More Prints
Materials
Engraving
Lily-leaved Ophrys. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ophrys lilifolia - Lily-leaved Ophrys'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by the o...
Category
Naturalistic Early 19th Century More Prints
Materials
Engraving
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