Baby Nude Prints

A striking silkscreen print with a creative interpretation of the story of Brunhilde and Siegfried. Inscribed to the lower border 'Brunhilde Siegfried Act Three Das Ist Keinmann'.Sig...

Artist: Hans Bellmer, German Title: Petit traite de Morale Year: 1968 Medium: Color Etching, signed in pencil Image Size: 10.5 x 8.5 inches Frame Size: 20 x 16 inches

Untitled (Flower hats) 1976 Serigraph Ed. Edition of 175 25.75 x 20.5 inches

A limited edition mixed media print on canvas mounted to wood by American artist and educator Michael Knigin (1942 - 2011). Knigin's art incorporates his photography, collage and his...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs. The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his "Still-life with Dead Game" and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio. During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker...

Artist: Dan May (American, 1955-) Title: "Up the Stairs (Blue)" *Signed and numbered by May in pencil lower left Year: 1998 Medium: Original Screenprint on unbranded white cotton rag...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs...

Artist: Jacques Villon, French (1875 - 1963) Title: Le Mort de Daphnis for Les Bucoliques Year: circa 1960 Medium: Lithograph, Signed in Pencil Image Size: 8 x 19 inches Size: 15 in....

Artist: Robert Indiana Title: Sunburst Marilyn Medium: Screenprint in colors on wove paper Year: 2001 Edition: AP XV/XX (aside from the edition of 100) Sheet...

Leon Underwood was a British sculptor, wood engraver, painter and writer of the twentieth century. Underwood was born 25 December 1890 in London, and studied at the Regent Street Pol...

Jason Keeley Red Kiss Limited Edition Silkscreen Print Edition of 70 Image Size: H 66cm x W 66cm Sheet Size: H 74cm x W 74cm x D 0.1cm Sold Unframed Please no...

Henry Moore Reclining Figure Original etching in sepia, hand signed 1979 Image size: 12 5/8 x 15 7/8 inches Framed Dimensions: 25 x 25 inches Numbered 32/50 from the edition of 50 on...

Arthur B. Davies (1862-1928), Baptism (or, Group of Ten Men – One Seated), drypoint on zinc, 1917, signed in pencil , printed in black on very thin laid paper. In very good condition...

Leonor Fini - Untitled - Original Handsigned Etching Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Artist: After Pablo Picasso (1881-1973) Title: Deux Modèles se regardant (after Bloch 209) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone s...

Two women dancing holding hands in a circle as religious figures and another nude look on the scene is the subject of this etching print by Leonor Fini. The work is an illustration of the themes of a satirical play with the same title Le Concile d’Amour...

Henri Clement-Serveau Rest, Two Nudes with Greyhounds, 1929 Original woodcut Handsigned in pencil Numbered /160 On Perrigot vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind sta...

Artist: Reuben Nakian Title: Nymph and Goat IV from Myths and Legends Date: 1979 Medium: Drypoint etching with Chine Colle on Rives, signed and numbe...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs. The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his "Still-life with Dead Game" and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio. During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker. Derain's presence in Germany was used effectively by Nazi propaganda...

Jan Matulka (1890-1972), Four Nudes in a Landscape, drypoint, c. 1923, signed in pencil lower right margin [also with initials in the plate lower left]. Ref...

This offering is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims th...

Artist: Henri Matisse (after) Medium: Lithograph Title: La Danse Year: 1938 Edition: Unnumbered Framed Size: 20 1/2 x 27 inches Sheet Size: 14 x 21 inches Ref...

Title: Decorative Documents Author: Alfons Mucha. Publisher: Paris: Librairie Centrale des Beaux-Arts, 13 Rue Lafayette. Emile Levy publisher. Published ...

Camille BERG Sleeping Nude Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1...

Walt Kuhn (1877-1949), [Nude on Couch, Right Arm on Leg], c. 1920, etching, signed in pencil lower margin. In very good condition, traces of discoloration in...

Artist: André Masson (French, 1896-1987) Title: "Le Fil d'Ariane (Ariadne's Clew)" Portfolio: For Meyer Schapiro *Signed by Masson in pencil lower right Year: 1973 Medium: Original Etching with Aquatint on Rives BFK paper Limited edition: 15/100 Printer: Atelier Crommelynck, Paris, France Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University, New York, NY Sheet size: 18" x 13.5" Image size: 11.5" x 8.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Rare Notes: Numbered by Masson in pencil lower left. Comes from the 1974 "For Meyer Schapiro" portfolio of twelve print editions by various artists. The "For Meyer Schapiro" portfolio consisted of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithographs and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing. Various printers were used. In addition to Masson, the following artists also contributed to the portfolio: Stanley William Hayter, Jasper Johns, Ellsworth Kelly, Alexander Liberman, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella, and Andy Warhol. Biography: André Masson (b. Balagny-sur-Thérain 1896 - Paris 1987) was a French artist. He was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War. Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island...

Nude is a black and white etching realized by Nazareno Gattamelata in the 1970s. Hand signed by the artist on the lower right margin: Gattamelata. Numbered on the lower left margin...

Divine Providence is an etching on paper realized by Gian Paolo Berto , in 1970s. Hand-signed on the left corner and numbered, edition: 36/40. The artwork is depicted skillfully through confident strokes with a well-balanced composition. Good conditions. Gian Paolo Berto (1940) born and raised in the limited but fervent artistic environment of Adria after the war where, apart from the isolated and not yet rediscovered genius of the Anglo-Saxon Foster, a new cultural climate was forming alongside the figures of Scarpari, Reali, Rizzi, Palmieri , Gioli. Then in Rovigo, he is studying with Prudenziato and Breseghello and in friendship with Gabbris Ferrari. The meeting with the masters Zancanaro and Levi is dazzling and constitutes the springboard of this eclectic artist in the world of contemporary Italian painting...

Jean-Emile Laboureur (1877-1943), Le Moulin Abandonne, etching and engraving, 1934, signed lower left and numbered and annotated “imp” in pencil lower right....

Original Lithograph by Jean Cocteau Title: Profil Signed in the plate Dimensions: 65 x 44 cm

Nude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...

Leonor Fini - Dancing - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckvel...

A superb impression of this offset lithograph with vibrant pochoir color. Signed and numbered in ink, from an edition of 185.

This unframed piece titled, "Aquarius Lavis" by Guillaume Azouky was created in 1995. The piece is a water color print etching with gold leaf, it is limited edition, being 6 out 50 t...

Leonor Fini - Lovers - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsigned ...

Fingono di Dormire is an original Contemporary artwork realized by the italian Contemporary artist Leo Guida (1992 - 2017), in 1975. Original black and white etching on paper. Ver...

Nude Woman is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwor...

Figure is a black and white etching realized by Nazareno Gattamelata in 1970s. Hand signed by the artist on the lower right margin: Gattamelata. Good conditions.

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensio...

Nude of Woman is an original modern artwork realized the 1950s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original zincography on Ivory paper. Image Dimensions: ...

Nude is an original etching realized by Sergio Barletta in 1975 ca. Hand-signed on the lower right in pencil. Numbered in Roman numerals, edition of VI/IX prints, on the lower left ...

The Couple is an original etching realized by Sergio Barletta in 1975 ca. Hand-signed on the lower right in pencil. Numbered in Roman numerals, edition of VIII/IX prints, on the low...

Nude is an original etching on cardboard realized by Sergio Barletta in 1972. Hand-signed on the lower right in pencil. Numbered, edition of 8/50 prints, on the lower left in pencil...

Nude is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the late 20th Century. The state of preservation of the...

Nude is an original etching realized by Sergio Barletta. Hand-signed on the lower right in pencil. Numbered, edition of 9/15 prints, on the lower left in pencil. In very good conditions. Sheet Dimension:35 x 50.5 cm The artwork represents a laying nude...

Nude is an original lithograph artwork on paper realized by Pierre Guastalla (1891-1968). Hand-signed on the lower right in pencil. The state of preservation is very good. Sheet d...

Nude Study is an original drawing in brownish charcoal on ivory paper, realized by Debora Sinibaldi in 1985. In good condition with some folding along the margins. The artwork repr...

Nude is an original etching, realized by Sergio Barletta, hand-signed and numbered from the edition of 25 prints. In very good condition. Here the artwork represents the girl with...

Aubrey Schwartz, American (1928 - 2019) - Two Figures from The Midget and the Dwarf Portfolio, Year: 1960, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 19/...

Leonor Fini - Portraits - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckv...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

This is from a series of linocuts made with a single horizontal line. The resulting mesh of black and white creates a shimmering effect that both defines and blurs the image. Objects...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1...

TITLE : Les Lepreuses (text by Heny de Montherlant) EDITOR : NRF, Paris 1946 PRESENTATION : in-4 in leaves under slipcase ILLUSTRATION : 26 original lithographs by Kees VAN DONGEN (w...

Leonor Fini - Playing - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckvel...

"Le Repos (Rest)" is an original etching by Victor Roux-Champion. It features a nude woman lounging on a couch. The artist signed the piece lower left and wrote the edition number, 2...

Original Lithograph by Jean Cocteau Title: Europe's Agriculture Signed in the stone/printed signature Dimensions: 33 x 46 cm Luxury impression from the portfolio published by Sciaky....

Matin Calme Daniel Gelis, French (1942) Date: circa 1980 Lithograph on Arches, signed and numbered in pencil Edition of 137/180 Size: 22 x 27 in. (55.88 x 68.58 cm)

Presented in a simple white mount. Unsigned. On paper.