Vertical Portrait Prints

Film room 3 is an original etching, realized by Sergio Barletta. Signed lower right. In good condition. Here the artwork represents a cinematic illusion with confident and preci...

Plate No. 306 by Johanna Goodman Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation...

NEW YORK CITY: GRAND HYATT is an original hand drawn lithograph created in 1983 by the NY woman artist, Joan Melnick. NEW YORK CITY: GRAND HYATT was Inspired by the architectural des...

THE BIG PARADE is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. THE BIG PARADE is a surrealist composition depicting an interior scene featuring a full green leafy tree wearing a theatrical black eye mask...

Original vintage poster: Make your own Declaration of War, Buy War Bonds. Size 22" x 28:. Original 1942 World War II (WWII) American military vintage poster. Archival linen backed with the original U. S. Government poster...

Original "The Virgin Queen" vintage movie poster. NSS: 55/302 Archival linen backed with original issued fold marks restored. Linen-backed and in excellent condition. No pape...

Marquett. 1925. Etching. Fletcher 51. 8 7/16 x 6 7/8 (sheet 12 13/16 x 8 7/8). Trial proof, apart from the edition of 106 (total 113 impressions). A rich impression, printed on cream...

Original “VILLA RIDES!”, US 1 sheet, 1969 original movie poster—art of Yul Brynner as Pancho & Robert Mitchum, Sam Peckinpah. Starring Yul Brynner as...

"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...

Hand Signed in pencil lower right, titled lower left, inscribed “N°2”. On Chine Appliqué paper, one of only 10 known impressions Catalogue Prouté 1973 n.179. Prov. Paul Prouté, Paris...

A was an Artist is a Wood engraving, realized by the Artist William Nicholson in 1898 Titled " A was an Artist - Portrait de William Nicholson " below, in the center of the image. O...

Artist: Aegidius Sadeler II Petronia, First Wife of Vitellius, from set of Roman Emperors and Empresses, c. 16th-17th century Engraving Publisher: Marcus Christoph Sadeler Sight: 15 1/4 x 10 3/4 in. Framed: 19 3/4 x 15 1/4 x 1 in. This image was conceived in the 16th century by Aegidius Sadeler II and published by Marcus Christoph Sadeler. It is unclear when the present version was executed. Aegidius Sadeler or Aegidius Sadeler II[1] (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors. Sadeler was born in Antwerp in the Sadeler family of print dealers and engravers. He was the son of Emmanuel de Sayeleer and the nephew of Aegidius I, Jan I en Raphael Sadeler.[2] He was trained by his uncle Jan I and became a member of the Antwerp Guild of St. Luke in 1589. He was active in Munich the next year in 1590, in Rome in 1593, in Naples and then again in Munich in 1594–1597. From 1597 he settled in Prague where he became court engraver for Rudolf II and made engraved portraits of notables and engravings after artworks there, most notably paintings by Bartholomeus Spranger, Roelant Savery, Hans von Aachen, Giuseppe Arcimboldo, and sculptures by Giambologna and Adriaen de Vries. His early engravings were mostly faithful copies of works by Albrecht Dürer in the Imperial collection and copies of paintings by notable Italian painters such as Raphael, Tintoretto, Parmigianino, Barocci and Titian or by Northern painters who worked there, such as Paul Bril and Denys Calvaert. In Prague he also engraved portraits of the notables of Rudolf's court, and collaborated with Spranger, Joseph Heintz the Elder, Jacobus Typotius and his friend Anselmus Boece de Boodt (1550-1632), Rudolf II's gemologist and physician.[3] After Rudolf II died he enjoyed the favour and protection of the two succeeding Emperors, Matthias and Ferdinand II.[4][5] According to Michael Bryan...

Darth Bowie 2022 by B A T I K Oversize limited edition - Pop Art Mint Archival pigment print by the London based contemporary pop art image creator an...

Anaïs No. 2. 1930. Etching. Fletcher 67. 8 7/8 x 6 3/4 (Sheet 15 x 11). Edition 111. An extremely rich proof printed on cream wove paper, on the full sheet with deckle edges. Anaïs F...

This poster reproduces Émile Jean-Horace Vernet’s iconic 1815 portrait of Emperor Napoleon I, capturing the Emperor’s commanding presence and imperial authority. A leading figure in ...

Fletcher 6 state .ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Excellent condition. Illustrated: Fine ...

Life is a never-ending stream of what you wish and work for, we wished and we’ve got you as our running stream of love, no matter what stages, it's continuous, it doesn't stop. Ship...

PASSING CROWD is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival ARCHES paper 100% acid free, full bleed image, no margins. In PASSING CROWD, a group of fashionable city women and men walking...

Original WWII poster: YOU CAN LICK RUNAWAY PRICES ORIGINAL VINTAGE WWII POSTER BY JAMES MONTGOMERY FLAGG Distributed originally by OWI for the Office of Economic Stabilization. 1. Buy and hold War Bonds. 2. Pay willingly our share of taxes. 3. Provide adequate life insurance and savings for our future. 4. Reduce our debts as much as possible. 5. Buy only what we need and make what we have last longer. 6. Follow ration rules and price ceilings. 7. Cooperate with our Government's wage stabilization program. Publisher: [S. l.]: Distributed by O.W.I. for the Office of Economic Stabilization. Linen backed fine condition. Restored original Government fold marks (on all World War 2 American vintage posters) James Montgomery Flagg is best known for depicting Uncle Sam in recruitment and public service announcement posters of both World War I and II. You Can Lick Runaway Prices? Features a new painting created by Flagg in c.1942. The poster emphasizes seven steps that the average American could take to prevent inflation. Among these points include significant themes of buying war bonds, conservation, and food rationing. The seven steps correspond to the seven letters that spell Victory. The imagery references Flagg's iconic I Want You poster...

AT THE CAT CLUB by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on ar...

Le Masque de la Mort Rouge is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felu...

"Thai Vintage 1987 Robocop" by Paul Verhoeven Robocop, the classic 1987 Paul Verhoeven science fiction (sci-fi) police crime dystopian future thriller ("Part Man, Part Machine, All Cop."; "The Future of Law Enforcement."; "Written by Edward Neumeier & Michael Miner") starring Peter Weller (in the title role as Robocop/Officer Alex Murphy), Nancy Allen, Daniel O'Herlihy, Ronny Cox, Kurtwood Smith, Miguel Ferrer, Paul McCrane...

Roger Shimomura American Muse Year: 2017 10 Color Lithograph Edition: 36 Paper: Rives BFK, White Paper Size: 28 x 27.25 inches Image Size: 24 x 24.25 inches Signed and numbered by ha...

Bold black and white serigraph print of a young woman's face by American artist Deborah Clark, circa 2000. Number 3 of 5 prints. Signed in pencil lower right, titled lower left. Ori...

Hand signed, dated and numbered by artist with pencil. Etching and aquatint. Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs. Excellent condition.

Lithograph and pochoir realized by Emile Gallois in the mid-20th Century ca. to illustrate japanese costumes. Signed in the plate. Published by H. Laurens, Paris. Very good condit...

Un Forgeron is an artwork realized by Eugène Delacroix in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Portrait of Marie Therese Walter". The original paintin...

Hand-deckled edges. "Aims to promote peace, equality, and humanity. I’d like to see a fundamental assumption that ALL people deserve respect and human dignity. This applies to the u...

The Invalid's Dog is an original Lithograph realized by Denis Auguste Marie Raffet. Represents a Romance in music, dedicated to Mademoiselle Palmyre Lacou...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Print Offest Ink on Linen Size: 34W x 26Hx 2 D In Unmounted artwork Ships in a well-protected tube from Nigeria Signed on the front side and accompanied by a Certificate of Authentic...

Title: John Lennon Artist: John Van Hamersveld Medium: Color SERIGRAPH Substrate: COVENTRY RAG 320 GSM Paper Size: 34.25″ x 44” Image Size: 30” x 40” Signed and Numbered Edition Printers Proof Year: 2007 John Van Hamersveld (born September 1, 1941) is an American graphic artist and illustrator who designed record jackets for pop and psychedelic bands from the 1960s onward. Among the 300 albums[3] are the covers of Magical Mystery...

Portrait of Albert Einstein, a color collotype print, watercolor with electric wires, by Lilya Vorobey (American, 20th Century). Signed and dated "L. Vorobey '89" lower right. On mat...

Medium: Intaglio Year: 2023 Image Size: 16" H x 11" W Edition Size: 20 Portrait of a young woman with floral decor and a bouquet of flowers hiding her face. While Hiratsuka's images...

Facing to the side, this portrait of Olga Picasso (Khokhlova) demonstrates Pablo Picasso's ability to capture dimension with the use of shading and highli...

Mary Bauermeister Mary Bauermeister at Galleria Schwarz Milano (Hand signed, dated and inscribed), 1972 Offset lithograph on exhibition catalogue (hand signed, dated and inscribed in...

'He painted '"he Doctor"' Vanity Fair portrait of Sir Samuel Luke Fildes, KCVO, RA (1843-1927) who was an English painter and illustrator born at Liverpo...

'Popular Astronomy' Vanity Fair portrait of Irish astronomer Sir Robert Stawell Ball (1840-1913). In 1867 he became Professor of Applied Mathema...

Work on paper without frame

Original poster: Keep Up the Good Work, Keep down living costs. Pay no more thjan ceiling prices. Original World War II; Uncle Sam. Artist: L. Helguera. Size: 20" x 27.75"...

This a framed original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Billy Bowlegs, A Seminole Chief",...

'a sculptor' Vanity Fair portrait of Lord Ronald Charles Sutherland-Leveson-Gower. He was a connoisseur and collector. He practised as a sculpto...

Elisabeth (Anaïs) also called The London Caster Girl. 1922. Etching. Fletcher catalog 32 state x. 5 5/8 x 4 1/4 (sheet 11 1/2 x 9). Edition 76 (total 94 impressions). A rich impress...

'Rhinology' Vanity Fair portrait of Dr Robert Spicer, 'a specialist in matters relating to ears, noses and throats'. Accompanied by original descriptive text. 380mm by 260mm (sh...

Make Every Minute Count For Pershing. United States Shipping Board Emergency Fleet Corporation Original 1917 World War 1 vintage poster. Artist: Adolph Treidler Original linen backed World War I vintage poster. Tonnage built in American ship yards tripled after the U.S. entered the war. Poster shows a riveter using his wrench to bolt the steel plates of the hull of a ship together. Until the 1930s, when arc welding was introduced, bolts were secured by hand. Standardization speeded production. Make every minute count for Pershing. United States Shipping Board Emergency Fleet Corporation Artist: Adolph Treidler Dimensions: 27.75 x 22 in. Published: Philadelphia Linen backed, ready to frame. Remember Rosie the Riveter...

Portrait de Calderon is a contemporary artwork realized in 1971. Plate n. 1 from the series “Caldéron. La Vie est un Songe". Colored aquatint etching by Bracons and J.J.J. Rigal af...

Jean Jansem (1920-2013) Lydia de dos dans l'atelier, 1995 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 64,5 x 50 cm / 76 x 56 cm D'une édition à 120 exemplaires Les 25 premiers numéros font partie de l'Album Modèles qui comprend six lithographies. Imprimeur: Arts-Litho, Paris Editeur: Jansem, Paris Bibliographie: Jansem Lithographe, 1993-1999, Flora J. Editeur, Paris, 2000, n. 95, reproduit p. 26, référencé p. 92. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon...

This portrait of two philosophers in conversation is a rare figurative work from Mark Tobey, one of the founders of the American Mystical school of pa...

SLAVE TO FASHION by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on a...

Plate No. 140 by Johanna Goodman Giclée print on Archival Matte Paper with Archival Pigment Ink. Johanna’s work has been featured in a wide variety of publications from The Guardia...

Naturel du Detroit Princesse Marianne is a hand colored lithograph realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes ...

Paul Cezanne Portrait, The man with a hat, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) ...

Signed, titled and numbered etching from the edition of 120. In individual prints, and in his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravings and tongue-in-cheek wit. This image of a rhinoceros and a lamb, hints at an imaginary fable similar to the lion and the lamb. Stan Washburn...

Archival Pigment Print on Linen Year: 2022 Size: 33.4 x 25.5 inches Signed and titled by hand COA provided The style reflects the need for constant self-perfection and development, ...

Original. " "Just meet those schedules, will you?" vintage poster. Lithograph. U. S. Army Official Poster. An American pilot, complete with goggles and a flying cap, holds a map up while smiling with a headline of "Just meet those schedules, will you?". Linen-backed and ready to frame World War 2 vintage poster, 1944. This exclusive vintage World War II poster is a rare and beautiful piece of history. This original and authentic poster is truly a sight to behold, showcasing an iconic image of an Army Air Force...

Giclée print on Archival Matte Paper with Archival Pigment Ink. Based in New York, American illustrator and collagist Johanna Goodman studied at Bosto...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Artist: Guillaume Azoulay - Moroccan (1949- ) Title: Shahrit Year: 1982 Medium: sepia colored etching Sight size: 16 inches in diameter (plate mark). Sheet size: 30 x 22 inches Pu...

Plate No. 250 by Johanna Goodman Giclée prints on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundatio...