Miniature Portrait Prints

Portraits after Raphael is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strokes. Th...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Le manuscrit trouvé dans un chapeau, orné de dessins a la ...

The Woman is an original lithography artwork on paper realized by Anonymous Artist of the mid-20th Century. In good condition, with some small stain. The artwork represents a woman...

Paul César Helleu Shy Red Hair Woman, 1913 Lithograph and watercolor stencil Printed signature On vellum 26 x 20 cm (c. 10.5 x 8 inch) Very good condi...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Margherita is an original hand-colored lithograph on paper realized in 1881 by an anonymous artist of the 19th Century. Titled at the bottom and dated on plate. The state of preser...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Untitled Glove Details - Giclee print on 314 gsm, 100% Acid Free Cotton Fibre paper. Matte Finish/Textured Surface Size - 12x 16.5 in Sold Out Unnumbered Edition Foiled Sticker en ve...

Maximilienne Guyon Woman with a Lace Headdress, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lit...

Maurice Pasternak has created a portrait of his signature figure with outstretched arms. He moves images around on the paper to create a sense of mystery and drama. This impression ...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Map of Ancient Greece of Macedonia and Thrace is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. Bottom left is the original title "Carta della Grecia A...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition. 

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

From the Shawl Suite. Serigraph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Artwork image size: 18 x 11 in. Framed size: approx. 30.5 x 23 i...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Customs - Mexican calendar is alithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all t...

Woman Portrait is a splendid lithograph realized by Jacques Marie Gaston Onfroy de Bréville, known by the pen name Job after his initials (1858 - 1931). ...

Paul VERA Laure : Model with Tall Eyes, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellen...

Portrait of Quesnoy is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge ...

An Alphabet is a Wood engraving, realized by the Artist William Nicholson in the 1890s. Titled, the artwork belongs to the series "Almanach' Guidance of Editions is written on the l...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Jeremy Geddes "Follow" Cosmonaut Fine Art Print Contemporary Street Art Astronaut Jeremy Geddes: Jeremy Geddes studied painting at the Victorian College of the Arts and began workin...

Figure is an offset print realized after a drawing by the Sicilian artist Renato Guttuso, 1980s. Hand signed on the lower right margin. Good conditions. Renato Guttuso (Bagheria,...

Friends is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good conditions. Édouard Chimot (26 November 1880 – 7 J...

Head of a man in a high cap is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to ...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ths Portrait of a Boy " D'apres Manet" is an original etching print on paper realized by Albert Lepreux (1868-1959); included a Passepartout: 25 x 16 cm...

"Designer Homage: Mara Hoffman 2020 Collection", 2021, digital collage, print, matted and framed, figurative, Digital Print / Feminist Art and Contemporar...

Shelly (Sheldon) Fink (American, 1925-2002), "The Book" Artist Proof Ed. XX/XXV, Figurative/Portrait Lithograph signed on Paper, 15.88 x 10.88, Late 20th Century, 1968 Color: Wine Red Sheldon Fink was born in 1925 in Brooklyn, NY. He attended the High School of Music and Art in Manhattan, and won Tiffany Foundation grants in 1957 and 1963. Shelly's work has appeared at the Albany Art Institute, the Berkshire Art...

Charles CAMOIN Blond Hair Girl, 1946 Original lithograph Signed in pencil bottom right Numbered / XX On Lana Vellum 36 x 26 cm (c. 10.2 x 14 inch) Excellent condition

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

The Profile After Grignion is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

This impression is signed and numbered 24/25. The references for this work are: Auberty & Perussaux 191 and Ginestet & Pouillon E. 277. This is one of Jacques Villon’s great 1913...

J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...

Mysterious Scale is a colored lithograph realized by the artist Roger Chapelain-Midy in 1975. Hand-signed by the artist on the lower right. Numbered on the lower left. Original pri...

Carol Wax's mezzotint, "Apple Peeler II", shows the simple tool influenced in part by Yves Tanguy. It was created in 1992 an edition of 50. This image is...

Customs - Kings of Armenia is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Portrait of Attila is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind"...

Portrait of a Gentlewoman is an original print on paper realized by Anonymous English artist in the late 18th Century. The artwork represents a portrait of an elegant woman. Mixed ...

Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition...

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey...

Map of Battle of Waterloo is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belong...

The Misery is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in P...

Figures is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. The...

The French Landscape is an original etching realized by Henry Verger-Sarrat in the 20th Century. Good conditions except for some foxings. The artwork is depicted through strong str...

Anatomy Studies is an etching realized by Nicolas-Dauphin de Beauvais in the 18th Century. Good conditions with foxing. Signed on plate. The artwork is depicted through confident ...

Original Title: "Complaisance". Hand signed with red pencil. Artist's Proof. Reference: E.N.372  Rare and in very good condition.

Little Tony- Vintage Autographed Photograph is a vintage photo, realized in the 1960s. Signature and dedication by the singer Little Tony: "A Lancio il giornale degli sportivi con a...

Persian Dervish is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Derviche persan". The work is pa...

Title: Ramadi Medium: Mezzotint Image Size: 12" x 10" Edition Size: 20 ABSENCE OF PASSION / PORTRAITS OF IRAQ Ramadi is from The Absence of Passion suite of fifteen mezzotint portra...

Title: Karbala Medium: Mezzotint Image Size: 12" x 10" Edition Size: 20 ABSENCE OF PASSION / PORTRAITS OF IRAQ Karbala is from The Absence of Passion suite of fifteen mezzotint port...

A charming monochrome etching depicting poet Stephen Spender. Signed in graphite. No. '28/75'. Presented in a black wooden frame. On paper.