Louis-Marin Bonnet

Le Petit Maitre - Original Etching and Pastel by L-M Bonnet - Late 18th Century

Late 1700

L’Ecuyer (The Squire) is an engraving made by the Parisian artist Louis-Marin Bonnet, realized in the second half of 1700 in Paris. Inside the matrix, the title is engraved on the lower center, whilst “L. Bonnet direx” is engraved on the lower right. The state of preservation is somewhat good, except for fungal foxing spread on the sides of the figure and some small stains, one of which is more evident on the lower center of the image. The right margin of the paper is fringed with tiny tears. Louis-Marin Bonnet lived from 1736 to 1793 in Paris. He was a painter and engraver, and as such he invented one of the first color-printing methods with many matrices, with a pastel-like effect. In 1769, he published a treatise titled Le Pastel en gravure inventé, et execute par Louis Bonnet...

Portrait is an original Etching in the Late 19th Century. Good conditions. The artwork is represented through soft strokes in a well-balanced.

ZOFIA ANNA MISIAK Zofia Anna Misiak is a contemporary painter from an artistic family. Her parents are Janina Żylińska and Stanisław Misiak. Zofia Anna Misiak graduated from the Acad...

An etching by Leonor Fini depicting a gnarly old man with two youthful angels one sitting at his feet and the other standing close to his right side. This is a signed limited edition etching numbering 62 out of 100. There is also a signature by the artist embossed in the paper just below the pencil signature. The paper is very fibrous and has a couple of inherent creases that are part of the makeup of the fibrous paper. These are to the right of the figures. The edges of the paper are deckled. The paper size is 25.75 x 20 Image size 15.50 x 12.50. This original etching is in very good condition. Argentinian-born artist Leonor Fini (1907-1996) is considered one of the great female artists of the twentieth century. She moved to Paris in the early 1930’s where she spent most of her life and almost immediately formed friendships with Salvador Dali, Cartier- Bresson, Max Ernst and other intellectuals of the time. At twenty five she had her first one person show in Paris and was included in the 1936 pivotal exhibition at MOMA…Fantastic Art, Dada and Surrealism…..and that same year had an exhibition at a famous avant garde gallery in New York. Although Fini never considered herself a Surrealist she maintained close personal relationships with several members of the group. One can see how their ideology influenced her work but she remained firmly rooted in the tradition of Symbolism, Metaphysics and Italian and German Romanticism Her works can be found in most important collections of modern art around the world. Fini was renowned as a portraitist and as a painter of erotic sexual tensions with a mysterious atmosphere. She was adamant about being independent and not belonging to any one group. She lived life on her own terms and is sometimes referred to as …..the female Dali. She was also involved with designing for fashion and creating elaborate sets for opera and theatre. As a feminist she was definitely ahead of the times. She produced the first erotic male nude...