Late 18th Century Portrait Prints

An Old Prophet Preaching is an etching realized after Henry Fuseli by Bromky published by T. Halloway in the late 18th century. signed on the plate. Good conditions.

A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...

A Man of Kamtschatka (Russia) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was t...

A Young Woman of Taheite Dancing (Tahiti) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook.John Webber (1752-...

Louis Marin BONNET Paris 1736 † Saint Mandé 1793 Provoking fidelity. 1775. Gravure en manière de crayon d'après Marc-Antoine Parelle (actif c.1766 - c.1774), imprimée en couleurs ave...

A Man of the Sandwich Islands Dancing (Hawaii) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official artist for the third voyage of Captain James Cook (1728-1779). The purpose of this voyage was to discover the Northwest Passage and to explore the Pacific Ocean north of the Equator. These engravings were published in 1784-85 by G. Nichol and Thomas Cadell of London in the four large format atlas, Voyage to the Pacific Ocean. Captain Cook was an extraordinary explorer known for discovering and mapping unknown territory and for his many contributions to the scientific world. These original engravings from Webber’s drawings and paintings are only a glimpse into this great man’s historical contributions that make him one of the greatest explorers of all times. This image shows a Hawaiian dancer...

London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...

London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...

Chaloner Smith (Engraver not ascertained, Class III) 9. Published by C. Shepherd, Oct. 31, 1775 London. Inscribed in plate lower center: "Charles Lee, Efq. / Major General of the Con...

Gilles DEMARTEAU Liège 1722 † Paris 1776. Tête de Diane à la Colombe. C.1774. Gravure à la manière de trois crayons : sanguine, noir et blanc, impression au repérage d’après François...

"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...

Johann Friedrich Bause (1738 Halle a. d. Saale - 1814 Weimar). Half-length portrait of a man with beard and cap after a drawing by Christian Wilhelm Ernst Dietrich. Etching and coppe...

This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...

Pierre-Auguste Renoir (French, 1841-1919) "La danse à la campagne" (second plate), Conceived 1883 Soft ground Etching on paper Image: 8-5/8 x 5-1/4 inches (21.9 x 13.3 cm) (plate)...

Johann Jakob Scheuchzer (1672 - 1733) was a Swiss traveller naturalist and geologist. His best known scientific works are his paleontological 'Lithographia Helvetica' (1726) and his 'Physica Sacra...

Three Beauties under a maple tree from the series "A Contest of Fashionable Beauties of the Gay Quarters". The woodblock print is printed on rice paper....

This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Sai a gorge blanche. Variete A. Buff. Simia capucina. v.a.", which was drawn and engraved by Jean Baptiste Audebert...

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...

Ancient Roman Bust, original etching from the end of the 18th century, made by Various Old Masters. Good condition. Units of measurements typical of the period in the lower center...

'Marie' Copper-line engraving by Pierre Francois Basan (1723-1797) after Van der vaart. Mary II (1662-1694) reigned as Queen of England, Scotland, a...

An 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798. The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition. Edward Montagu, the 1st Earl of Sandwich...

General Washington is an Original Etching hand Watercolored realized by Thomas Holloway in 1794. The artwork is in good condition except for some s...

This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mangabey, Buff, Simia Aethiops, Linne", which was drawn and engraved by Jean Baptiste Audebert...

Jesus and Virgin Mary is an original modern artwork realized in the the Second half of 18th Century. Original B/W Etching on paper. Sheet dimensions: 14 x 13 cm. Passepartout is...

This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...

Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli. Signed on the plate, on the lower right. Very Good...

Profile of Ancient Roman Bust, from the series "Antiquities of Herculaneum" is an original etching on paper realized by Francesco Cepparoli. Signed on the plate, on the lower right....

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous Artista in the 18th century. ...

Ancient Roman statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century. Signed on the ...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by An anonymous artist in the 18th century. Signed on the plate on the l...

Original etching on paper realized by Ferdinando Campana in the 18th century. Signed on the plate, on the lower right. Good conditions. The etching belongs to the print suite “Ant...

Ancient Roman Bust, original etching from the end of the 18th century, made by Various Old Masters. Good condition. Units of measurements typica...

Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Ferdinando Campana. Signed on the plate, on the lower right. Good cond...

This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust. This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition. William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782. The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister. Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lower...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th century. Signed on the plate on the lower r...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th century. Signed on the plate on the lower r...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lower...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous artist in the 18th century. ...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous artist in the 18th century. ...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lowe...

This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty". Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...

This is an original 18th Century copper plate engraved portrait of Captain James Cook as a young man. It was engraved by J. Basire after a painting by William Hodges, published in London by W. Strahan and T. Cadell in the Strand in 1777 as the frontispiece to the official journal publication of Cook's 2nd voyage of discovery, "A voyage towards the South Pole, and round the World. Performed in His Majesty's ships the Resolution and Adventure, in the years 1772, 1773, 1774, and 1775". The journal was written by James Cook, Commander of the Resolution, which was the ship used for the voyage and William Hodges, who was the artist on board the ship. This famous image has been used in many articles and tributes to Captain Cook, including a Norfolk Island stamp celebrating his many accomplishments. This engraved head-and-shoulders portrait of Captain Cook is enclosed in an oval with the appearance of a stone border. Captain Cook is dressed in his naval dress uniform, with a topcoat over a lace shirt. The engraving is printed on watermarked laid, chain-linked paper. The sheet measures 11.5" high x 9" wide. There is some spotting, most prominently in the margins. The print is otherwise in excellent condition. Captain James Cook (1728-1779) was an English explorer, navigator, surveyor and cartographer, who dramatically changed what was known about the world through his three voyages of discovery in the 1770's. Cook's achievements are too numerous to include here, but for example, Cook charted much of the Pacific Ocean and discovered many island groups, including the Hawaiian islands, which he named the Sandwich Islands, in honor of the head of the British Admiralty and a patron of Cook's. Cook was the first European to explore the eastern coast of Australia, and he was the first to map the New Zealand coastline. He sailed farther south than any other explorer before him, disproving the belief that a huge land mass occupied the South Pole. He also explored the northwest coast of North America, including present day Alaska and adjacent portions of Russia. He proved that the Northwest Passage did not exist. Cook was an exceptional seaman, navigator and leader of men, which contributed to the success of his explorations, but also saved his ship and crew on many occasions when faced with challenges, such as storms in previously unexplored waters, like occurred in the Great Barrier Reef off the eastern coast of Australia. He is also the first to require his crew to eat citrus fruit which markedly reduced the incidence of survey, which had led to large scale illness and death during earlier ocean voyages. As outstanding as Cook's skills were, they are even more impressive since they were self-taught. Having grown up the son of a farmhand in Northern England he had only four years of formal schooling. He taught himself astronomy, mathematics and other disciplines which were helpful when he continued his education, first in the merchant marine and then in the British Navy. Cook's adventurous career came to a sudden and unfortunate end in 1779, when he was killed in a confrontation with Hawaiian natives...

Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Pietro Campana. Signed on the plate, on the lower right. Good conditio...

Ancient Roman Sculptures, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Filippo Morghen. Signed on ...

Profile of Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli. Signed on the plate, on the lower right....

Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nicola Billy. Signed on the plate, on the lower right. Very Good condit...

Profile of Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Pietro Campana. Signed on the plate, on the lower right. Go...

Profile of Anticient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli. Signed on the plate, on the lower righ...

Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli. Signed on the plate, on the lower right. Very Good...

Profile of Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli. Signed on the plate, on the lower right....

Profile of Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nicola Billy. Signed on the plate, on the lower right. Good...

Profile of Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Ferdinando Campana. Signed on the plate, on the lower right....

Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Ferdinando Campana. Signed on the plate, on the lower right. Good con...

“Elio Cesare” is an original etching hand watercolored, realized in 1794. Image Dim: cm 47.5 x 33.5, Dim: cm 59 x 44, Passepartout Dim: cm 69 x 49. Precious Etching on copper, Hand-colored subject on black ink bottom. Designed by Agostino Tofanelli...

Self-Portrait is an original litograph realized by Raoul Dufy in 1922. Good condition on a white paper. No signature. Raoul Dufy (3 June 1877 – 23 March 1953) was a French Fauvist...

Jesus and Virgin Mary is an original modern artwork realized in the the Second half of the 18th Century. Original B/W Etching on paper. Sheet dimensions: 14 x 13 cm. Passepartou...

Study for Self-portrait is an original lithograph realized by Raoul Dufy in 1920. Good condition on a white paper. No signature. Raoul Dufy (3 June 1877 – 23 March 1953) was a Fre...