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Pablo Picasso
Pablo Picasso, "La Femme au Chapeau", original linocut

1963

$195,000List Price

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Mother and Child
By Alessandro Nastasio
Located in Middletown, NY
Milan: c1965. Linocut in colors on watermarked CM Fabriano white wove paper, 26 1/2 x 19 inches (673 x 482 mm)), the full sheet. Signed and numbered 62/100 in black grease pencil, a...
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Mid-20th Century Modern Figurative Prints

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By Alessandro Nastasio
Located in Middletown, NY
Milan: 1969. Linocut on watermarked CM Fabriano deluxe paper, 23 1/2 x 19 3/4 inches (596 x 501 mm), the full sheet. Signed, numbered 2/10, dated, and extensively inscribed in penci...
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Pasiphae Frontispiece
By Henri Matisse
Located in Washington, DC
Artist: Henri Matisse Title: Pasiphae Frontispiece Portfolio: Pasiphae Medium: Linocut on Arches vellum Date: 1944 Edition: 200 Frame Size: 19 3/4" x 17 1/4" Sheet Size: 13 3/4" x 10...
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Pasiphae Frontispiece
$5,995
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H 19.75 in W 17.25 in
Pasiphae Plate 12: Seule, au pied du grand caroubier
By Henri Matisse
Located in Washington, DC
Artist: Henri Matisse Title: Plate 12: Seule, au pied du grand caroubier (Only, At the Foot of the Great Carob Tree) Portfolio: Pasiphae Medium: Linocut on Arches vellum Date: 1944 E...
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1940s Modern Figurative Prints

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"Farmer, " Portrait Linoleum Cut signed by Schomer Lichtner
By Schomer Lichtner
Located in Milwaukee, WI
"Farmer" is an original linoleum print by Schomer Lichtner, signed in the lower right hand corner. A side profile of a man in rendered in clear lines full of expression. Image: 6" x...
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1920s American Modern Portrait Prints

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'Sisters' — Renowned Black American, Harlem Renaissance Artist
Located in Myrtle Beach, SC
James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...
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I See I don't See it - Linocut by Mino Maccari - 1951
By Mino Maccari
Located in Roma, IT
I See I don't See it is an Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and...
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Woman - Original Linocut by Mino Maccari - 1951
By Mino Maccari
Located in Roma, IT
Woman is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journ...
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The Fan - Original Linocut by Mino Maccari - 1951
By Mino Maccari
Located in Roma, IT
The Fan is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and jou...
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The Hen Hat - Original Linocut by Mino Maccari - 1951
By Mino Maccari
Located in Roma, IT
The Hen Hat is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and...
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1950s Modern Portrait Prints

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Pablo Picasso, "Tête de Femme", original linoleum cut, hand signed
By Pablo Picasso
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This piece is an original linoleum cut in color by Pablo Picasso, 1962. It is hand signed and numbered 40/50 from the edition of 50; there were also 35 ar...
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Pablo Picasso, "Grand Tête" original linocut in colors, hand signed
By Pablo Picasso
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Grand Tête, Portrait of Jacqueline with sleek hair Color linocut printed in beige, yellow, red, blue, and black on cream wove paper with Arches watermark Numbered 14/50 from the edit...
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Marc Chagall, Clown avec Chèvre Jaune, lithograph, hand signed
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Located in Chatsworth, CA
Marc Chagall Clown a la chevre jaune, 1982 Original lithograph in colors on Arches paper Hand signed in pencil and numbered 43/50 from the edition of 50 Dimensions: 35 x 23 inches Fr...
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Marc Chagall, Hommage à Elsa Triolet, rare hand signed lithograph
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Marc Chagall Hommage à Elsa Triolet, 1972 Lithograph in colors on Arches paper Hand signed and numbered 7/20 from the very rare edition of 20 Mourlot 642 Paper: 25.5 x 19.5 Framed: ...
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Bert Stern, The Last Sitting Montage
By Bert Stern
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This piece is a silkscreen montage with unique coloring, originally shot by Bert Stern in 1962 and printed at a later date. This piece depicts Marilyn Monroe for "The Last Sitting" photo shoot, taken six weeks before Marilyn Monroe’s death...
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Marc Chagall, Femme à l’oiseau, Lithograph, 1959
By Marc Chagall
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Marc Chagall Femme à l’oiseau Lithograph in colors Numbered 872/970 from the edition of 970 Signed in the plate From "Douze Contemporains" by Jacques Lassaigne and published by Editi...
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