1910s Portrait Prints

Artist: Sidney Tushingham (English, 1884-1968) Title: "Peggy" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) lower right Cir...

Etching of a woman dressed in turn of the century attire looking out at the viewer. The work is signed in pencil by the artist. The etching is not framed. Artist Biography: William...

Artist: Sidney Tushingham (English, 1884-1968) Title: "Molly" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) upper right Cir...

SOLD UNFRAMED *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Leicester Square, London by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14.2 x 11.5 cm (5 ⅝ x...

Emil Nolde (1867-1956), Frauenprofil (Profile of a Woman), woodcut, 1917, signed in pencil lower right (also titled, numbered 8, and annotated III.10 lower left). Reference: Schiefle...

Soldier at the Front is an original etching realized by Anselmo Bucci in 1917. Limited edition of 200 copies. The artwork represent a soldier at the front during War World 1st, 19...

Soldiers at the Front is an original etching realized by Anselmo Bucci in 1917. Limited edition of 200 copies. The artwork represent a soldier at the front during the War World 1st...

Sloan, John. HEAD WITH NECKLACE. Morse 163. Etching, 1913. Edition of 100, of which only 75 were printed. Titled, signed and inscribed "100 proofs" all in pencil, and further signed ...

Jean-Emile Laboureur (1877-1943), Portrait, 1917, engraving, signed in pencil lower left and numbered lower right (28/40). Reference: S. Laboureur 170, third state (of 3), from the e...

Jean-Emile Laboureur (1877-1943), La Receveuse, engraving, 1919-1920, signed in pencil lower left, numbered (2/38) lower right and annotated ”imp” [also with initials and the date 19...

Oval Portrait by Ludovic-Rodo Pissarro (1878 - 1952) Woodcut 15.1 x 11.3 cm (6 x 4¹/₂ inches) Initialled, inscribed and dated 1918 in the plate Signed lower right, Ludovic Rodo and n...

After Tea by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 12 x 13.2 cm (4 ³/₄ x 5 ¹/₄ inches) Initialled and titled in the plate Executed circa 1917 Artist biography Ludovic-Rod...

York Road by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 13.2 x 9 cm (5 ¹/₄ x 3 ¹/₂ inches) Initialed and titled in the plate, signed lower right, Ludovic Rodo and numbered lowe...

SOLD UNFRAMED Holiday by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 15.2 x 11.5 cm (6 x 4 ½ inches) Initialed and titled in the plate Signed lower right, Ludovic Rodo and nu...

SOLD UNFRAMED Rotten Row (Hyde Park) by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 13.5 x 12.5 cm (5 ¼ x 4 ⅞ inches) Initialed and titled in the plate Executed circa 1917 Artist biography Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father...

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

Emil Nolde Tandelei (Tändelei) Woodcut on fine paper (Holzschnitt auf Karton) Year: 1917 Image Size: 11.811x9.527in Sheet Size: 16.614x13.425in Edition: 12 Signed and titled in pencil Catalogue Raisonné: Schiefler-Mosel H 134 III Framed Ref.: 924802-1749 Condition: Very good. Image intact; no tears, creases, foxing, staining or soiling Provenance: This piece has been graciously consigned with our gallery by a prominent Kansas City Private Collection. --------------------- Emil Nolde (born Hans Emil Hansen...

Signed in pencil, from the edition of 20 to 25 that accompanied Max Jacob's 'Le Phanérogame' in December 1918. With wide margins (the version issued with the...