1960s Portrait Prints

Peter Paone, American (1936 - ) - Old Jew, Year: circa 1963, Medium: Lithograph on Rives, signed, titled and numbered in pencil, Edition: 11/50, Image Si...

Self-portrait. Paper, linocut, 31x21.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...

Brown and black chalks and pencil on cream wove paper. Signed and dated in pencil, lower left recto.

Portrait is an original print realized in 1964 by the French artist and drawer Michel Ciry (1919-2018). Original etching on Ivory paper. Hand-signed and dated by the artist on th...

Peter Paone, American (1936 - ) - 3 Friends, Year: circa 1965, Medium: Etching on Rives, signed, titled and numbered in pencil, Edition: 2/50, Image Size...

Figures is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. The...

Hand signed, dated and numbered by artist with pencil. Editions of 150 prints. Excellent conditions. Published in the general catalog "Emilio Greco Incisioni e Litogrefie", by Mau...

Woman is an original black and white etching realized by Massimo Campigli in 1964. Hand signed on the right margin. Numbered on the lower left. Edition of 102 copies (16/102), etch...

George Lockwood, American (1929 - 1969) - Woman, Year: circa 1963, Medium: Lithograph, signed, and numbered in pencil, Edition: AP, Image Size: 15.75 x 11.5 inches, Size: 20 x 13 i...

George Lockwood, American (1929 - 1969) - Colonial Man, Year: circa 1963, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 18 x 25 inches, Size: 20.25 x ...

Peter Paone, American (1936 - ) - Jessica, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in color pencil, Edition: 50, Image Size: 26 x 19 inches, Size: 33 x 23...

Peter Paone, American (1936 - ) - Woman with a Decalcomania, Year: circa 1965, Medium: Lithograph on Rives, signed, titled and numbered in pencil, Editio...

Peter Paone, American (1936 - ) - Annette, Year: circa 1963, Medium: Lithograph on Rives, signed, titled and numbered in pencil, Edition: 50, Image Size:...

Greeting Card is an original artwork realized by the Italian artist Grau Sala in 1960. Lithograph on paper. Signed on the lower-left corner. Very go...

In the Atelier is an original etching realized by Giacomo Manzù in 1968. Hand Signed and numbered. Edition of 125 prints. Excellent condition. Giacomo Manzù (Bergamo, 1908- Ardea,...

Angelo Ponce de Leon, Spanish (1925 - ) - Tarascan Woman, Year: circa 1965, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 12/15, Image Size: 15 x 24.7...

Giorgio Morandi's Death Notice with a quote from St. Augustine, a statement of condolence from the three Morandi sisters and a photo of the artist. (15x11.5 cm). Perfect conditions.

Etching and Colored Aquatint on watermarked paper. Image Dim: cm 25x20; Dim: cm 70x50 Fine colored print, hand-signed and hand-numbered by the Italian master, representing a curvy a...

Female Portrait is an original Contemporary artwork realized in 1966 by the italian artist Leo Guida. Hand-signed and dated in pencil on the lower right corner: Leo Guida '66. Ori...

Female Portrait is an original Contemporary artwork realized by Mino Maccari. Original Lithograph on Japan Paper. Hand-signed in pencil on the lower right corner: Maccari. Numbere...

Woman is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. The a...

The Japanese is an original lithograph on ivory-colored cardboard, realized by Alfonso Avanessian in 1989. Hand-signed and unnumbered, on the lower right: Avanessian -89. Very goo...

The Order is an original drawing artwork in black marker and watercolor on paper realized by Mino Maccari in the 1960s. Hand-signed by the artist on the lower right. Good condition...

The Priest is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 ...

(after) Marc Chagall Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions:...

Sonia Delaunay Full-page, colour pochoir after costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Artist: Alberto Giacometti Title: Figura Portfolio: Derriere le Miroir 148 Medium: Lithograph Year: 1964 Edition: Unknown Sheet Size: 13" x 9" Signature: Unsigned

Double Marilyn is a black and white lithograph realized by Alejo Vidal-Quadras in the 1960s. Hand-signed by the artist in pencil on the lower centre. Numbered in pencil on the lower ...

"Maria (Artist's Wife)" is an original etching by Moishe Smith, signed in the bottom right corner and numbered in the bottom left. The piece depicts a seated woman from the waist up,...

Poster. Measures 31 x 26 inches and is Unframed. Good/Fair Condition.

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 6 Year: 1969 Medium: Aquatint Etching with collage, Signed and numbered in pencil Edition: 58/100 Image Size: 19.5 x...

Exhibition poster for A.R. Penck at the Stedelijk Museum in Amsterdam. The poster features a sculpture that reflects Penck's distinctive style, characterized by bold, expressive form...

Artist: Andre Masson, French (1896 - 1987) Title: Visage Year: circa 1960 Medium: Lithograph on Arches, Signed and numbered in pencil Edition: 97/200 Size: 30 in. x 22 in. (76.2 cm x...

(after) Jules Pascin Title: Femininity Signed in the plate Dimensions: 38 x 28 cm from the edition of 250 as issued in Warnod, Andre, "Les Peintres mes amis" (Paris: Les Heures Claires, 1965) Jules Pascin, born Julius Mordechai Pincas, was a Bulgarian Jewish painter sometimes referred to as "the Prince of Montparnasse." He was born on March 31, 1885 in Vidin, Bulgaria to a Spanish-Sephardic Jewish father and a Serbian-Italian mother, the eighth of eleven children. The Pincas family moved to Bucharest, Romania in 1892 and Pascin was raised there until he left for boarding school in Vienna in 1896. While briefly working for his father’s grain merchant firm in Bucharest at fifteen, Pascin spent much of his time completing his earliest drawings in the local bordello, where he was residing under the Madame’s protection. In 1902, at the age of seventeen, Pascin moved to Vienna to study painting. The next year, he studied at the Heymann Art School in Munich. There, he supported himself by selling satirical drawings to Simplicissimus and other German magazines. Pascin would contribute drawings to a Munich daily through 1929. Pascin’s contributions were widely recognized for their wit and insight, and upon his arrival in Paris in 1905 he was welcomed at the Gare Montparnasse by an international group of artists and writers who gathered at the Café du Dôme, which Pascin soon began to frequent regularly. The group included Grossman, Grosz, William Howard, Levy, and Emil Orlik. Pascin was also a close friend of Amadeo Modigliani. Upon his arrival in Paris, Julius Mordechai Pincas changed his name to Jules Pascin and soon became the symbol of the Montparnasse artist community. Always in his bowler hat, he was a witty presence at Le Dôme café, Le Jockey club, and the others haunts of the area’s bohemian society, and was known for hosting legendary all-night parties. In his story, A Moveable Feast, Ernest Hemingway wrote a chapter titled With Pascin At the Dôme, recounting a night in 1923 when he had stopped off at Le Dôme and met Pascin escorted by two models. Hemingway's depiction of the events of that night is considered one of the defining images of Montparnasse at the time. In 1907, Pascin had his first solo exhibition at Paul Cassirer Gallery in Berlin. Three years later, Cassirir commissioned Pascin to illustrate Heinrich Heine's Aus den Memoiren des Herrn von Schnabelewopski. In 1911, Pascin exhibited his work at Berlin Secession and a year later at the Sonderbund-Aussstellung in Cologne. The artist’s first exhibition in the United States was at the Armory Show in New York, where he exhibited twelve of his works. Upon the outbreak of World War I, Pascin left Paris for London in order to avoid conscription in the Bulgarian Army. In October 1914, he immigrated to New York, where he stayed through 1920 and would later return again in 1927. Pascin was immediately welcomed into an artists circle based around the Penguin Club and became acquainted with John Quinn, an important art collector. A short time after his arrival in New York, Pascin was given a one-man show by the Berlin Photographic Company, a Madison Avenue gallery. While in New York, Pascin became associated with several progressive painters, including Walt Kuhn, Yasuo Kuniyoshi, and Max Weber. Many of these painters were influenced by Pascin’s unique style, in which he combined elements from Expressionism and Cubism with his own personal view of his environment. Pascin used his time in the United States to travel extensively, especially in the southern states and the Caribbean islands, recording his travels in sketches that were widely acclaimed. Pascin married Hermine David in 1918. In 1920, Pascin was awarded American citizenship with support from Alfred Stieglitz and Maurice Sterne. He returned to Paris in October of that same year and met his future mistress, Lucy Krohg, the wife of the Norwegian painter Per Krohg...

A portrait of John F. Kennedy by American artist, Bob Forman. The woodcut print is signed and dated 1963 in the plate. Nicely framed.

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...

Artist: Tsuguharo Foujita, Japanese (1886 - 1968) Title: Mother and Child Year: 1965 Medium: Lithograph, signed in pencil Size: 25.5 in. x 20 in. (64.77 cm x 50.8 cm

This woodcut print on rice paper was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matte...

Title: The Bird Printed signature Dimensions: 38 x 28 cm from the edition of 250 as issued in Warnod, Andre, "Les Peintres mes amis" (Paris: Les Heures Claires, 1965) The father of ...

Artist: Leonard Tsugouharu Foujita (Japanese, 1886 - 1968) Title: Nursing Mother Year: circa 1964 Medium: Lithograph, signed in ink Size...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Shelly (Sheldon) Fink (American, 1925-2002), "Busy Woman" Artist Proof, Lithograph signed on Paper, 14 x 17, Late 20th Century, 1960s Depicts a woman sewing. Color: Black and White ...

Shelly (Sheldon) Fink (American, 1925-2002), "Beach Family" Edition of 125, Lithograph signed on Paper, 14 x 17, Late 20th Century, 1963 Depicts family in swimsuits and towels on a h...

Artist: Alexander Calder (American, 1898-1976) Title: "Untitled (front cover)" Portfolio: Derrière le Miroir (No. 156) *Issued unsigned, though signed by Calder in the plate (printed signature) lower right Year: 1966 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown Printer: Arte Adrien Maeght, Paris, France Publisher: Galerie Maeght, Paris, France Sheet size: 14.75" x 11" Condition: In excellent condition Notes: Lithograph produced for the 1966 No. 156 "Derrière le Miroir" portfolio in conjunction with a special exhibition of Calder's work at Galerie Maeght, Paris, France in February of 1966 which featured 13 totems and 27 gouaches. The complete folio included a poem by Jacques Prévert and texts by Professor Meyer Schapiro, Alexander Calder, and Nicholas Guppy. Small spiral lithograph and text on verso as issued. In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery...

Original Lithograph by Jean Cocteau Title: The Elegant Toreador 1961 Dimensions: 28 x 38 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de D...

Poster. Measures 21.25 x 19 inches and is Unframed. Good Condition.

Jacques Villon - Original Lithograph Lithograph, 1964 Dimensions: 32 x 24 cm Revue Art de France Pierre Soulages or the "painter of black" as he is often referred to, has rightfull...

Lithograph by Jean Cocteau Title: Europe and the World Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961

Full-page, colour pochoir of costume designs after Sonia Delaunay's watercolors Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Poster. Measures 23.5 x 18.75 inches and is Unframed. Good Condition.

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Artist: Alexander Calder Title: Cover (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Date: 1966 Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" I...

Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur, from « 347 Series » Aquatint on paper. Hand signed and numbered by the artist...

Full-page, colour pochoir after a costume design by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Artist: Mel Ramos Title: Senorita Rio Portfolio: 1¢ Life Medium: Lithograph Year: 1963 Edition: 2000 Frame Size: 26" x 26 1/4" Image Size: 15 1/2" x 16 1/4" Signature: Unsigned