Miniature Still-life Prints

'75. Russula pectinata 76. Russula furcata 77. Russula fragilis' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an at...

'262. Helvella pityophila 263. Helvella crispa 264. Helvella elastica' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique,"...

'246. Cyathus striatus 247. Lycoperdon gemmatum 248. Lycoperdon piriforme 249. Mycenastrum Corium 250. Bovista plumbea' Antique French mushroom / fungi chromolithograph. From "Atla...

'215 Lenzites saepiaria 216. Merulius lacrymans' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, S...

'207. Polyporus fomentarius' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fu...

Decal printed on porcelain plate. Edition of 510. Depiction of a wrapped ravioli.

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Rocket ship and (toy) soldier. This one is hand signed and dated verso. Season...

Color woodcut on Japan paper. Signed, numbered 1/30 and inscribed by the artist.

Cloud II by Simon Tozer [2021] Cloud 2 is a limited edition screenprint by artist Simon Tozer. This is one of an ongoing series of seascapes and sky images that have clouds as their...

Vicky Oldfield Quiet Beauty Limited Edition Collograph Print Edition of 30 Image Size: H 20cm x W 16cm Sold Unframed (Please note that in situ images are purely an indication of how ...

Pair of Botanical Hand-Colored Engravings, 19th century, comprising: Samuel Holden (English, 1800-1860), "Mirabelia Floriabunda", signed and titled in plate and "Cyclogyne Canescens"...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

still-life print of 2 plastic bottles soap ground and spit bite aquatints with aquatint edition of 25 signed in light pencil with edition number, titl...

"4 (Recalculate Your Bank Balance)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edi...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Originally published as part of artist book Quartet, with essays by Lewis Thomas. The paper was commissioned for the edition from Twinrocker Papermill. This etching incorporates a variety of graphic techniques, including aquatint, spitbite, drypoint, and hard and soft ground methods. They were printed by Robert Townsend...

Signed and numbered from the edition of 15. The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Th...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Jing Zhiyong's "Slightly Drunk" is a captivating piece that reflects the artist's unique ability to blend childlike simplicity with adult humor. This limited edition print, created i...

after Henri MATISSE (1869-1954) Lithograph after a drawing of 1941 Printed signature and date Book plate from Aragon. Henri Matisse: Dessins, Thèmes et Variations : précédés de "...

"Homo"Verne, (Still Life with wine bottle, wine glass, glass of beer and dice) Pochoir printed on black textured colored paper, c. 1930 Signed and numbered in white pencil by the art...

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made by artist Pipo Nguyen-duy in Claude Monet’s garden...

Fig-marigold Showy, Mesembryanthem spectabile Plate 396 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Artist: James Sowerby (English, 1757-1822) Title: "Glaucium Phoenicium (Red Horned-Poppy)" (Vol. 7, Plate 1433) Portfolio: English Botany; or, Coloured Figures of British Plants Year...

'Hanging Mistletoe (Loranthus pendulus)' Colour lithograph, 1909.

'Apple of Sodom (Solanum - sodomaeum, Linne)' Colour lithograph, 1909.

Fresh Blooms by Vicky Oldfield Hand signed by the artist Limited Edition Collograph Print Edition of 30 Image Size: H 19.5cm x W 15.5cm Sheet Size: H 35.5cm x W 30.5cm x D 0.1cm Sol...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

'Wild Mustard (Brassica sinapistrum. Boiss.)' Colour lithograph, 1909.

'Furze (Ulex Europaeus, Linne)' Colour lithograph, 1909.

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

A supberb impression of this extremely scarce and early color etching after Jan van Huysum. With the artist's ink stamp.

A superb, richly-inked impression of this early, very scarce lithograph. Signed and dated in pencil, lower right.

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...

Joan Miro - Playing Dog - Lithograph in Colors Artist: Joan Miro Composition 7 for the book “Joan Miro” by Jacques Prevert Editor: Maeght Year: 1956 Dimensions: 23 x 38 cm Reference:...

Late September by Robert Greenhalf [2021] Late September is a limited edition print by artist Robert Greenhalf. Made using woodcut printing techniques and an organic earthy color sc...

Nature morte au bulbe d'ail Mezzotint, 1957 Signed, titled & numberred in pencil (see photos) Edition: 50 (40/50) Condition: Excellent Image: 10 7/8 x 11 5/8 inches Sheet: 14 7/8 x 1...

Midnight Garden By Kate Heiss [2021] Limited Edition Oil based inks on 300gsm Somerset Velvet paper Edition number 50 Image size: H:27 cm x W:27 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This circular midnight garden print features a medley of summer blooms. Echinacea, helichrysum, and cosmos are dancing in the moonlight and are visited by a beautiful striped Hawkmoth. This print is cut from 5 individual Lino blocks. Limited Edition of 50 Linocut Print – A relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

'1-2 Helvella Crispa 3-6 Peziza Repanda' (White Saddle and Palomino cup) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after ...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and articulate the world. As machine perception becomes more pervasive in our daily lives, the world as seen by computers becomes our dominant reality. White explores this phenomenon in his work. Collaborating with AI systems, White creates physical abstract prints that are reliably classified by neural networks...

—– Shining-leaved, Salvia formosa Plate 376 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

What’s That? by Helen Fay [2012] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number edition size 75 Image size: H:21 cm x W:18 cm Complete Size of Unframed Work: H:45 cm x W:30 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Original Print, hand made and hand printed by the artist. A gentoo penguin, standing wings out, her attention just grabbed by something. The light is just catching her soft chest feathers. The etching captures the tactile softness of the feathers. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Flowers. This one is not hand signed although the rest in the portfolio were. ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Baby Doll. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

Max Oppenheimer, After, Austrian (1885 - 1954) - Stilleben mit Obstschale, Year: circa 1925, Medium: Screenprint, Edition: Test Print, Image Size: 8 x 11.25 inches, Size: 12.75 ...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...