Miniature Still-life Prints

Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...

Drypoint on paper Dimensions: 5.9 x 3.9 in. (15 x 10 cm) Signed in pencil, lower margin Edition of 30 This exquisitely detailed drypoint print by Swedish printmaker Lars Nyberg reve...

These colored engravings are from Edward Joseph Lowe's 1861 book "Beautiful Leaved Plants. Being a Description of the Most Beautiful Leaved Plants ...

Silverprint photograph, 1973 (printed later). Signed by the artist in pencil, lower right. Titled and numbered 2/90 in pencil in lower left. Published in 1987 by Palm Press. Full...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist al...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Pine Tree. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

Maurice de VLAMINCK Wild Red and White flowers Woodcut and embossing (Atelier Raymond Jacquet) Printed signature in the plate On Arches vellum 15 x 11" (38 x 28 cm) INFORMATION : W...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

This piece titled "La Mer VE 6/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

Created by the artist in 2024, Ross Bleckner's, Bouquet is an archival pigment print with acrylic paint. Hand-signed in pencil and numbered from the edition of 60, the artwork measur...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621) “Soldier with Hellebarde”, 1598, out of the series, “The Guard of Emperor Rudolph” (aka “Old German Soldiers...

Printer’s ink from rubber stamp on vélin de Rives BFK paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publishe...

Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...

Mary Frank Rosh Hashanah 5741, 1980 Lithograph on arches paper with deckled edges Hand signed and numbered 9 from the limited edition of 71 by the artist on the front 15 × 18 inches ...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

This etching by Dimitrios Galanis , Greek early 20th century artist is part of my private collection and there is only one available. Dimitrios Galanis was a good friend of Picasso. ...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

Shadow of Her Former Self Photograph of Found Objects Printed in Cyanotype Panel is 10 x 8 inches, 12 x 10 inches framed Wire backing, ready to hang Signed, verso (lower right) Sok...

'Streptocarpus' Antique English flower botanical chromolithograph.

Clare Halifax Tropical Overlook Limited Edition 10 colour screen print Edition of 100 Sheet Size: H 27cm x W 25cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin...

Lithograph on vélin des papeteries d'Arches paper. Paper Size: 16.93 x 12.99 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Kahnweiler, Daniel...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

'Agaricus Vaginatus' (grisette or the grisette amanita) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the sci...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Lithograph on vélin paper. Paper Size: 12 x 9 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, View, Surrealism in Belgium, vol. VII, n°2, D...

Albert Heckman, 'Fruit Forms', color lithograph, edition not stated, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colo...

Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist al...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...

Fine Art Print, Hahneumhle paper, limited edition.

Woodcut on vélin de Montval-Maillol paper. Paper Size: 17.3 x 12.6 inches; image size: 11.4 x 8.3 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné referenc...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6 (double) J...

Collection Color mezzotint, 1980 Signed, titled, and numbered in pencil (see photos) Edition 80 (78/80) Considered to be one of the artist's finest mezzotints. Condition: Excellent I...

One of seven engravings of flowers done for the portfolio "Flore Mutine". Signed, titled and numbered IX/XV. Imaginary botanical image. She studied at the Institute of Visual Arts of Orleans then she returned to the École des Beaux-Arts in Paris. She currently teaches at the Palace of Fine Arts...

Amsterdam X is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is bo...

Kiki Smith Toxicology, 2009 Linotype and engraving in black, gray, and yellow on white wove paper. Printed from a magnesium engraving on Vandercook cylinder presses. Hand signed by ...

Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 9.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Du...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 17.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...

This is one print from a series of 5 that comprised the CINQ JARDINS ,CINQ SENS (five gardens, five senses), with texts and poems by Federico Garcia Lorca. The image relates to soun...

"Cone Shell after Rembrandt AP" (2015) by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationally k...

Fine Art Print, photographed in the US., Limited edition.

One of a series of classically beautiful renderings of flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary and poetic reinterpr...

untitled (Still Life with Cup and Horn) Color mezzotint, c. 1980 Numbered and signed in pencil by the artist (see photos) Edition: 100 (53/100) Published by John Szoke Graphics, New ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: ...

'Gloxinias' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

'Auge des Menschen' (Human Eye) German wood-engraving, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Signed, titled, and numbered by the artist. Extravagant multi-colored blossoms fill the image in this etching by Yuju Hiratsuka. While Hiratsuka's images have some resemblance to tr...

Signed lower right, 'Tom E. Lewis' (American, 1909-1979) and created circa 1935. Accompanied by old backing with label. A period Modernist still-life of flowers informally arranged...

These are two miniature 12 x 6 inch hand-printed abstract cyanotypes mounted on wood. They are sealed with a satin finish varnish on the face and all sides.The sides are natural wood...

'Chinese Scrub (Cassinia arcuata, Rob. Brown) Colour lithograph, 1909.

Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...

'279. Bulgaria inquinans 280. Elaphomyces variegatus 281. Xylaria hypoxylon 282. Tuber melanosporum (Truffle) 283. Tuber aestivum (Summer truffle)' Antique French mushroom / fungi c...

Woodcut on vélin de Montval-Maillol paper. Paper Size: 17.3 x 12.6 inches; image size: 11.4 x 8.7 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné referenc...