Miniature Still-life Prints

Moise KISLING Still-life with Cabbage and Garlic Original Lithograph On Arches vellum 38 x 28 cm (c. 15 x 11 inches) Excellent condition

'1-6 Lycoperdon Echinatum 7-11 Scleroderma Verrucosum' (Spiny puffball mushroom and Scaly earth ball) Antique Swiss mushroom / fungi chromolithograph, lith...

'Agaricus Ovoideus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

'14,829 East 14th Street' Hand Colored Aquatint Etching 2015 image size 10” x 15” with the paper being larger. Edition of 3' (one of three) Hand Colored...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, The Documents of Modern Art. Arp: On My Way, Poetry And Essays 1912 - 1...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 121-122, published by Aimé Maeght, Éditeur, Paris; prin...

'Eulophia Virens – Greenish Eulophia' Orchid lithograph with original hand-colouring , 1866, by Walter Hood Fitch (1817-1892). Native orchid of Sri Lanka a...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Convolvulus Major Folio Subrotundo Purpureg Albo, B. Convolvulus Major...

Yayoi Kusama Pumpkin (YT), Edition 88/120. Screenprint [3 screens, 2 colors, 3 runs]. Edition 88/120 Image: 29.8 x 22.8 cm. Sheet: 40 x 32.5 cm. Framed: 48 x 40 x 2 cm. Published in ...

This exquisite lithograph after Juan Gris (1887–1927), titled Le Moulin a Cafe I (The Coffee Grinder I), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), origina...

'Gladiolus Carneus - Flesh-coloured Gladiolus' Native of the Cape of Good Hope, Africa. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botani...

'Agaricus Casareus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...

This is an original antique colored botanical mezzotint and line engraving of a flowering Red Narcissus Lily plant, which is finished with hand-coloring. It is entitled "Narcissus In...

Signed, titled and numbered by the artist, edition of 30. This Imaginary building shows the move toward more elaborate landscape images Houtin started doing in the early 1980's. Fr...

Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi Jacob Crook was born in St. Loui...

CHATEAU is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches p...

Salvador Dali - The Winged Demon - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12"....

BIG HORN is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892). 235mm by 145mm (sheet) Walter Hood Fitch was a Scottish botan...

This artwork titled "Iris" 1998 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 109/200 in pencil by the artist. The image size is 10 x 9.75 inches, sheet size is 14.75 x 13.5 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist. Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity. Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles. In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide. Selected Museums Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum Brooks Museum of Art, Memphis The Butler Institute of American Art, Youngstown Dallas Museum of Art Fine Arts Museums of San Francisco Frye Art Museum, Seattle Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh Hunterian Art Gallery, University of Glasgow Library of Congress, Washington, DC The Metropolitan Museum of Art, New York The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston The Museum of Modern Art, New York The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library Oakland Museum of California Philadelphia Museum of Art Phoenix Art Museum Portland Art Museum, Oregon Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum Selected public collections ALZA Corporation, Mountain View ART In Embassies Program, U.S. Department of State AT&T, New York Atlantic Richfield, Los Angeles BankAmerica Corporation, Charlotte Citigroup, New York Cleveland Institute of Music Clorox Company, Oakland Comerica Bank, Costa Mesa & San Jose H.J. Heinz Company, Pittsburgh Illinois Bell Telephone...

'Acarna Theophrasti' and 'Acer Campestre minus' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The fi...

Limited edition of 15, art print. Signed by the author. Picture taken in public transportation.

An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...

'145. Cortinarius fulgens 146. Cortinarius semi-sanguines 147. Flammula sapinea' ' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme Assise dans un Fauteuil (Seated Woman in an Armchair), from the album, Picasso, Oeuvres 1920-1926,...

These days are also bringing "full windows", happily full with books. Done during a city walk. Hope you like the look, limited edition of 15. Signed by the author.

Medium: Etching and aquatint Year: 2016 Image Size: 15.5 x 8.25 inches Edition of 15, signed and titled by the artist McCleary was born in Santa Monica, California. He graduated fro...

Tom Wesselmann Still Life, 1988 Rosenthal Porcelain Object Measures 13 x 14 3/4 x 1/2 inches. Signed in lower right corner From the edition of 299, within the accompanying certificat...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe Yea...

This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...

Medium: Etching Year: 2019 Image Size: 10 x 8.25 inches Edition of 25, signed and titled by the artist McCleary was born in Santa Monica, California. He graduated from Loyola High S...

Canna Lily Color woodcut, 1939 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1939) Format: oban Condition: Excellent Image/Sheet size: 15 5/8 x 11 inches Provenance: Robert O. Muller There is little biographical data available about the Japanese printmaker Hodo Nishimura...

'Flower Piece' shows the artist, John Billmyer, to be a highly accomplished wood engraver. There are endless patterns and created details -- all executed flawlessly. Mostly made up o...

Carol Wax's mezzotint, Singer II looking at the end of the typewriter portrays the incised metal and the wood grain of the machine. It was issued as an edition of 75. This image is i...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Le Mouvement dans l’Ovale (Movement in the Oval), from the album L'Art Cubiste, Theories et Realisation...

A coloured lithograph of Buffet's famous work titled 'Pensees'. The piece depicts three pansies in black, red and yellow. The artist signature has been printed in the upper left corn...

Eat Me by Kate Willows [2019] An original limited edition linoprint celebrating the spread you either love or hate! Once I have designed the image, I transfer it to lino, which I then hand-carve. This print is made using six carved lino blocks. Each one of these is inked and printed separately, using six different coloured oil-based inks. Each print has the title, edition number and my signature hand-written in pencil beneath the image. This edition is limited to 40 prints. Additional Information: limited_edition Ink on Paper Edition number 40 Image Size: H:17 cm x W:17 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Kate Willows, printmaker. Kate Willows began printmaking 15 years ago, initially working with etching and drypoint. Exploring printmaking methods that could be carried out safely in her home studio, Kate eventually settled on linoprinting as the best method for her style of printmaking. Kate creates original, colourful and playful linocut prints, which often reflect her quirky sense of humour. She is especially interested in the use of colour and how this can be used to create vibrant and bold prints. Influences include Antonio Frasconi, Eric Ravilious, Robert Tavener, Edward Bawden and Kathleen Hale.

This Amaryllis is one of a series of classically beautiful renderings of flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary an...

Signed, titled artist proof. Edition of 135. Like much of his work, Royal Palm has atmosphere of the Mediterranean, but all of the elements are rooted in the artist's neighborhood. ...

Picture done during a nostalgic evening. Could be also delivered framed, smaller size as well, price upon request, signed by the author. Limited to 5.

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This exquisite lithograph after Henri Matisse (1869–1954), titled Poisson Chinois (Chinese Fish), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the ...

Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...

Artist: James Sowerby (English, 1757-1822) Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201) Portfolio: English Botany; or, Coloured Figures of British Plants Year: 1794 (First edition) Medium: Original Hand-Colored Engraving on cream wove paper Limited edition: Unknown Printer: J. Davis...

Amsterdam IX is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is b...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Hollyhocks Color woodcut, 1953 Signed with the artist's stamp lower left Printer: Niimi Carver: Nagashima An early printing Condition: Excellent Image size: 15 1/2 x 10 3/8 inches "...

Amsterdam VIII is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is...

This exquisite lithograph and pochoir after Andre Lhote (1885–1962), titled Femme allongee (Reclining Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (...

Medium: Carborundum, intaglio Year: 2007 Signed and numbered from the edition of 25 Image Size: 12 x 12 inches Paper size: 23.25 x 19.25 inches Signed and numbered from the ...

“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...

Image of a young woman, pondering a question over a cup of coffee. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and i...

Homage to the iconic Chanel No. 5 perfume. This playful, one-of-a-kind Giclèe print is printed on archival, acid-free, cold press paper. The lush, yellow brush stroke is hand painted...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Nature morte au 'BASS' (Still Life with 'BASS'), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), originates from the 1929 edition published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929. Nature morte au 'BASS' (Still Life with 'BASS') captures Picasso’s mastery of Cubist structure and his revolutionary reimagining of visual perception. The composition juxtaposes fragments of bottles, musical instruments, and table objects, deconstructed and rearranged into a rhythmic interplay of geometry and color. Through his fusion of multiple perspectives, Picasso transforms a simple still life into a meditation on form, balance, and abstraction, embodying the intellectual rigor and visual poetry that defined Cubism. The work stands as a striking example of Picasso’s collaboration with master printer Daniel Jacomet, whose refined pochoir technique enhanced the depth and luminosity of the artist’s design. Executed as a lithograph and pochoir on velin paper, this work measures 10.83 x 8.27 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Atelier Daniel Jacomet, Paris, under the direction of Editions Charles Moreau, Paris. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Nature morte au 'BASS' (Still Life with 'BASS'), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), 1929 Medium: Lithograph and pochoir on velin paper Dimensions: 10.83 x 8.27 inches (27.5 x 21 cm) Inscription: Signed in the plate and unnumbered as issued Date: May 1929 Publisher: Editions Charles Moreau, Paris Printer: Atelier Daniel Jacomet, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album L'Art Cubiste, Theories et Realisations, Etude Critique, published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929 Notes: Excerpted from the album (translated from French): This album was composed in Didot Characters and completed to print in May 1929 by Ducros et Colas, Maitres-Imprimeurs in Paris. Boards have been executed by D. Jacomet in an edition of D examples, numbered on the colophons. About the Publication: L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), published in 1929 by Editions Charles Moreau, is among the most important critical and artistic documents of the interwar period devoted to the Cubist movement. Conceived as both an analytical study and a visual anthology, the volume brought together theoretical texts and hand-colored plates representing works by the leading figures of Cubism, including Pablo Picasso, Georges Braque, Juan Gris, Fernand Leger, and Albert Gleizes. Each plate was reproduced in lithograph and finished by hand using the pochoir process under the supervision of master printer Daniel Jacomet, ensuring that the vivid tonal subtleties and compositional precision of the originals were preserved. The publication captures the movement’s intellectual ambition and its enduring impact on the evolution of modern art. Printed on fine velin paper in a limited edition, the album reflects the artisanal excellence of French art publishing during the 1920s and remains a landmark in the history of the illustrated art book. Today, it serves as a rare and invaluable testament to Picasso’s pivotal role in defining the visual language of Cubism and to Jacomet’s unmatched skill in the art of color pochoir printing. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Nature morte au 'BASS', Picasso L'Art Cubiste, Picasso Atelier...