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Style: Naturalistic
Eggs, natural history chromolithograph, circa 1900
Located in Melbourne, Victoria
'Eggs'
Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs.
Sheet 19cm by 12.5cm, image 13cm by 9.5cm.
Category
Early 1900s Naturalistic Still-life Prints
Materials
Lithograph
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'45. Clitocybe clavipes 46. Clitocybe cartilaginea 47. Clitocybe nebularis'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgi...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving, Aquatint
Odontoglossums, English antique flower orchid botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Odontoglossums'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'137. Pholiota squarrosa 138. Pholiota aurea'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swis...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Antirrhinum Orontium - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Antirrhinum Orontium'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...
Category
18th Century Naturalistic Still-life Prints
Materials
Engraving
POITEAU/ TURPIN. Traité des arbres fruitiers: A Set of Four Cherries.
Located in London, GB
A set of four stipple-engraved plates printed in colours and finished by hand.
Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Color, Engraving, Handmade Paper
Blue Triptych of Trio of Palms, Tropical Botanical Cyanotype, Watercolor Paper
By Kind of Cyan
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space.
Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture.
The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes offer a glimpse into the hidden depths of nature, with the cyanotype process lending a sense of mystery and wonder to the images, while the lush blues of cyanotypes imitate the sky and clouds perfectly.
These triptychs are perfect for anyone who loves to surround themselves with the beauty of nature, and they make an excellent centerpiece for any beautifully designed space.
Details:
+ Title: Desert Palm Trio
+ Year: 2024
+ Edition Size: 20
+ Stamped and Certificate of Authenticity provided
+ Measurements : 100x210 cm (40 x 84 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size
+ All cyanotype prints are made on high-quality Italian watercolor paper
WHAT IS A CYANOTYPE?
The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's.
Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun.
Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...
Category
2010s Naturalistic Still-life Prints
Materials
Monotype, Rag Paper
Marica Sabini, antique botanical blue flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Engraving
Prickly Pear, antique cactus botanical lithograph
Located in Melbourne, Victoria
'Drooping Prickly Pear (Opuntia monacantha, Haw.)
Colour lithograph, 1909.
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
1810s Naturalistic Still-life Prints
Materials
Engraving
Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'230. Clavaria cristata 231. Clavaria Botrytis 232. Clavaria cinerea 233. Clavaria rugosa'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, ...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'217 Hydnum imbricatum 218 Hydnum zonatum'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Engraving, Lithograph
Flowering Air Plant: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Pendulous-flowered Bryophyllum", plate 1409, published in London in 1809 in William Curtis’s 'The Botanical Magazine, or Flower-Garden Displayed'. Bryophyllum pinnatum, also known as the air plant...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Engraving
A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category
1820s Naturalistic Still-life Prints
Materials
Engraving
Yucca filamentosa - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Yucca filamentosa' (Adam's Needle)
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps &...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prevost's "Collection des Fleurs et Fruits...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Color, Engraving, Handmade Paper
Northian Moraea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Morea Northiana - Northian Moraea'
'Native of the Brazils'.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Schomburgkia leuddemani, orchid, antique botanical flower lithograph print
Located in Melbourne, Victoria
'Schomburgkia leuddemani', orchid, native to Venezuela.
Antique botanical lithograph with original hand-colouring , 1912, lithographed by John Nugent Fitch (1840–1927) after the watercolour by Matilda Smith (1854–1926). From Curtis' Botanical Magazine.
Fold-out plate with two vertical folds as issued.
240mm by 300mm (sheet)
Matilda Smith (1854–1926) was a botanical artist whose work appeared in Curtis's Botanical Magazine for over forty years. She became the first artist to depict New Zealand's flora in depth, the first official artist of the Royal Botanic Gardens at Kew, and the second woman to become an associate of the Linnaean Society.
John Nugent Fitch was a British botanical...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Still-life Prints
Materials
Engraving
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Lycoperdon Echinatum, Leuba antique mushroom fungi food chromolithograph print
Located in Melbourne, Victoria
'1-6 Lycoperdon Echinatum 7-11 Scleroderma Verrucosum' (Spiny puffball mushroom and Scaly earth ball)
Antique Swiss mushroom / fungi chromolithograph, lith...
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Agaricus Acris / Deliciosus, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-4 Agaricus Acris 5-9 Agaricus Deliciosus'
Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific nam...
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Agaricus Azureus, Leuba antique mushroom fungi botanical chromolithograph print
Located in Melbourne, Victoria
'Agaricus Azureus'
Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name ...
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Azalea indica danielsiana, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Engraving
Azaleas, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Azaleas'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Blattpflanzen II (Leaf plants), German antique botanical plant chromolithograph
Located in Melbourne, Victoria
'Blattpflanzen II'
(Leaf plants)
German chromolithograph, circa 1895.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'209. Polyporus lucidus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi,...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Engraving
Zinnea violacea coccinea, antique botanical red flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Engraving
Mistletoe (Loranthus celastroides), antique botanical lithograph
Located in Melbourne, Victoria
'Mistletoe (Loranthus celastroides, Sieber)
Colour lithograph, 1909.
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'200. Polyporus umbellatus 201. Polyporus frondosus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of Frenc...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Engraving, Watercolor
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Flowering Lyons' Chelone Botanical: A 19th C. Hand-colored Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...
Category
1810s Naturalistic Still-life Prints
Materials
Engraving
Peach varieties, fruit engraving with later hand-colouring, circa 1770
By HL Duhamel Du Monceau
Located in Melbourne, Victoria
Peaches, Copper-line engraving with later hand-colouring, from Duhamel du Monceau’s 'Traité des Arbres Fruitiers', circa 1770.
Duhamel du Monceau (1700-1782) was one of outstanding ...
Category
18th Century Naturalistic Still-life Prints
Materials
Engraving
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'22 Armillaria melee 23 Armillaria aurantia'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Engraving, Lithograph
Gloxinias, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Gloxinias'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Ubersichtskarte Des Mondes (Overview Map of the Moon), antique astronomy print
Located in Melbourne, Victoria
'Ubersichtskarte Des Mondes'
(Overview Map of the Moon)
German chromolithograph, circa 1895.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Bindweed (Convolvulus arvensis), antique botanical lithograph
Located in Melbourne, Victoria
'Bindweed (Convolvulus arvensis)'
Colour lithograph, 1909.
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Pitch Weed (Madia Saliva, Mol), antique botanical plant lithograph
Located in Melbourne, Victoria
'Pitch Weed (Madia Saliva, Mol)'
Colour lithograph, 1909.
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Eggs, natural history chromolithograph, circa 1900
Located in Melbourne, Victoria
'Eggs'
Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs.
Sheet 19cm by 12.5cm, image 13cm by 9.5cm.
Category
Early 1900s Naturalistic Still-life Prints
Materials
Lithograph
Sweet-scented Lachenalia. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Lachenalia Fragrant - Sweet-scented Lachenalia'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Duo of Blue Egyptian Palms, Botanical Diptych Cyanotype on Paper, Vintage Modern
By Kind of Cyan
Located in Barcelona, ES
Exclusive limited edition cyanotype diptych.
Details:
+ Title: Duo of Egyptian Palms
+ Year: 2024
+ Edition Size: 20
+ Medium: Cyanotype on Watercolor Paper...
Category
2010s Naturalistic Still-life Prints
Materials
Lithograph, Rag Paper
Primula Sinensis, English antique flower chromolithograph, 1896
Located in Melbourne, Victoria
'Primula Sinensis'
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving, Aquatint
Flowering Carnation Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Caryophyllus Anglicus flore". It is plate 326 in Weinmann's monumental pu...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'58. Hygrophorus pudorinus 59. Hygrophorus virgineus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of Fren...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Champignons, French antique mushroom truffle fungi chromolithograph, 1910
Located in Melbourne, Victoria
'279. Bulgaria inquinans 280. Elaphomyces variegatus 281. Xylaria hypoxylon 282. Tuber melanosporum (Truffle) 283. Tuber aestivum (Summer truffle)'
Antique French mushroom / fungi c...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Common Horehound (Marrubium vulgare, Linne), antique botanical plant lithograph
Located in Melbourne, Victoria
'Common Horehound (Marrubium vulgare, Linne)'
Colour lithograph, 1909.
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Apocynum androsamifolium - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Apocynum androsamifolium' (Fly-trap dogbane or spreading dogbane)
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis A...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Harrisoniae" by Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category
1880s Naturalistic Still-life Prints
Materials
Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'176. Boletus piperatus 177. Boletus casteneus 178. Boletus bovinus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," a...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Flowering Digitalis Plants: An Original 17th C. Botanical Engraving by E. Sweert
By Emanuel Sweert
Located in Alamo, CA
This beautiful and extremely rare early 17th century hand-colored copperplate engraving of four flowering Digitalis plants by the Dutch artist and botanist Emanuel Sweert is plate 6 ...
Category
Early 17th Century Naturalistic Still-life Prints
Materials
Engraving
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'60. Lactarius scrobiculatus 61. Lactarius theiogalus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of Fre...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'186. Boletus lividus 187. Boletus reticulatus'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Sw...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Naturalistic still-life prints for sale on 1stDibs.
Find a wide variety of authentic Naturalistic still-life prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add still-life prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including William Curtis, Benjamin Fawcett, Henry C Andrews, and Maria Sybilla Merian. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic still-life prints, so small editions measuring 5.25 inches across are also available. Prices for still-life prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $18,582, while the average work sells for $240.