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Style: Naturalistic
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'5 Amanita Mappa 6 Amanita junquillea'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph, Engraving
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'22 Armillaria melee 23 Armillaria aurantia'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph, Engraving
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'237 Tremella mesenterica 238 Eiidia granulosa 239 Tremellodon gelatinosa 240 Guepinia rufa'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph, Engraving
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'217 Hydnum imbricatum 218 Hydnum zonatum'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph, Engraving
Ranunculus Lingua (Greater Spearwort) /// Botanical Botany James Sowerby Flower
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Ranunculus Lingua (Greater Spearwort)" (Plate 100)
Portfolio: English Botany
Year: 1793
Medium: Original Hand-Colored Engraving on ...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Intaglio, Engraving, Watercolor
Blandfordia Flammea, antique botanical Australian flower lithograph print
Located in Melbourne, Victoria
'Blandfordia Flame - Flame-flowered Blandfordia'
Botanical lithograph of an Australian native plant with original hand-colouring , 1854, by Walter Hood Fi...
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Lithograph
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'220. Hydnum Erinaceus 221. Hydnum coralloides 222. Hydnum repandum'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph, Engraving
Pineapple with foliage.
Located in London, GB
[MERIAN, Maria Sibyl].
Pineapple with foliage.
The Hague, Gosse, 1719.
Engraving of a Pineapple with foliage by J. Mulder, P. Sluyter and D. Stoopendaal after Merian, with later hand-colour, from Dissertatio de Generatione et Metamorphasibus Insectorum Surinamensium. Framed and glazed, overall dimensions: 40cm by 53.2cm by 4.5cm.
Superb engravings which depict the metamorphoses of South American insects and the exotic plants on which they feed.
Maria Sybilla, daughter of the German engraver and publisher Matthias Merian, devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company...
Category
1710s Naturalistic Still-life Prints
Materials
Handmade Paper, Watercolor, Engraving
Antirrhinum Orontium - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Antirrhinum Orontium'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...
Category
18th Century Naturalistic Still-life Prints
Materials
Engraving
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'99. Collybia butyracea 100. Collybia fusipes'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swi...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph, Engraving
Ballota (Horehound); Marrubium (White Horehound) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508)
Portfolio: Histoire N...
Category
1740s Naturalistic Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category
1810s Naturalistic Still-life Prints
Materials
Engraving
Burtonia Villosa, antique botanical Australian flower lithograph print
Located in Melbourne, Victoria
'Burtonia Villosa - Villous Burtonia'
Botanical lithograph of a Western Australian native plant with original hand-colouring , 1848, by Walter Hood Fitch (1817-1892).
235mm by 145m...
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Lithograph
Flowering Lyons' Chelone Botanical: A 19th C. Hand-colored Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...
Category
1810s Naturalistic Still-life Prints
Materials
Engraving
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'145. Cortinarius fulgens 146. Cortinarius semi-sanguines 147. Flammula sapinea' '
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph, Engraving
Group of Eight Exotic Fruit.
Located in London, GB
[CHINESE SCHOOL].
Group of Eight Exotic Fruit.
19th century, c.1880.
Group of eight watercolour and gouache pith papers of Exotic Fruits, edged in turquoise silk ribbon and laid ...
Category
1880s Naturalistic Still-life Prints
Materials
Watercolor
Flowering Sea Onion: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Ornithogalum Squilla" (Common Red-rooted Sea-Onion or Officinal Squill), plate 918, published in...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Engraving
Acer & Carduus - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Acarna Theophrasti' and 'Acer Campestre minus'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The fi...
Category
18th Century Naturalistic Still-life Prints
Materials
Engraving
THORNTON. The Superb Lily.
Located in London, GB
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category
1790s Naturalistic Still-life Prints
Materials
Engraving, Handmade Paper, Aquatint, Mezzotint
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
1820s Naturalistic Still-life Prints
Materials
Engraving
Duo of Blue Egyptian Palms, Botanical Diptych Cyanotype on Paper, Vintage Modern
By Kind of Cyan
Located in Barcelona, ES
Exclusive limited edition cyanotype diptych.
Details:
+ Title: Duo of Egyptian Palms
+ Year: 2021
+ Edition Size: 20
+ Stamped and Certificate of Authentici...
Category
2010s Naturalistic Still-life Prints
Materials
Photographic Film, Emulsion, Watercolor, C Print, Color, Dye Transfer, M...
A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category
1820s Naturalistic Still-life Prints
Materials
Engraving
Flowering Justica Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Justicia Picta (B) Lurido-Sanguinea" (Bloody-Veined Justica), plate 1870, published in London in...
Category
1810s Naturalistic Still-life Prints
Materials
Engraving
'Spring Wildflowers' giclée print on watercolor paper after original painting
Located in Milwaukee, WI
The present print, 'Spring Wildflowers,' is a giclée print on watercolor paper reproducing the artist's original watercolor painting. Deb Wright's approach to painting verges on phot...
Category
Early 2000s Naturalistic Still-life Prints
Materials
Giclée, Paper
THORNTON. Group of Carnations
Located in London, GB
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First ...
Category
1790s Naturalistic Still-life Prints
Materials
Engraving, Handmade Paper, Aquatint, Mezzotint
THORNTON. The Tulips.
Located in London, GB
Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed.
London, 1...
Category
1790s Naturalistic Still-life Prints
Materials
Engraving, Handmade Paper, Aquatint, Mezzotint
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
1810s Naturalistic Still-life Prints
Materials
Engraving
THORNTON. The Roses
Located in London, GB
Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First state.
Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus.
In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle.
These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect.
This rare and celebrated plate of the Roses...
Category
1790s Naturalistic Still-life Prints
Materials
Engraving, Handmade Paper, Mezzotint, Aquatint
Round-leaved Pellaea, antique fern botanical plant lithograph print, 1859
Located in Melbourne, Victoria
Antique 19th century fern lithograph with original hand-colouring , 1859, after Walter Hood Fitch.
310mm by 250mm (sheet)
Walter Hood Fitch was one of the...
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Lithograph
Weinmann 18th Century Hand Colored Botanical Engraving "Horminum Peregrinum"
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants: a. Horminum Peregrinum Foliis Salvice, b. Hormi...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Mezzotint, Engraving
Brachychiton Acerifolius, Australian plant, antique botanical lithograph print
Located in Melbourne, Victoria
'Brachychiton Acerifolius', native to Australia.
Antique botanical lithograph with original hand-colouring , 1912, lithographed by John ...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Flowering Cactus: Redoute Hand-colored Engraving "Cactus Opuntia Polyanthos"
Located in Alamo, CA
This hand colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Still-life Prints
Materials
Engraving
Cactus "Cereus Procumbens": A 19th Century Hand-colored Engraving by Englemann
Located in Alamo, CA
This is a 19th century hand-colored engraving of a flowering cactus entitled "Cereus Procumbens" by George Englemann (1808-1884) after a drawing by Paulus Roetter (1806–1894). It was...
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Engraving
Gladiolus Carneus - Henry Andrews antique botanical pink flower engraving print
Located in Melbourne, Victoria
'Gladiolus Carneus - Flesh-coloured Gladiolus'
Native of the Cape of Good Hope, Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botani...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Mezzotint, Engraving
Redoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge"
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Still-life Prints
Materials
Engraving
"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving, Aquatint
Illustration of Ballet Slippers
By Thomas Watson Greig
Located in London, GB
Chromolithographed illustration of a pair of Ballet Slippers, printed with gold and silver inks.
[Published by David Douglas, Edinburgh, 1900].
Plate...
Category
Early 1900s Naturalistic Still-life Prints
Materials
Lithograph
POITEAU/ TURPIN. Traité des arbres fruitiers: A Set of Four Cherries.
Located in London, GB
A set of four stipple-engraved plates printed in colours and finished by hand.
Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Handmade Paper, Color, Engraving
BESLER. A Group of Four Peonies.
Located in London, GB
Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field.
[Nuremberg and Eichstatt, 1640].
The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen.
The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...
Category
1640s Naturalistic Still-life Prints
Materials
Copper
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category
Late 18th Century Naturalistic Still-life Prints
Materials
Engraving
Apocynum androsamifolium - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Apocynum androsamifolium' (Fly-trap dogbane or spreading dogbane)
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis A...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
A Group of Six Ladies' Dress Shoes of the Nineteenth Century
Located in London, GB
A group of six chromolithographed illustrations of shoes, some printed with gold and silver inks.
[Published: David Douglas, Edinburgh, 1900].
Plates taken from a scarce first edit...
Category
Early 1900s Naturalistic Still-life Prints
Materials
Lithograph
A Group of Six Ladies' Dress Shoes of the Nineteenth Century
Located in London, GB
A group of six chromolithographed illustrations of shoes, some printed with gold and silver inks.
[Published: David Douglas, Edinburgh, 1900].
Plates taken from a scarce first edit...
Category
Early 1900s Naturalistic Still-life Prints
Materials
Lithograph
Begonia dichroa, native to Brazil, antique botanical lithograph print
Located in Melbourne, Victoria
'Begonia dichroa', native to Mexico.
Antique botanical lithograph with original hand-colouring , 1912, lithographed by John Nugent Fitch...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Ferns - Lomaria Nigra, antique fern lithograph print, 1854
Located in Melbourne, Victoria
Antique 19th century fern lithograph with original hand-colouring , 1854, after Walter Hood Fitch.
250mm by 170mm (sheet)
Walter Hood Fitch was one...
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Lithograph
A Group of Four Ladies' Dress Shoes of the Nineteenth Century
Located in London, GB
A group of four chromolithographed illustrations of shoes, some printed with gold and silver inks.
[Published: David Douglas, Edinburgh, 1900].
Plates taken from a scarce first edi...
Category
Early 1900s Naturalistic Still-life Prints
Materials
Lithograph
GALLESIO. A Group of Six Grapes.
Located in London, GB
Six hand-coloured plates of Grapes, printed in colour and finished by hand. Framed and glazed, overall size: 42.5 by 57.5cm. Pomona Italiana Ossia Trattato Degli Alberi Fruttiferi...
Category
1810s Naturalistic Still-life Prints
Materials
Engraving, Handmade Paper
Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Yucca filamentosa - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Yucca filamentosa' (Adam's Needle)
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps &...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Primula Verticillata Var. Sinensis, antique botanical flower lithograph print
Located in Melbourne, Victoria
Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892).
235mm by 145mm (sheet)
Walter Hood Fitch was a Scottish botan...
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Araucaria Excelsa (Norfolk Island Pine), antique Australian botanical lithograph
Located in Melbourne, Victoria
Araucaria Excelsa - Norfolk Island Pine, native to Norfolk Island, Australia.
From 'Flore des serres et des jardins de l'Europe' by Charles Lemaire an...
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Lithograph
Peach varieties, fruit engraving with later hand-colouring, circa 1770
By HL Duhamel Du Monceau
Located in Melbourne, Victoria
Peaches, Copper-line engraving with later hand-colouring, from Duhamel du Monceau’s 'Traité des Arbres Fruitiers', circa 1770.
Duhamel du Monceau (1700-1782) was one of outstanding ...
Category
18th Century Naturalistic Still-life Prints
Materials
Engraving
Albuca Minor - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Albuca Minor'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude Michel M...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Schomburgkia leuddemani, orchid, antique botanical flower lithograph print
Located in Melbourne, Victoria
'Schomburgkia leuddemani', orchid, native to Venezuela.
Antique botanical lithograph with original hand-colouring , 1912, lithographed by John Nugent Fitch (1840–1927) after the watercolour by Matilda Smith (1854–1926). From Curtis' Botanical Magazine.
Fold-out plate with two vertical folds as issued.
240mm by 300mm (sheet)
Matilda Smith (1854–1926) was a botanical artist whose work appeared in Curtis's Botanical Magazine for over forty years. She became the first artist to depict New Zealand's flora in depth, the first official artist of the Royal Botanic Gardens at Kew, and the second woman to become an associate of the Linnaean Society.
John Nugent Fitch was a British botanical...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Weinmann 18th Century Hand Colored Botanical Engraving "Amaranthus seu Blitum"
Located in Alamo, CA
An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Mezzotint, Engraving
Eriopsis Helenae, orchid, Peru, antique botanical lithograph print
Located in Melbourne, Victoria
'Eriopsis Helenae', native orchid of Peru.
Antique botanical lithograph with original hand-colouring , 1912, lithographed by John Nugent...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Chamaedorea Glaucifolia, tropical palm, antique botanical lithograph print
Located in Melbourne, Victoria
'Chamaedorea Glaucifolia' (Glaucous Parlour Palm), native to Columbia.
Antique botanical lithograph with original hand-colouring , 191...
Category
Early 20th Century Naturalistic Still-life Prints
Materials
Lithograph
Naturalistic still-life prints for sale on 1stDibs.
Find a wide variety of authentic Naturalistic still-life prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add still-life prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including William Curtis, Benjamin Fawcett, Henry C Andrews, and Maria Sybilla Merian. Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic still-life prints, so small editions measuring 5.25 inches across are also available. Prices for still-life prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $18,582, while the average work sells for $240.