Armory Prints and Multiples

Publisher GKM. Edition of 50 ex Free shipment worldwide. Signed, dated, titled and numbered. Working on a variety of perceptual levels, Philippe Huart lets one visit his intimate d...

GRAPHICTHERAPY is David Calderley: an Englishman in New York, Creative/Art Director, Graphic Designer and Illustrator. After graduating from the esteemed St. Martin’s School of Art in Covent Garden, London and beginning a freelance career, he moved to New York City in 1990. Over the last 30+ years he has designed over 1200 albums and single covers, as well as promotional and full campaigns for a myriad of artists including, Interpol, Madonna, The White Stripes, RZA, Moby, The Black Crowes, Elvis Costello, to name a few. After a 10 year spot as the Creative Director for Sir Richard Branson’s North American Record Label V2, he set up GRAPHICTHERAPY in 2007, a small boutique creative agency that offers a complete range of design services, both in print and media. A unique mix of art direction, design and creative illustration can be seen across a wide variety of brands, products and publications in music, fashion, events and campaigns. His largest illustrated piece is a 90ftx50ft mural on 57th and Park Avenue for the British menswear company, Turnbull & Asser, as part of their rebrand. David’s work has been recognized by numerous global companies and publications, and has won several industry awards. He continues to work from his studio in Harlem. This capsule of collage/mixed media prints: ‘Eating Vinegar with A Fork,’ reflecting a dry wit, as suggested in the title; juxtaposing formal Victorian etchings...

Hand-colour 19th century plate depicting 5 gents' French walking sticks Print Sz: 12 3/8"H x 8"W Frame Sz: 16 1/8"H x 20 1/4"W

"Biltmore" Photography 23" x 32" inch Edition of 10 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edition of 5: 28.8" x 40" in...

Loose Cannon is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 117/275 (there were also 100 Roman and 20 AP). Fr...

TECHNICAL INFORMATION Shelter Serra Roley 2015 Screenprint and Diamond Dust 30 x 22 in. Edition of 20 Pencil signed, dated and numbered Accompanied with COA by Gregg Shienbau...

Prints from this series are in the Permanent Collections of Konstmuseet i Skövde in Sweden and Durham University Art Collection in the UK. Stein's Armored for Today's Events print...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Untitled (Hands) [Collaboration with Izhar Patkin] 2005 Signed and numbered in pencil, recto Lithograph (Edition of 100) 17.5 x 11.75 inches, image 24.25 x 20 inches, framed Plea...

THERE IS A WOMAN IN EVERY COLOR is a hand pulled limited edition relief print created using linocut, woodcut, and silkscreen printmaking techniques on white archival printmaking pape...

Signed, l.r. Edition of 50 Contact gallery for price. This work is offered by ClampArt in New York City.

Fritz Scholder (1937-2005) "Custer's Last Fight" Lithograph Ed. 54/75 Signed and Numbered Site Size: approx 22 x 30 inches Framed Size: approx. 35 x 41.5 inches Born in Breckenridge, Minnesota, Fritz Scholder became a prominent Indian portrait, figure, and genre painter in Arizona. His father was part Indian, and Fritz Scholder chose to focus his art work on this part of his lineage and to express both an appreciation and disdain for Indian customs, traditions, and daily existence. He studied at the University of Kansas, Wisconsin State University, and with Wayne Thiebaud at Sacramento College in California. He earned an Master of Fine Arts Degree from the University of Arizona. A long-time resident of Scottsdale, Arizona, he has filled a number of artist-in-residence positions including Dartmouth College and the Oklahoma Summer Arts Institute. In his work, he frequently showed the harsh, realistic side of Indians' lives and deaths including the affects of alcohol and other dissipations, but some of his depictions are humorous such as Indians on horseback carrying umbrellas. His brush-work is generally swift, and the tone often sombre and surreal. A major influence on his work was the contemporary British artist, Francis Bacon, from whom Scholder adapted ironic distortions into his canvases. In Scottsdale, he lived in an adobe-walled oasis of palm trees and oleander, amid skulls and skeletons. In the garden, several of Mr. Scholder's sculptures feature skull-like heads. In the library, an 18th-century skull engraved with witchcraft symbols shared shelf space with books printed before 1500. And the porch had been converted into a skull room, complete with Mexican Day of the Dead...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...