Items Similar to 17th Century Dutch Map of Italy, Sicily, Sardinia, Corsica and Dalmatian Coast
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Theodorus Danckerts17th Century Dutch Map of Italy, Sicily, Sardinia, Corsica and Dalmatian Coast1690
1690
About the Item
This hand colored 17th century Dutch map entitled "Novissima et Accuratissima totius Italiae Corsicae et Sardiniae Descriptio" by Theodore Danckerts depicts the Italian Peninsula in its entirety. It also includes the Dalmatian coast, which at the time was controlled by the Republic of Venice. The islands of Corsica and Sardinia and part of Sicily are also represented. At the time this map was made, most of Italy was under Spanish control. Following the War of Spanish Succession (1701-14), Spain would lose many of its territories to the Habsburg Empire of Austria, and then as a result controlled Italy.
A colorful title cartouche in the top right quadrant depicts two cherubs and an emperor. The scale in the bottom left is also illustrated with a cherub with measuring instruments. Various ships can be seen sailing in the waters as a naval battle rages in the Tyrrhenian Sea.
The map is presented in a tan colored wood frame with light gold colored inner and outer trim, with a double mat; the outer mat is cream-color and the inner mat is dark brown. There are focal areas of discoloration in the lower portion of the map, but the map is otherwise in very good condition.
The Danckerts were a prominent 17th and early 18th century Dutch cartographic, engraver and printing family. Cornelis Danckerts I (1603-1656) began the family business in Amsterdam. The skill and the trade was passed to his son, Justus Danckerts (1635-1701 and subsequently to his sons, Theodorus Danckerts I (1663-1727) and Cornelis Danckerts II (1664-1717)
- Creator:Theodorus Danckerts (1663 - 1727, Dutch)
- Creation Year:1690
- Dimensions:Height: 18.13 in (46.06 cm)Width: 31.25 in (79.38 cm)Depth: 1.38 in (3.51 cm)
- Medium:
- Period:1690-1699
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:Seller: #16531stDibs: LU117324709952
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2011
1stDibs seller since 2019
281 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Alamo, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllPortrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust.
This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition.
William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782.
The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister.
Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category
Late 18th Century Old Masters Portrait Prints
Materials
Mezzotint
Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category
Mid-18th Century Old Masters Landscape Prints
Materials
Engraving
"Esquimaux Curlew": A Framed Original Audubon Hand-colored Folio Engraving
By John James Audubon
Located in Alamo, CA
This is an original hand-colored folio edition John James Audubon engraving entitled "Esquimaux Curlew", Folio, Pl. CCVIII", No. 42, Plate 208, from Audubon's "Birds of America". It was engraved, printed and colored in London by Robert Havell, Jr. in 1834. It depicts a male and a female Esquimaux Curlew birds...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Engraving
Theories of Planetary Motion: An 18th C. Framed Celestial Map by Doppelmayr
By Johann Gabriel Doppelmayr 1
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Theoria Planetarum Primariorum In qua ipsorum motus in Copernican...
Category
Early 18th Century Landscape Prints
Materials
Engraving
Theories of Planetary Orbits: A Framed 18th C. Celestial Map by Doppelmayr
By Johann Gabriel Doppelmayr 1
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Astronomia Comparativa in qua Planetarum Primaria Phaenomena" (Co...
Category
Early 18th Century Landscape Prints
Materials
Engraving
The Orbits of Venus and Mercury: An 18th C. Framed Celestial Map by Doppelmayr
By Johann Gabriel Doppelmayr 1
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Phænomena Motuum Irregularium quos Planetar inferiores Venus et M...
Category
Early 18th Century Landscape Prints
Materials
Engraving
You May Also Like
L'Isle de France map
By Cornelis Danckerts II
Located in Wilton Manors, FL
Gouvernement general de l'Isle de France : ou sont la France, le Valois, Soissonnois, le Beauvaisis, Laonnois, la Brie, Francoise, l'Hurepoix noyonnois et les comtes de Senlis et de ...
Category
17th Century More Prints
Materials
Laid Paper, Engraving
Summer Maple
By Sylvia Plimack Mangold
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category
21st Century and Contemporary Landscape Prints
Materials
Drypoint
Dark Stripe
By Fonseca Caio
Located in San Francisco, CA
Color spit bite and sugarlift with soapground and drypoint
Category
1990s Prints and Multiples
Materials
Drypoint
Blanchefleur, 1972 (Le Decameron, Plate H)
By Salvador Dalí
Located in Greenwich, CT
Blanchefleur from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 Ara...
Category
20th Century Surrealist Prints and Multiples
Materials
Drypoint, Etching
La Ressuscitée, 1972 (Le Decameron, Plate J)
By Salvador Dalí
Located in Greenwich, CT
La Ressuscitée from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 A...
Category
20th Century Surrealist Prints and Multiples
Materials
Drypoint, Etching
Le Diable en Enfer, 1972 (Le Decameron, Plate C)
By Salvador Dalí
Located in Greenwich, CT
Le Diable en Enfer from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 1...
Category
20th Century Surrealist Prints and Multiples
Materials
Drypoint, Etching
Recently Viewed
View AllMore Ways To Browse
17th Century Dutch
Antique 17th Century Dutch
Antique Maps Of Italy
Sicily Print
Dutch Empire
War Instrument
Map Of Austria
17th Century Cherub
17th Century Austrian
18th Century Italian Cherub
18th Century Wood Cherubs
Antique Map Of Austria
18th Century Naval
Dutch Sailing Ship
Cherub Engraving
Antique Maps Venice
Antique Map Of Venice
Sicily Map