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Medium: Found Objects
Assemblage with Cigar Box and the Letter P
Located in Soquel, CA
Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a yellow and black background, the artist has attached several objects, including plastic letters, cigar boxes, and glass slides.
Unsigned, but was acquired with a collection of his work.
Unframed.
Image size: 20"H x 24"W
Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco.
Exhibitions include:
2007 Contemporary Art Museum, San Jose, Costa Rica
2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA
2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA
2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA
2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA
2002 “40 by 40...
Category
21st Century and Contemporary Abstract Expressionist Found Objects Abstract Sculptures
Materials
Canvas, Glass, Plastic, Paper, Oil, Found Objects
"Lisa's Trip", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "Lisa's Trip" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 19"w.
Born in Mexico City,...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Found Objects, Panel, Monoprint, Woodcut
Liz Sweibel, Untitled (Splinter 2 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Wood, Paint, Found Objects
Saturación, Luminosidad & Destornillador. From The Composition with Tools series
Located in Miami Beach, FL
The “Composition with Tools” series engages observers with quirky and playful truisms, gently leading them toward deeper reflections. Jose Ricardo Contreras...
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Canvas, Acrylic, Wood, Found Objects
"Oldies Swing", Abstract Patterns, Geometric Abstraction, Woodcut, Monoprint
Located in Philadelphia, PA
This piece titled "Oldies Swing" is an original piece by Alexis Nutini and is made from a woodcut and and found object stencil monoprint mounted on panel. This piece measures 19"h x ...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Found Objects, Wood Panel, Monoprint, Woodcut
Coin Cunt XXVII
Located in Philadelphia, PA
This is an original navy blue sculpture from Suzanna Scott's ongoing "Coin Cunt" series made from a kisslock coin purse and thread. The piece measures approximately 4in x 4in.
ABOU...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Thread, Found Objects
Nudo. Abstract Polished metal, metal knot, metal, and Glass. Wall sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irreplaceable when she creates her sculptures.
From The Assembler series
Polished metal, metal knot...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Metal
"ELLA" Assemblage
By Jim Houser
Located in Philadelphia, PA
"ELLA" is an original assemblage artwork by Jim Houser measuring 10" x 10".
Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currently resides. He is a s...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Wood, Found Objects, Acrylic
Conny Goelz Schmitt "Overhang" 2024, wall object of vintage book parts
Located in New York, NY
Overhang, 2024
wall object of vintage book parts
24 x 19 x 8 in.
(schm078)
"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-endin...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Found Objects
"Marginal Madonna" Abstract Relief with Rorschach Patterns Sculpture
Located in Soquel, CA
"Marginal Madonna" Abstract Relief Sculpture
Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scale relief sculpture features The central fig...
Category
1990s Other Art Style Found Objects Abstract Sculptures
Materials
Resin, Found Objects, Acrylic, Wood Panel, Handmade Paper
$3,000 Sale Price
37% Off
"Modus Volito Rusticus 14", Abstract, Found Object, Free-Standing Sculpture
Located in Philadelphia, PA
This free-standing abstract sculpture titled "Modus Volito Rusticus 14" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, steel and is ink signed on the...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Steel
"Out of Shape" 2024, wall object of vintage book parts
Located in New York, NY
Conny Goelz Schmitt
Out of Shape, 2024
wall object of vintage book parts
21 x 19 x 5 in.
(schm076)
"I create geometric collages, assemblages and sculptures with vintage book parts. ...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Found Objects
"NNNAPES!" Abstract, wall hanging sculpture, found objects
By Jim Houser
Located in Philadelphia, PA
This piece titled "NNNAPES!" is an original artwork by Jim Houser and is made of assembled objects. This piece measures approximately 30.5”h x 30.5”w x 7”d and ships in the pictured ...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Found Objects, Acrylic
'BOX KING" Assemblage, found objects, painting
By Jim Houser
Located in Philadelphia, PA
This piece titled "BOX KING" is an original artwork by Jim Houser and is made of assembled objects. This piece measures approximately 32”h x 8.25”w x 3.5”d....
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Found Objects, Acrylic
Diptych: Quiver & Multi-Cut Tool
Located in Philadelphia, PA
This piece titled "Diptych: Quiver & Multi-Cut Tool" is an original artwork made from Mixed media: #11 steel blades, sinew, copper, and hardwoods (Multi-Cut Tool). Horsehair, plastic vials, sinew, copper, brass, hardwoods (Quiver) by Katie VanVliet. This piece measures 24"h x 60"w x 7"d.
Katie VanVliet (she/her) is a sculptor and printmaker practicing from her home studio in Elkins Park...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Brass, Copper, Steel
"The Artist's Floor" - Abstract Assemblage
Located in Soquel, CA
Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W
Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco.
Exhibitions include:
2007 Contemporary Art Museum, San Jose, Costa Rica
2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA
2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA
2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA
2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA
2002 “40 by 40...
Category
21st Century and Contemporary Abstract Expressionist Found Objects Abstract Sculptures
Materials
Glass, Plastic, Paper, Found Objects, Wood Panel, Wood, Oil
"Was Happy Cancelled?", Wall-Hanging Sculpture, Rainbow, Bright Colors, Smile
By Kelly Kozma
Located in Philadelphia, PA
This wall-hanging sculpture titled "Was Happy Cancelled?" is an original artwork by Kelly Kozma made of assorted & repurposed punched paper, hand-stitched ...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Thread, Paper, Found Objects
Assembler Naranja N°1 and N°2. Abstract Mixed Media Wall Sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Metal
"Badass with a Needle"
By Kelly Kozma
Located in Philadelphia, PA
This sculpture titled "Badass with a Needle" is an original artwork by Kelly Kozma as part of her newest exhibition, "Watch Me Backflip." This exhibition is made up of meticulously ...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Paper, Found Objects, Acrylic, Panel
Grounding
By Kelly Kozma
Located in Philadelphia, PA
This sculpture titled "Grounding" is an original artwork by Kelly Kozma made of punched paper and photographs hand-stitched together with embroidery thread...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Metal
"Let’s Hear Your Battle Cry" Found and Patterned Wrappers by Kelly Kozma
By Kelly Kozma
Located in Philadelphia, PA
This artwork titled "Let’s Hear Your Battle Cry" is an original artwork by Kelly Kozma as part of her newest exhibition, "Watch Me Backflip." This collection is made up of meticulous...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Found Objects, Acrylic, Panel
Jabón Azul. From The Composition with Tools series
Located in Miami Beach, FL
The “Composition with Tools” series engages observers with quirky and playful truisms, gently leading them toward deeper reflections. Jose Ricardo Contreras...
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Wood, Canvas, Found Objects, Acrylic, Oil
Right On
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Right On" is an original artwork by Kelly Kozma made of hand embroidery and collage on rag paper. The piece measures 13”h by 13”w framed.
Kelly Kozma is a m...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
Conny Goelz Schmitt "Flaming Buttress" Vintage Book Parts Sculpture
Located in New York, NY
"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Found Objects
"An Exact Record Of How It Happened", Green, Red, and White Sculpture
Located in Philadelphia, PA
This free-standing sculpture titled "An Exact Record Of How It Happened" is an original artwork by Jedediah Morfit made of plaster, paint, wax, thermoplastic, epoxy, wood, rope. This piece measures 33.25"h x 10"w x 14"d.
BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Wood, Plaster, Paint, Wax, Epoxy Glue, Found Objects
Girl / Boy (diptych)
Located in Philadelphia, PA
"Girl / Boy (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measuring appr...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Thread, Wood, Paper, Found Objects, Acrylic, Engraving
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Found Objects Abstract Sculptures
Materials
Thread, Dye, Found Objects
Squeaking By
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Squeaking By" is an original artwork by Kelly Kozma made of hand embroidery and photographs on paper. The piece measures 13”h by 13”w framed.
Kelly Kozma is...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
New Address
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "New Address" is an original artwork by Kelly Kozma made of hand embroidery and photographs on paper. The piece measures 13”h by 13”w framed.
Kelly Kozma is ...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
Dead of Night
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Dead of Night" is an original artwork by Kelly Kozma made of hand embroidery on paper. The piece measures 13”h by 13”w framed.
Kelly Kozma is a mixed media ...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
Thinking About the Old Carpet & the Air Hockey Table
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Thinking About the Old Carpet & the Air Hockey Table" is an original artwork by Kelly Kozma made of hand embroidery and photographs...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
Offerings
By Kelly Kozma
Located in Philadelphia, PA
This wall-hanging sculpture titled "Offerings" is an original artwork by Kelly Kozma made of credit card offer envelopes & assorted paper, hand-stitched together with embroidery thre...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Thread, Paper, Found Objects
Conny Goelz Schmitt "Out of This World" Vintage Book Parts Sculpture
Located in New York, NY
"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Found Objects
Conny Goelz Schmitt "Elsewhere in Space" Vintage Book Parts Sculpture
Located in New York, NY
"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Found Objects
Margaret Roleke, Pop pop, 2018, spent shot gun shells, wire, zipties, steel box
Located in Darien, CT
Margaret Roleke has created the sculpture “Pop,pop” specifically for the Las Gravitas exhibition at ODETTA. The title refers both to the fun and colorful hues of the piece that pop ...
Category
2010s Pop Art Found Objects Abstract Sculptures
Materials
Steel, Wire
Assembler Violeta N: 3, and N: 1. Abstract Mixed Media Wall Sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Metal
Assembler Violeta N° 1, 2 and 3 .Abstract Mixed Media Wall Sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Metal
Jesse Hickman, Note Three Twenty Seven Sixteen F, 2016, Enamel, Wood, Glue
Located in Darien, CT
Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...
Category
21st Century and Contemporary Minimalist Found Objects Abstract Sculptures
Materials
Enamel
Assembler Naranja N°1, N°3 and N°2. Abstract Mixed Media Wall Sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Metal
Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Found Objects Abstract Sculptures
Materials
Wood, Paint, Found Objects
Homecoming for Matt
Located in New York, NY
Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint
Jeremy Bullis after David L. Bullis
Edition 1/5
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Stainless Steel, Wire
$740 Sale Price
20% Off
Conny Goelz Schmitt "See Through" Vintage Book Parts Sculpture
Located in New York, NY
"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Found Objects
Jo Yarrington, Mute-Ability_Composition 1, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Found Objects Abstract Sculptures
Materials
Steel
Jo Yarrington, Mute-Ability_Composition 3, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Found Objects Abstract Sculptures
Materials
Steel
Jo Yarrington, Mute-Ability_Composition 5, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Found Objects Abstract Sculptures
Materials
Steel
Conny Goelz Schmitt "Flyover" Vintage Book Parts Sculpture
Located in New York, NY
"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Found Objects
“Pen Decline 1 - 2 - 3 in Black” (Archeology series) Computer Keyboard Sculpture
Located in New York, NY
Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Concrete
Liz Sweibel, Untitled (Scrapings #10), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Found Objects Abstract Sculptures
Materials
Wood, Paint, Found Objects
Liz Sweibel, Untitled (Splinter 8 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Wood, Paint, Found Objects
3-part painting construction by Black African American artist, w/ found objects
Located in Bryn Mawr, PA
This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed.
PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022.
"Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson
Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Found Objects, Mixed Media, Acrylic, Glass, Wood
ImPossible
Located in New York, NY
Found objects, repurposed textiles
Statement
In work that integrates the theories and methodologies of both fine art and craft, I transform domestic cast-offs, such as old furnitu...
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Textile, Found Objects
$2,320 Sale Price
20% Off
Contemporary Mixed Media Wall Sculpture, Installation, Crocheted Found Material
By John Garrett
Located in St. Louis, MO
John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Found Objects, Mixed Media, Other Medium
"His Name Was Writ in Acrylic Paint" - Abstract Assemblage
Located in Soquel, CA
Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel.
Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso.
There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown.
Unframed.
Image size: 20"H x 24"W
Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco.
Exhibitions include:
2007 Contemporary Art Museum, San Jose, Costa Rica
2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA
2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA
2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA
2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA
2002 “40 by 40...
Category
21st Century and Contemporary Abstract Expressionist Found Objects Abstract Sculptures
Materials
Glass, Plastic, Paper, Found Objects, Cotton, Wood Panel
Andra Samelson, Microcosm 2, 2016, Canvas, Wood, Found Objects, Acrylic Paint
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Found Objects Abstract Sculptures
Materials
Canvas, Wood, Found Objects, Acrylic
Cabinet of Wonders, Persistence and the Fugitive
By Greg Garvey
Located in Darien, CT
This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...
Category
2010s Conceptual Found Objects Abstract Sculptures
Materials
Wood, Video, Found Objects
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Found Objects Abstract Sculptures
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Found Objects Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Mary Bauermeister, Studio Leftover Fetich, 3D mixed media sculpture Fluxus, S/N
Located in New York, NY
Mary Baumeister
Studio Leftover Fetich, 1953, 1967
Unique Mixed Media 3-D Assemblage
Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75.
Shadow box frame Incl...
Category
1960s Abstract Found Objects Abstract Sculptures
Materials
Mixed Media, Wood, Found Objects, Ink, Acrylic
Butterfly Girl
By Eric Rhein
Located in New York, NY
Eric Rhein “Butterfly Girl”
1992-1995
Accompanied by a certificate of authenticity
Steel, brass, and gold-filled wire, thread, glue, and found object...
Category
1990s Contemporary Found Objects Abstract Sculptures
Materials
Brass, Steel, Wire
"Cordial", wallpaper, spray paint, aunt's pearls, crystal, red resin, on board
Located in Toronto, Ontario
“Cordial“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, spray paint, wood, the artist's aunt's pearls, crystal and red resin (solid), mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Cordial celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art.
Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...
Category
21st Century and Contemporary Assemblage Found Objects Abstract Sculptures
Materials
Glass, Wood, Found Objects, Board, Resin, Spray Paint
Found Objects abstract sculptures for sale on 1stDibs.
Find a wide variety of authentic Found Objects abstract sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kelly Kozma, Jo Yarrington, John Garrett, and Bobbi Meier. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Found Objects abstract sculptures, so small editions measuring 0.25 inches across are also available
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