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Medium: Found Objects
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Found Objects Abstract Sculptures
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Butterfly Girl
By Eric Rhein
Located in New York, NY
Eric Rhein “Butterfly Girl”
1992-1995
Accompanied by a certificate of authenticity
Steel, brass, and gold-filled wire, thread, glue, and found object...
Category
1990s Contemporary Found Objects Abstract Sculptures
Materials
Brass, Steel, Wire
"Wire Songs", Contemporary, Mixed Media, Sculpture, Plied Wire, Aluminum, Metal
By John Garrett
Located in St. Louis, MO
John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Metal, Wire
Joseph Fucigna, Burning Bush, 2001, Plastic, Found Objects
Located in Darien, CT
Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants.
Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg.
Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT.
Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY.
He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...
Category
Early 2000s Arte Povera Found Objects Abstract Sculptures
Materials
Plastic, Found Objects
Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Found Objects Abstract Sculptures
Materials
Wood, Paint, Found Objects
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Found Objects Abstract Sculptures
Materials
Thread, Dye, Found Objects
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Found Objects Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Found Objects Abstract Sculptures
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Andra Samelson, Microcosm 2, 2016, Canvas, Wood, Found Objects, Acrylic Paint
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Found Objects Abstract Sculptures
Materials
Canvas, Wood, Found Objects, Acrylic
Liz Sweibel, Untitled (Scrapings #3), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Wood, Paint, Found Objects
Name Unknown
Located in New York, NY
Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint
Jeremy Bullis after David L. Bullis
Edition 1/5
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Stainless Steel, Wire
Jo Yarrington, Mute-Ability_Composition 2, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Found Objects Abstract Sculptures
Materials
Steel
"Pelvic Pelt" Abstract, dimensional paint on found object
By PJ Linden
Located in Philadelphia, PA
This piece titled "Pelvic Pelt" is an original artwork by PJ Linden and is made from dimensional paint on found object. This piece measures 22”h x 25”w x 6”d.
Born 1985 Bethlehem, Pennsylvania. PJ Linden is a New York City and Pennsylvania-based fine artist known for her abstract, three-dimensional work. She paints with machine-like precision, creating microscopic patterns on found objects, fashion, and technology. Linden got her start working with Patricia Field, creating custom, one-of-a-kind art and fashion under the name Wonderpuss Octopus. At Field's iconic, namesake boutique, Linden's work caught the eye of celebrity clients including Beyonce, Willow Smith, Kelly Osborne, and Solange Knowles...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Paint, Found Objects
Cabinet of Wonders, Persistence and the Fugitive
By Greg Garvey
Located in Darien, CT
This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...
Category
2010s Conceptual Found Objects Abstract Sculptures
Materials
Wood, Video, Found Objects
Stolen Stickers & Visions
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Stolen Stickers & Visions" is an original artwork by Kelly Kozma made of hand embroidery, sticker and gem on paper. The piece measures 13”h by 13”w.
Kelly K...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
Squeaking By
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Squeaking By" is an original artwork by Kelly Kozma made of hand embroidery and photographs on paper. The piece measures 13”h by 13”w framed.
Kelly Kozma is...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
Right On
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Right On" is an original artwork by Kelly Kozma made of hand embroidery and collage on rag paper. The piece measures 13”h by 13”w framed.
Kelly Kozma is a m...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
Dead of Night
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Dead of Night" is an original artwork by Kelly Kozma made of hand embroidery on paper. The piece measures 13”h by 13”w framed.
Kelly Kozma is a mixed media ...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
Superpowers
By Kelly Kozma
Located in Philadelphia, PA
This fabric work titled "Squeaking By" is an original artwork by Kelly Kozma made of hand embroidery, stickers, glitter paper and acrylic paint on paper. The piece measures 13”h by 1...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Fabric, Thread, Found Objects
Small Recline, pink, purple, textile, organic, ceramic
Located in New York, NY
Glazed ceramic, recycled textiles, thread, batting, nylon rope, wire, acrylic paint
7 x 4 x 4 inches
Artist Statement
I hand-sew compound sculptural forms that are constructed from...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Ceramic, Textile, Cord, Thread, Found Objects
Offerings
By Kelly Kozma
Located in Philadelphia, PA
This wall-hanging sculpture titled "Offerings" is an original artwork by Kelly Kozma made of credit card offer envelopes & assorted paper, hand-stitched together with embroidery thre...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Thread, Paper, Found Objects
W2
Located in New York, NY
Found objects, repurposed textiles
Statement
In work that integrates the theories and methodologies of both fine art and craft, I transform domestic cast-offs, such as old furnitu...
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Textile, Found Objects
$1,725
Paintbrushes I
By Arman
Located in Long Island City, NY
Artist: Arman, French/American (1929 - 2005)
Title: Paintbrushes I
Year: 1991
Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed
Edition: 20,...
Category
1990s Dada Found Objects Abstract Sculptures
Materials
Epoxy Resin, Found Objects, Mixed Media, Oil
$15,000
Nudo. Abstract Polished metal, metal knot, metal, and Glass. Wall sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irreplaceable when she creates her sculptures.
From The Assembler series
Polished metal, metal knot...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Metal
Assembler Naranja N°4. Abstract Mixed Media Wall Sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Metal
Assembler Violeta N° 3. Abstract Mixed Media Wall Sculpture
Located in Miami Beach, FL
For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...
Category
2010s Minimalist Found Objects Abstract Sculptures
Materials
Metal
Manifestation II
Located in Boston, MA
Artist Commentary:
This kinetic artwork is intended as a gently rotating, dimensional mandala. It has a baroque-upcycled aesthetic that playfully transcends the utility of the can-tab. Sparkling moiré patterns emerge as the artwork rotates slowly. One can experience the artwork as a sparkling, crystalline mystery from a distance, then as a familiar but incalculable marvel up close. Fun fact: it is powered by a disco ball motor
Keywords: kinetic art,sensory art, suspended art, upcycled, sparkling , metal
Details: A kinetic, sensory sculpture made from post-consumer can-tabs, safety pins, steel armature and ceiling mounted motor. 84"l x 44"w x 44"d x 40 lbs. rotates at 1 to 1-1/2 rpm
Artist Biography:
Since 2002, award winning artist Virginia Fleck...
Category
21st Century and Contemporary Kinetic Found Objects Abstract Sculptures
Materials
Found Objects
Tempest
Located in New York, NY
Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint
Jeremy Bullis after David L. Bullis
Edition 1/5
Category
2010s Abstract Geometric Found Objects Abstract Sculptures
Materials
Steel
Oh, Georgia (Homage to O'Keeffe)
By Carolee Thea
Located in Long Island City, NY
Artist: Carolee Thea
Title: Oh, Georgia (Homage to O'Keeffe)
Year: 1986
Medium: Unique Wall Sculpture: Oak, Varnished Plywood and Bone Construction, signed and dated verso
Size: ...
Category
1980s Surrealist Found Objects Abstract Sculptures
Materials
Oak, Plywood, Found Objects
Look
Located in New York, NY
Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint
Jeremy Bullis after David L. Bullis
Edition 1/5
Category
2010s Abstract Geometric Found Objects Abstract Sculptures
Materials
Steel, Wire
Homecoming for Matt
Located in New York, NY
Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint
Jeremy Bullis after David L. Bullis
Edition 1/5
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Stainless Steel, Wire
Tempest
Located in New York, NY
Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint
Jeremy Bullis after David L. Bullis
Edition 2/5
Category
2010s Found Objects Abstract Sculptures
Materials
Stainless Steel, Wire
“Surge Protector” Blue Abstract Contemporary Mixed Media Found Object Sculpture
By Brent Fogt
Located in Houston, TX
Abstract contemporary collage sculpture that incorporates found furniture, jute, concrete, and paint. The amorphous form features a primarily blue "cord" extending from a grey wooden and concrete base.
Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent Fogt...
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Concrete
"Iridescence, " Mixed Media Sculpture
Located in Chicago, IL
Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life.
Also known as forget-me-not jugs or spirit jars...
Category
21st Century and Contemporary Abstract Found Objects Abstract Sculptures
Materials
Stone
Keynote XIV
By Dianne Baker
Located in Buffalo, NY
Diane Baker is a mixed media and fiber-related sculptor working out of Buffalo, NY. She has exhibited throughout the United States and in Canada and is included in several public and...
Category
21st Century and Contemporary Conceptual Found Objects Abstract Sculptures
Materials
Found Objects, Tape, Wood
Child's Play (I and II)
By Dianne Baker
Located in Buffalo, NY
Each of the works is 14" x 16" x 1". They are meant to be hung together either vertically or horizontally.
Diane Baker is a mixed media and fiber-related sculptor working out o...
Category
21st Century and Contemporary Conceptual Found Objects Abstract Sculptures
Materials
Metal
Lovesuite
By Bobbi Meier
Located in Boston, MA
Artist Commentary:
An interactive hybrid of social experiment and sculptural object, envelopes the sitter into it’s cushiony softness, referencing a Victorian courting chair...
Category
21st Century and Contemporary Abstract Found Objects Abstract Sculptures
Materials
Found Objects, Other Medium
Double Obstruction
Located in New Orleans, LA
KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Canvas, Found Objects, Acrylic
"China Cabinet, " Mixed Media Sculpture
Located in Chicago, IL
Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...
Category
21st Century and Contemporary Abstract Found Objects Abstract Sculptures
Materials
Stone
Ghost Piling
Located in New Orleans, LA
KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Enamel, Stainless Steel
Willow Wave Basket
Located in Wilton, CT
Wood was integral to the artistic practice of the late Markku Kosonen of Finland. An important aspect of his work was the ability to express things; cra...
Category
1990s Abstract Found Objects Abstract Sculptures
Materials
Organic Material, Wood, Found Objects
Aurae
Located in New Orleans, LA
KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Found Objects, Acrylic, Canvas
Oswald Home Laundry
Located in Boston, MA
Artist Commentary:
It all starts with Linnie Rose Oswald. She was my Great-Grandmother, the eighth of Elnore Rose's nine children. (All but one were girls.) During the 1920s she operated her own business and posed for a photo beside the laundry's vehicle. Family stories tell of a feisty red-headed woman with a will of iron, a temper, and a very strong work ethic who drove down the middle of Huntington, West Virginia's city streets as if she owned them. In all likelihood, Linnie needed these qualities. Being a female business woman in this era had to be hard! She would have gotten the right to vote around then. Later, Linnie owned almost a block of town and rented apartments. I remember her from the days when managing her apartments was problematic. Linnie lived to be ninety-six years old but dementia took her years beforehand. I was in college when she died in a nursing home in Kentucky. The last time I saw her, she wasn't aware of the visit. Her mind was elsewhere ... talking about the clothes she was making and the quilts she would stitch. What a woman!
Keywords: art quilt, textile, paint
Artist Biography:
Susan Lenz...
Category
21st Century and Contemporary Found Objects Abstract Sculptures
Materials
Paint, Found Objects, Mixed Media
Obstruction II
Located in New Orleans, LA
KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Canvas, Found Objects, Acrylic
Ghost Gear Pipelines (Triptych
Located in New Orleans, LA
KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Enamel, Stainless Steel
Bent Pipe Obstructions
Located in New Orleans, LA
KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Canvas, Found Objects, Acrylic
Obstruction Cascade
Located in New Orleans, LA
KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Canvas, Found Objects, Acrylic
Andra Samelson, Microcosm 3, 2016, Canvas, Found Objects, Acrylic Paint
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Found Objects Abstract Sculptures
Materials
Canvas, Found Objects, Acrylic
Seeking Arrangement
By Bobbi Meier
Located in Boston, MA
Artist Commentary:
This soft, pepto-bismol pink sculpture intertwined around a found traditional lamp and wrapped around the table it is sitting on reminded me of people who are look...
Category
21st Century and Contemporary Abstract Found Objects Abstract Sculptures
Materials
Found Objects, Other Medium, Oak
GRIST Unique Sculpture Fabricated wood, steel, reclaimed wheels 2017 EARL JAMES
Located in Rancho Santa Fe, CA
“Grist”
2017
Fabricated wood, steel, reclaimed wheels, paint
47 h X 31 w X 35 d (inches)
Signed
Provenance: The collection of the artist
Born in Jamaica, West Indies, and raised in Rochester, New York, Earl James...
Category
2010s Assemblage Found Objects Abstract Sculptures
Materials
Steel
Indian Contemporary Art By Sumit Mehndiratta - Neon Butterflies
Located in Paris, IDF
Six Stainless steel discs measuring 14x4x4 cms each hung individually on the wall with a wooden hanging provision on the back of each disc, can be hung in any way as a set of six.
S...
Category
2010s Abstract Found Objects Abstract Sculptures
Materials
Stainless Steel
$1,120 Sale Price
20% Off
Elohim
Located in New York, NY
Manuele Bernardi was born in 1959 in Saint-Tropez. She lives and works in Roussillon, in the south of France. After completing studies at the Roederer Academy in Paris, she completed...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Thread, Plexiglass, Wood, Found Objects
Pile-up at The Gates of Hell
By Bobbi Meier
Located in Boston, MA
Artist Commentary:
Abstract forms emerge from remembrances of disco dancing, Earth Wind & Fire, darkness, heat, perspiration and glitz. Materials are twisted into ambiguous shapes, s...
Category
21st Century and Contemporary Abstract Found Objects Abstract Sculptures
Materials
Wood, Found Objects, Other Medium
Too Much Tea
Located in West Hollywood, CA
Sharon Brooks, the imaginative creator of the mixed media assemblage sculpture "Too Much Tea," describes it as a whimsical and delightful artwork. The centerpiece of this piece is a silver tray, cleverly supported by pounded silver cones that securely hold a wooden plate in place through drilled holes. This arrangement not only provides stability but also adds a touch of resilience to the sculpture.
In her creative manipulation, Brooks has added a playful twist by incorporating the head of a doll sitting atop a teapot. It appears as if the doll is emerging from the teapot, with her arms playfully sticking out of the snout. This unique concept adds a sense of charm and intrigue to the artwork, reinventing the traditional tea-serving experience.
The sculpture is further enhanced by the presence of multiple trays...
Category
2010s Surrealist Found Objects Abstract Sculptures
Materials
Found Objects
Woven and Spun
Located in New Orleans, LA
Materials: found and painted paper, metal base
Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her work...
Category
21st Century and Contemporary Contemporary Found Objects Abstract Sculptures
Materials
Metal
Moss Body, textile, patterned, pink, red, blue, green, organic, ceramic, white
Located in New York, NY
Glazed ceramic, recycled fabric, glass beads, crystal head pins, thread, batting
6 x 4 x 6 inches
Artist Statement
I hand-sew compound sculptural forms that are constructed from cl...
Category
2010s Contemporary Found Objects Abstract Sculptures
Materials
Ceramic, Textile, Thread, Found Objects
Span, Copper Abstract Sculpture, 2020
Located in Boston, MA
Artist Commentary:
This piece is made from a truck tire with metal and pvc running through it that touches each side of the space.
Keywords: abstract, yellow, tire, canes
Artist Biography:
Mia Capodilupo is a sculptor and installation artist originally from Boston, MA. She received a BA from University of Chicago, studied sculpture at Massachusetts College of Art and received an MFA in Sculpture from the San Francisco Art Institute. She has participated in solo and group shows and residencies in museums, galleries and alternative spaces around the country. She has received several grants from the City of Chicago...
Category
21st Century and Contemporary Abstract Found Objects Abstract Sculptures
Materials
Copper
Union Leader
Located in Milford, NH
A fine abstract expressionist assemblage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls.
This three piece assemblage includes a Union Leader tobacco can...
Category
Late 20th Century Abstract Expressionist Found Objects Abstract Sculptures
Materials
Found Objects
Tablescape
By Bobbi Meier
Located in Boston, MA
Artist Commentary:
This piece is constructed from my grandmother's dressing table mirror, a found table base, and dismembered segments of a soft sculpture I had previously made and n...
Category
21st Century and Contemporary Abstract Found Objects Abstract Sculptures
Materials
Found Objects, Other Medium, Glass, Mirror, Spray Paint
Easy Chair/Failed Odalisque
By Bobbi Meier
Located in Boston, MA
Artist Commentary:
This chaise, originally covered in lime green cotton upholstery, sat in my studio for months, acting as a daybed for my miniature poodle. Finally after several att...
Category
21st Century and Contemporary Abstract Found Objects Abstract Sculptures
Materials
Found Objects, Other Medium
Found Objects abstract sculptures for sale on 1stDibs.
Find a wide variety of authentic Found Objects abstract sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kelly Kozma, Jo Yarrington, John Garrett, and Bobbi Meier. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Found Objects abstract sculptures, so small editions measuring 0.25 inches across are also available