Conceptual Abstract Sculptures
CONCEPTUAL STYLE
In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.
LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.
Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.
Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.
The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.
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Style: Conceptual
Rare Museum Judaica Israeli Menorah Candelabra Sculpture Reddish Studio Tel Aviv
Located in Surfside, FL
Reddish Studio
Naama Steinbock and Idan Friedman
Candlestick United
2008
Handmade and limited edition menorah
colored cast iron frame, found candlesticks
Each one off (these are each unique)
Limited Edition Chanukah Menorah
Dimensions: 28 x 49 x 8.5 cm (11 x 19 1/4 x 3 3/8 in.); weight: 6.450 kg,
Hand signed underneath base
Provenance: Tiroche, Herzliya, Israel, July 7, 2012, lot 137 (it sold for 4140$)
A Hanukah Menorah from the series was sold on May 2010 at Dorotheum, Vienna, for 5,381 EUR.
Exhibited:
Reinventing rituals, Contemporary Jewish Museum, San Francisco, CA, April- Oct, 2010
Reinventing Ritual: Contemporary Art and Design for Jewish Life, The Jewish Museum, New York, NY, 2009
Judaica Twist, Beit Hatfutsot, Tel Aviv, Israel, 2009
LITERATURE
500 Judaica: Innovative Contemporary Ritual Art, (Asheville: Lark Books, 2010), illustrated inside and on verso.
A pair of Shabbat candlesticks from the series was bought for the permanent collection of the Jewish Museum in Berlin.
A pair of Shabbat candlesticks from the series was given as a prize of "comprehension and tolerance" to the Chancellor of Germany Angela Markel by the Jewish Museum in Berlin.
A Hanukah Menorah from the series was bought for the permanent collection of the Jewish Museum in New-York
Reddish Studio, Modern Israeli design, Contemporary Judaica, Menorah, Conceptual design, Minimalist Judaica, Hanukkah lamp, Studio Reddish menorah, Collectible Judaica.
There has been a resurgence of fine artists making Judaica, There was initial generation of the Bezalel School in Jerusalem and later Ludwig Wolpert, whose spare, geometric, functionalist style was influenced by the Bauhaus school in particular and modernism in general, Moshe Zabari, Maxwell Chayat, in New York, Menachem Berman...
Category
Early 2000s Conceptual Abstract Sculptures
Materials
Metal, Brass, Bronze, Iron
Found Object Wall Sculpture/Relief by Gertie Lowe
By Gertie Lowe
Located in Long Island City, NY
Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...
Category
1970s Conceptual Abstract Sculptures
Materials
Plastic, Wood
Bronze Stalagmite Table, Patinated Bronze and Glass Table by Paul R. Evans
Located in Long Island City, NY
Paul R. Evans, American (1931 - 1987) - Bronze Stalagmite Coffee / Cocktail Table, Year: 1969, Medium: Patinated Bronze Table with round glass top, signature and date inscribed on ...
Category
1960s Conceptual Abstract Sculptures
Materials
Bronze
Jo Yarrington, Mute-Ability_Composition 4, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Abstract Sculptures
Materials
Steel
Alkyd Enamel Oil Painting Half A Thought Cut Panel Wall Hanging Modern Sculpture
By Peter Wegner
Located in Surfside, FL
Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it.
Peter Wegner (born 1963) i...
Category
21st Century and Contemporary Conceptual Abstract Sculptures
Materials
Enamel
Andra Samelson, Pemarom, 2013-2022, 1300 + cds, Edition of 5, Abstract Sculpture
Located in Darien, CT
The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...
Category
2010s Conceptual Abstract Sculptures
Materials
Mirror, Plastic, Acrylic Polymer, Found Objects, Other Medium
Alexandre Arrechea Evidence Sculpture 2006 Limited Edition
Located in Madrid, MD
Sculpture “Evidence” by Alexandre Arrechea – Limited Edition (2006)
Discover “Evidence”, a striking sculpture by the renowned Cuban artist Alexandre Arrechea (b. 1970, Trinidad, Cub...
Category
21st Century and Contemporary Conceptual Abstract Sculptures
Materials
Resin
Hyperrealistic Bronze Female Head Lost-Wax Sculpture, Hollow Skull, Contemporary
Located in FISTERRA, ES
Hyperrealistic bronze female head sculpture with hollowed skull evokes mystery and organic patina. Soño (24 × 17 × 22 cm) by Aldonza is cast by the artist using the traditional lost-...
Category
2010s Conceptual Abstract Sculptures
Materials
Bronze
Fritz Horstman, Formwork for the East River, 2017, Wood, Latex Paint, Wood Panel
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished.
From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation?
For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...
Category
2010s Conceptual Abstract Sculptures
Materials
Wood, Latex, Wood Panel
Apple of Eden (small)
Located in Zofingen, AG
"Apple of Eden (small)" continues the series of human duality exploration. The outer and inner, form and essence—rarely identical.
This version introduces a different texture and col...
Category
2010s Conceptual Abstract Sculptures
Materials
Leather, Textile, Epoxy Resin, Acrylic
Merda d'Artista - Merde d'Artiste - Artist's Shit Limited Edition sealed tin can
Located in New York, NY
Piero Manzoni
Merda d'Artista - Merde d'Artiste - Artist's Shit, 2013
Sealed tin can in special offset lithograph paper and shrink wrapped sealed with a fingerprint
The artist's sign...
Category
2010s Conceptual Abstract Sculptures
Materials
Metal
Banquet III-TimeCapsuleSeries-Resin Casting UK Awarded Artist-Conceptual Artist
Located in London, GB
The sculpture, Banquet III - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White. It is within an on-going project by Shizico Y...
Category
2010s Conceptual Abstract Sculptures
Materials
Metal
Gil Scullion, You First, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Abstract Sculptures
Materials
Paper
"Make 300 Holes with Any Implement: This Is My Gift" Takako Saito, Concept Art
Located in New York, NY
Takako Saito
Make 300 Holes with Any Implement: This Is My Gift , 1965
Wood box containing wood frame with paper and stamped ink
3 3/8 × 3 3/8 × 1 1/4
Takako Saito is a Japanese ar...
Category
1960s Conceptual Abstract Sculptures
Materials
Wood, Paper, Ink
The Time of Our Time Has Come and Gone, 2018, Gaffer tape on floor
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford.
A multi-media installation artist, his work...
Category
2010s Conceptual Abstract Sculptures
Materials
Tape
Jo Yarrington, Mute-Ability_Composition 1, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Abstract Sculptures
Materials
Steel
Jo Yarrington, Mute-Ability_Composition 3, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Abstract Sculptures
Materials
Steel
Jo Yarrington, Mute-Ability_Composition 5, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Abstract Sculptures
Materials
Steel
Untitled, Conceptual Collage and Mixed Media by Josep Grau-Garriga
Located in Long Island City, NY
Josep Grau-Garriga, Spanish (1929 - 2011) - Untitled, Year: 1977, Medium: Collage and mixed media, mounted on stiffened canvas, signed and dated in pencil, Size: 19.25 x 16.25 x 3...
Category
1970s Conceptual Abstract Sculptures
Materials
Mixed Media
Jo Yarrington, See-matics - Voice, 2019, acrylic, 9 x 22 inches
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Abstract Sculptures
Materials
Plexiglass
Gil Scullion, You Forget, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Abstract Sculptures
Materials
Paper
Cabinet of Wonders, Persistence and the Fugitive
By Greg Garvey
Located in Darien, CT
This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...
Category
2010s Conceptual Abstract Sculptures
Materials
Wood, Video, Found Objects
Fritz Horstman, Formwork for a Rectangle 2, 2014, Wood, Plywood
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Abstract Sculptures
Materials
Wood, Plywood
Jo Yarrington, Mute-Ability_Composition 2, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Abstract Sculptures
Materials
Steel
Sculpture, abstract record player: 'Kristallo'
Located in New York, NY
The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...
Category
2010s Conceptual Abstract Sculptures
Materials
Brass, Steel
Gil Scullion, You Walk, 2017, 20 sheets stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Abstract Sculptures
Materials
Paper
Fritz Horstman, Formwork for Branching Stream, 2017, Wood, Walnut
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Abstract Sculptures
Materials
Wood, Walnut
Fingerprint
By Jozef Bajus
Located in Buffalo, NY
An original mixed media woven paper and staple wall sculpture by Jozef Bajus.
This work can be acquired in a shadow box frame presentation for an additional $350.
Category
2010s Conceptual Abstract Sculptures
Jo Yarrington, Mute-Ability_Composition 6, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Abstract Sculptures
Materials
Steel
Katherine Jackson, Suspension of Disbelief, 2015, Graphite, Paper, Framed
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category
2010s Conceptual Abstract Sculptures
Materials
Glass, Graphite
Jo Yarrington, Ghost girls_Slide Carousel, 2018, Photographic Film, Found Object
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Abstract Sculptures
Materials
Photographic Film, Found Objects
John Morton, Fever Songs, 2018, site specific sound installation
By John Morton
Located in Darien, CT
Fever Songs is an interactive public sound installation project that brings together the vocal traditions of many religions, creating an active sonic experience that explores spiritu...
Category
2010s Conceptual Abstract Sculptures
Materials
Metal
Gil Scullion, You Need, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Abstract Sculptures
Materials
Paper
Heirloom
By Nancy Larrew
Located in Santa Monica, CA
Wood, mirrors, wire, plastic, LED lights.
Artist statement:
"Behind the doors of this cabinet/tower is an infinity mirror and a DNA double helix branded with the word “trauma.” The...
Category
21st Century and Contemporary Conceptual Abstract Sculptures
Materials
Wire
$2,592 Sale Price
20% Off
Fritz Horstman, Formwork for a Rectangle, 2015, Plywood, Wood
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Abstract Sculptures
Materials
Wood, Plywood
Jo Yarrington, Ghost Girls, 2018, Organic Material, Photographic Film, Plastic
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Abstract Sculptures
Materials
Pins, Organic Material, Plastic, Photographic Film, Acrylic Polymer, Fou...
Jo Yarrington, Ghost Girls_Brushes, 2017, Organic Material, Found Objects, Pins
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Abstract Sculptures
Materials
Organic Material, Found Objects, Pins
Gil Scullion, Your Convictions, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Abstract Sculptures
Materials
Paper
Russian Samizdat Art Conceptual Photo Sculpture Assemblage Gerlovin & Gerlovina
Located in Surfside, FL
Rimma Gerlovina and Valeriy Gerlovin
Clock, 1987-94
Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker
13 h × 13 w × 4 d in (30 × 30 × 6 cm)
Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others.
Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko.
Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...
Category
1980s Conceptual Abstract Sculptures
Materials
Metal
Katherine Jackson, Suspension of Disbelief II, 2015, Graphite, Paper, Framed
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category
2010s Conceptual Abstract Sculptures
Materials
Glass, Graphite
Jo Yarrington, See-matics - Answer, 2019, acrylic, 9 x 22 inches
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Abstract Sculptures
Materials
Plexiglass
David Borawski, The First Act of Violence, 2019, Gaffers tape, dimensions vary
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford.
A multi-media installation artist, his work...
Category
2010s Conceptual Abstract Sculptures
Materials
Tape
Fritz Horstman, Formwork for a Square Pad, 2015, Steel, Wood, Maple
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Abstract Sculptures
Materials
Steel
Gil Scullion, Your Existence, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Abstract Sculptures
Materials
Paper
Vessel: Pierced III, Unique Wall and Table Art Sculpture by Sylvia Seventy
By Sylvia Seventy
Located in Long Island City, NY
This mixed media sculpture by Sylvia Seventy, from 1986, is a conceptual work in neutral tones. Materials include handmade paper, Apple Wood, Willow, Paint, Oil Pastel, Wax, Cotton ...
Category
1980s Conceptual Abstract Sculptures
Materials
Cotton, Handmade Paper, Oil Pastel, Paint, Wood
Paintbrushes III
By Arman
Located in Long Island City, NY
Artist: Arman, French/American (1929 - 2005)
Title: Paintbrushes III
Year: 1991
Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed
Edition: 2...
Category
1990s Conceptual Abstract Sculptures
Materials
Epoxy Resin, Oil
$18,000
"Mystery Box (Boîte mystère)" Ben Vautier, Fluxus Movement Conceptual Sculpture
By Ben Vautier
Located in New York, NY
Ben Vautier
Mystery Box (Boîte mystère), 1965
Painted wood with letterpress label
3 13/16 × 2 3/4 × 2 7/16 inches
Ben Vautier was a French artist known for his text-based paintings...
Category
1960s Conceptual Abstract Sculptures
Materials
Wood, Paper
Paintbrushes (Orange Red and Green) IV
Located in Long Island City, NY
An accumulation sculpture of paintbrushes by the great accumulator sculptor, Arman. This work features 13 paintbrushes with various shades of paint in oranges, greens, and reds again...
Category
1990s Conceptual Abstract Sculptures
Materials
Resin, Paint
Keynote XIV
By Dianne Baker
Located in Buffalo, NY
Diane Baker is a mixed media and fiber-related sculptor working out of Buffalo, NY. She has exhibited throughout the United States and in Canada and is included in several public and...
Category
21st Century and Contemporary Conceptual Abstract Sculptures
Materials
Found Objects, Tape, Wood
Chimera Bad
Located in Los Angeles, CA
Acrylic, oil, paper collage, car side mirror, branches, chimes, rag,
clock radio
(Instructions: Press “on” button on side of radio to turn on. Tune to suitable station)
A pa...
Category
21st Century and Contemporary Conceptual Abstract Sculptures
Materials
Acrylic, Mirror, Mixed Media, Oil, Rag Paper
MIxed Media Conceptual Art Sculpture Drawing Human Rights Welded Iron
By Francoise Schein
Located in Surfside, FL
This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches)
Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association.
In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium.
Group Exhibitions
Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega.
Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light.
Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station.
Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...
Category
Late 20th Century Conceptual Abstract Sculptures
Materials
Iron
Fingerprint 3
By Jozef Bajus
Located in Buffalo, NY
An original mixed media woven paper and staple wall sculpture by Jozef Bajus.
This work can be acquired in a shadow box frame presentation for an additional $350.
Category
2010s Conceptual Abstract Sculptures
Broken Wall, Conceptual Acrylic, Plaster, and Resin Painting by Curtis Mitchell
By Curtis Mitchell
Located in Long Island City, NY
Artist: Curtis Mitchell, American (1954 - )
Title: Broken Wall
Year: 1989
Medium: Mixed Media Wall Sculpture (Plaster, Resin, Acrylic), signed and dated ...
Category
1980s Conceptual Abstract Sculptures
Materials
Resin, Plaster, Acrylic
Reggae Curve, Painted Hanging Sculpture by Kevin Cole
By Kevin Cole
Located in Long Island City, NY
This hanging sculpture by the American artist Kevin Cole, is a modern conceptual work. It is constructed of painted rubber and wood. Cole was quoted, "Throughout all of my work, I ...
Category
20th Century Conceptual Abstract Sculptures
Materials
Rubber, Wood, Paint
Double Embrace
Located in Buffalo, NY
An original wall sculpture by American female artist Felice Koenig.
Koenig covers carved polystyrene forms with layers upon layers of acrylic dots. The works take Koenig around 6...
Category
2010s Conceptual Abstract Sculptures
Materials
Polystyrene, Acrylic
Gentleman, Marble and Travertine Conceptual Sculpture
By Maria Dompe
Located in Surfside, FL
MARIA DOMPE, (Italian, b. 1958), Gentleman Sculpture, marble and travertine, 1995, height: 20 in.
One of a pair, (Gentleman and Lady) being sold separately.
Maria Dompe was born in ...
Category
Late 20th Century Conceptual Abstract Sculptures
Materials
Travertine, Marble
Surrender Your Fantasies For Something Better
By Kevin Kegler
Located in Buffalo, NY
An original conceptual sculpture by Kevin Kegler. This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at Hotel Henry.
Category
2010s Conceptual Abstract Sculptures
Materials
Copper
Toccata Und Fugue
By Jozef Bajus
Located in Buffalo, NY
An original laser cut leather wall sculpture by Jozef Bajus. This piece is comprised of nearly 100 lbs of laser cut industrial black leather. The price includes custom installation...
Category
2010s Conceptual Abstract Sculptures
Materials
Metal
Prelude to Dawn
By Kevin Kegler
Located in Buffalo, NY
An original conceptual hand carved and joined wood wall sculpture by Kevin Kegler.
This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at ...
Category
2010s Conceptual Abstract Sculptures
Materials
Copper
Stripes 2
By Lyn Carter
Located in Buffalo, NY
An original conceptual wall sculpture by contemporary Canadian female artist Lyn Carter.
Lyn Carter works primarily in sculpture as well as drawing and has exhibited across Canada...
Category
2010s Conceptual Abstract Sculptures
Materials
Fabric, Wood, Digital
Conceptual abstract sculptures for sale on 1stDibs.
Find a wide variety of authentic Conceptual abstract sculptures available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract sculptures created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Jo Yarrington, Roberley Bell, Eduardo Costa, and Gil Scullion. Frequently made by artists working with Metal, and Wood and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Conceptual abstract sculptures, so small editions measuring 2 inches across are also available. Prices for abstract sculptures made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $500 and tops out at $500,000, while the average work sells for $4,800.
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