Kevin Kegler Art

Artwork made in birch on MDF with wax finish Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Tex...

In the present work, Ray Johnson predates On Kawara in the conceptual use of written numbers as "Number Art/Word Art". Johnson's work elevates "Idea over Object" in his art, in whic...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

October Moon is a unique ink, paint and wax on Alabaster sculpture by contemporary artist Richard Perry, dimensions are 21.5 × 21.5 × 19 cm (8.5 × 8.5 × 7.5 in). The sculpture is si...

Blue Copper – 24" x 24” x 1” Wood, paint, lacquer on MDF- Wood, paint, wax on MDF Blue Copper is a discreet and elegant minimalist contemporary wall sculp...

An imposing fourteen-foot tower of curved abstract shapes is fabricated from stainless steel in this new sculpture from Viktor Mitic. He is known for his colourful abstract paintings and sculptures that were inspired by paint drippings on his studio floor. This intriguing patinated piece in rich dark tones signals a departure for Mitic. “My goal with these is to showcase the universal human connection we are all a part of, and if I can make a statement while doing so, even better.” Viktor Mitic Serbian-born Viktor Mitic earned a BFA from the University of Toronto in 1995 with studies in art history at Sheridan College. He has exhibited his post-Pop inspired...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

Kora is a unique oil, acrylic and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 26 × 27.5 × 25.5 cm (10.2 × 10.8 × 10 in). The sculpture is si...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

My art mirrors natural forms with biomorphic dystopian edges. In the viewer’s mind the shapes are familiarly organic yet there is a tension as one struggles to comprehend the life cy...