Baby Figurative Sculptures

Created in 2020, this painted resin and steel multiple with accompanying acrylic painting on canvas with original wood crate is signed by Javier Calleja (Spain, 1978 - ) in black ink...

L. TOLDUCCI (ITALIAN SCHOOL) 19th Century La Lezione Di Lettura Finely Carved Italian Carrara Marble Sculpture of a Girl Reading. S...

Masterfully carved with remarkable detail, a youthful Saint John the Baptist folds his hands in prayer in this stunning marble by the important Italian sculptor Domenico Menconi. The...

Emilio Fiaschi (Italian, 1858-1941) Neapolitan Girl Alabaster Bust, late 19th century, depicting a young girl hiding her face behind her hands, on a socle, signed "E Fiaschi" to back...

Roberto Piaia: This is a very difficult job, attempted by many but never actually realized, characterized by a precise study of solids and voids. Realized in a perfect balance of ma...

In German, the meaning of the word "niemand" ranges from nobody, none, and no one to anybody. Apply that to Viktor's unique sculptures and a dose of humorous social commentary meets...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

Calman Shemi (1939-) Laser cut metal wall sculpture 3D Titled "Circus" Signed on the front lower left edge, and signed, numbered, and titled verso. Marked, Jerusalem Limited edition, 2/99 (I don't know how many were actually made) Approx. 34.5" x 35.5" Depicts weightlifter, acrobats, figure on unicycle, clown with umbrella, and acrobat under the circus big top...

Shaped aluminum with black powder coat on polished aluminum base. Edition 21/25.

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

PIETA II by Lorenzo Vignoli hand formed glazed ceramic sculpture by contemporary Italian sculptor Lorenzo Vignoli Sculpture dimensions: 14inch W x 8inch H x 11inch D 36cm W x 24...

This very finely carved statue is of a swimmer just leaning over to dive into an unseen pool. Signed P. Barzanti, Florence for Pietro Barzanti (1825-1895) of Florence, Italy. Barzani was a well known sculptor known for classical works in marble which is reflected in this figure's very delicate facial features and the skill shown in the carving of her hair and the cloth of her bathing costume...

Vitaliano Marchini (Melegnano 1888 - 1971), Ardito (Portrait of a Man), 1919 Carrara marble sculpture 43 x 26 x 15 cm signed on the right on the base: V. MARCHINI Exhibitions: Pala...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Portrait of boy, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor. Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 31 cm. The...

FERDINANDO VICHI Italian, (1875-1945) Lovers 22 1/2 inches high Notes: The finely carved Italian white marble sculpture of lovers surmounted ...

In working his way through the Louvre, The Vatican and other historic art museums, Richard MacDonald is particularly engaged by the ancient pieces and the fragments that remain of th...

"Love Bond" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). Love Bond is a satirical, mixed-media artwork that mimics the structur...

CESARE LAPINI Italian, (1848-1893) Segreto Al Cuore Signed Prop ta Fratelli; Lapini; Firenze 29 1/4 x 8 x 11 inches Notes: A fine quality white marble sculpture of a you...

A playful and spirited metal wall hanging by legendary folk artist Rev. Howard Finster (1916–2001), dated 1992 and numbered 25,000,998. This mixed-media piece features a cartoonish U...

Bacio (Kiss) by Lorenzo Vignoli striking hand carved marble sculpture of rare Portuguese rosa marble by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical refere...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Date: 19th Century Origin: Italian Dimension: 18 in x 12 in x 9 1/4 in

MADRE TERRA (Mother Earth) by Lorenzo Vignoli (2012) striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical referenc...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

grandfather sitting with grandchildren

Italian 19th Century marble bust depicting the young Emperor Octavian. The sculpture, carved in white Carrara marble, is an exquisite example of neoclassical works and shows a fascin...

Italian sculpture dated 1981. Capodimonte ceramic artwork signed B. Merli depicting a romantic subject, a couple of lovers. Sculpture signed on the base with a production stamp attri...

This piece titled "MySpace Tom No. 4" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

DANZA (Dance) by Lorenzo Vignoli striking hand carved Carrara marble frieze relief by contemporary Italian sculptor Lorenzo Vignoli, incorporating mesmer...

Neo Jomon: Blue Headache By En Iwamura En Iwamura (born 1988, Kyoto, Japan) is a contemporary artist renowned for his innovative ceramic sculptures that blend traditional Japanes...

ANTONIO PIAZZA Italian, (Late 19th/Early 20th Century) signed 'A. Piazza Carrara' 33 1/2 x 14 in. x 13 in. Notes: A Fine Italian Carrara Marble Figure of a Boy Holding a Hat

The Wind II is a unique bronze sculpture by contemporary French artist Chésade, dimensions include the rod and the base are 22 × 15 × 17 cm (8.7 × 5.9 × 6.7 in). The sculpture is si...

Richard Klemm, German (1852 - 1916) - Couple Proposing, Medium: Porcelain Clock, maker's mark stamp verso, Size: 39 x 12 x 6.5 in. (99.06 x 30.48 x 16.51 cm)

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

A continuous strand of slender, silver aircraft cable is threaded through polished squares of stainless steel to create an ethereal mask. The compelling work by Dale Dunning is powde...

Artist: George L. Pearlman, American (1960 - ) Year: 1988 Medium: Painted and Glazed Ceramic Wall Hanging in four parts, signed and dated verso Size: 26 x 36 x 6 in. (66.04 x 91....

Luis Miguel Valdes (Cuba, 1949) "Ceramic #13", 2017 Ceramic in Uriarte's Talavera 22 × 22 × 2 2/5 in (55.9 × 55.9 × 6.1 cm) Hand-signed by author ____________________________________...

Unique One-OF Dunny sculpture by Kid Robot and The Andy Warhol Foundation. This Dunny was created for the LOVE MUSEUM Pop-Up in L.A. as the ultimate social media photo opportunity. T...

EMBRIONE by Lorenzo Vignoli striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and contemporary Medit...

Amy Young Two Figures Year: 2020 Material: Stoneware, underglaze Size: 15 x 8 x 6 (each) Signed COA provided Ref.: 924802-797 ----------------------------...

Slumber, Rodger Jacobsen bronze sculpture skinny man sleeping bed with a big head Slumber, small bronze sculpture skinny man sleeping bed with a big head...

Howdy, Rodger Jacobsen, bronze cowboy sculpture, gold patina, Texas edition registered, numbered, edition of 100 cowboy

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

Jos de Wit Baby 40 x 27 x 29 cm eucalyptus wood Painted with acrylic paint Dutch artist Jos de Wit can be seen exclusively in our gallery with his very spe...

Artist: (Garo) Karapet Balakeseryan Medium: Ceramic, Clay, Handmade, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Motherhood, Size: 23" x 15'' x 3'' inch, (...

This figurative sculpture titled "Flowering Ballerina" is an original artwork by Debra Broz made of secondhand ceramics and mixed media. The sculpture measu...

Artist: (Garo) Karapet Balakeseryan Medium: Gips, Handmade, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Nut Man , Size: 8" x 6'' x 7'' inch, (20x15x18cm), ...

“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...

Wall Hanging Sculpture, Ceramic Tile, French Cleat, Painted Stoneware, Gallo “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic d...

Outstanding Italian Neoclassical Sphinx Carrara Marble sculpture designed as entrance guardian, this mythical lady sphinx statuary display the head and chest of a neoclassical woma...

Signed, dated and numbered to underside 'K Wiley 06 99/250' Published by Cerealart, Philadelphia.

Artist: R.C. Gorman, Native American (1931 - 2005) Title: Shard Picker Year: 1996 Medium: Glazed Terra Cotta Pottery, Signed, Titled, and Numbered ...

Polo (Wall Plaque) Polychromed ceramic, c. 1930-1931 Signed with the artist's initials: VS recto Cowan Pottery stamp verso References And Exhibitions: Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Golf," and "The Hunt." Condition: with the usual craquelure Size: 11 1/4 inches in diameter Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers...

When I sculpted this sculpture of a woman, I wanted to convey the state of her openness. She enjoys the space around her and accepts any of its manifestations: sun, wind, rain, smells .. This woman is in a state of inner balance, she is happy. There is a small Swarovski crystal in the center of the chest. I left the pink clay texture on purpose. Clay is also alive and breathes through its pores. Sve...

"PANDASAN FLOWERPOWER" StainlessSteel 50cm, 2015 Stainless Steel Carved Painted & Varnished 19 7/10 × 15 7/10 × 15 7/10 in 50 × 40 × 40 cm Edition of 8. ejem 3/8 Drawing on ideas of collectability and fantasy, Japanese artist Hiro Ando combines tradition with contemporary culture in his sculpture work…. Ando’s editioned sculptures resemble enlarged toy cartoon characters and bear the names SumoCat, Samurai...

16th-century Florentine sculptor, greyhound in pietra serena. This fascinating sculpture, which has come down to us in fragmentary form, depicts a dog, an elegant greyhound crouching...

Leonardo da Vinci 400% & 100% Bearbrick: A unique, timeless Leonardo da Vinci collectible trademarked & licensed by the Louvre Museum Paris (Musee du Louvre). The partnered collectib...

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...