Rodney Winfield

Mid Century Carved Marble Flute Player

1960

Sculpture art using Ping Pong balls and color markers by Roger Coast (American, 20th Century), circa 1970's. Size 11"H x 11"W, x .5"D lacquer ping-pon...

Mid century carved marble figurative girl and kitten by Rodney Marshall Winfield (American, b. 1925). Presented in rustic wood frame. Bio on verso. Image, 14"H x 10"W. Rodney studied at Cooper Union School in New York and worked as a designer at the Emil Frei...

"Penguin" - Steatite Stone Hand Carved Sculpture, St. Lawrence Island Eskimo Art Dynamic steatite stone sculpture of a standing penguin. The sculpture prop...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

Wonderful miniature bronze cast figurative sculpture of a young barefoot shepherd girl holding a staff by R. Hobold (German, 19th c). The girl is dressed in a flowing peasant dress a...

Wonderful small scale abstract figurative stone Venus sculpture by Doris Ann Warner (American, 1925-2010), 1975. A highly abstracted female form is expressed through the organic, fl...

Original Painting: Terracotta Relief With Acrylic Painting on Wood Panel Hand signed These works are paintings with a 3D carved sculpture dimension to them, fusing sculpture with painting Mixed media on board depicting a romantic couple, a woman seated on a man's lap. Mark Kanovich...

Sculptural folk art piece by listed artist Sharon Yavis. This work is constructed by applying layers of wood to create an almost three dimensional effect ...

Important one of a kind work by Noche Crist (1909 - 2004). Shaped painting titled " Flower Caryatid", acrylic paint, wood, plaster and mirror. Noche ...

Ford William is a self-taught folk/outsider artist, who began making art after coming to terms with chronic mental health issues that had plagued him all his life. The piece was made...

Ford William is a self-taught folk/outsider artist, who began making art after burning out as a transactional attorney. The piece was made for Ford's solo art show, FIGHT FLIGHT FAWN FREEZE, the concept of which stems from Ford's experience—having spent years living in the unconscious and unsustainable chaos of survival mode—and his journey of learning (and unlearning) to move towards a healthier, more stable, and integrated existence. After exiting survival mode and coming online again, Ford began making art to practice the skills needed to help prevent re-entering chronic stress-response states in the future. Specifically, he makes art to practice self-compassion, tame his inner critic, and move away from the shame-based avoidance and anxiety that were the root cause of many of his behavioral patterns. This piece, in particular, is all about how our sensory inputs (sights, sounds, smells, tastes, and touches) all go through our lizard brain before we even are consciously aware of the resulting sensory experience, which is significant because the lizard brain is the arbiter...

Ford William is a self-taught folk/outsider artist, who began making art after coming to terms with chronic mental health issues that had plagued him all his life. The piece was made...