Bronze Figurative Sculptures

Bufo Contemporary Bronze Sculpture Nude Boy Marble Stone Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world. In 1995, he exhibited for the first time with Morren Galleries. Van der Kant desires to sculpt young people who still stand uninhibited and curiously in life. The reason he chooses to sculpt boys is, because he is one himself, this way the subject is closer to him. The anatomy of his figures testify of perfectionism. Van der Kant's subjects show similarities with the sculptures from the Greek and Roman antiquity...

Bust of a young woman wearing a shawl by Albert-Ernest Carrier-Belleuse (1824-1887) Terracotta bust Raised on a in blackened wood pedestal signed "A. Carrier " France circa 1860 total height 41 cm width 24 cm depth 17 cm Biography : Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date. In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer. Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church. Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart...

Limited edition bronze sculpture by Polish artist Olga Prokop-Misniakiewicz. Artist signes her artworks by hand, using engraving tool. Edition of 8. Olga Prokop-Misniakiewicz likes t...

This sculptor is not only an artist, but a vetrinarian. She knows anatomy as well as she knows breeds and behaviors.. This beautiful bronze depicts a German Shepherd Dog searching ...

Virgin of the Annunciation Burgundy, cercle of Claus de Werve (Haarlem? - Dijon, 1439) Early 15th century Walnut carved in the round Hight: 60 cm The Virgin Mary stands, her right ...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Josh...

Limited edition bronze sculpture by Polish artist Olga Prokop-Misniakiewicz. Artist signes her artworks by hand, using engraving tool. Edition of 8. Olga Prokop-Misniakiewicz likes t...

The Bride by Janet Scudder (1869-1940) Bronze with dark brown patina signed "Janet Scudder" on the base cast by Alexis Rudier, fondeur Paris (foundry mark) France early 20th century height 28 cm Biography : Janet Scudder (1869-1940) was an American sculptor. Born Netta Deweze Frazee, but called Janet, her childhood was difficult. Her mother died at age 38 in 1874. Despite limited financial means, her father sent her to study drawing at the Art Academy of Cincinnati. She also studied sculpture with Louis Rebisso. She taught in 1888 women wood...

(after) Auguste Rodin Posthumous cast "Petite tete au nez retroussé" Featuring a bust of a woman. Limited edition bronze is mounted on a marble base and is signed on the lower right. Great detail. Dimensions: approx. 7-1/4" tall x 5" across x 5" deep with base Foundry mark on the reverse, #13 of 299 produced. François Auguste René Rodin (1840 – 1917) was a French sculptor generally considered the founder of modern sculpture. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community. Rodin became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. His student, Camille Claudel, became his associate, lover, and creative rival. Rodin's other students included Antoine Bourdelle, Constantin Brancusi, and Charles Despiau. Rodin entered the studio of Albert-Ernest Carrier-Belleuse, a successful mass producer of objets d'art. Rodin worked as Carrier-Belleuse' chief assistant until 1870, designing roof decorations and staircase and doorway embellishments. With the arrival of the Franco-Prussian War, Rodin was called to serve in the French National Guard, but his service was brief due to his near-sightedness. Rodin took classes with animal sculptor Antoine-Louis Barye. The teacher's attention to detail and his finely rendered musculature of animals in motion significantly influenced Rodin. Rodin won the 1880 commission to create a portal for a planned museum of decorative arts. Rodin dedicated much of the next four decades to his elaborate Gates of Hell, an unfinished portal for a museum that was never built. Many of the portal's figures became sculptures in themselves, including Rodin's most famous, The Thinker and The Kiss. With the museum commission came a free studio, granting Rodin a new level of artistic freedom. By 1900, Rodin's artistic reputation was established. Gaining exposure from a pavilion of his artwork set up near the 1900 World's Fair (Exposition Universelle) in Paris, he received requests to make busts of prominent people internationally, As Rodin's fame grew, he attracted many followers, including the German poet Rainer Maria Rilke, and authors Octave Mirbeau, Joris-Karl Huysmans, and Oscar Wilde. Rodin and Beuret's modest country estate in Meudon, purchased in 1897, was a host to such guests as King Edward, dancer Isadora Duncan, and harpsichordist Wanda Landowska. He left Beuret in Meudon and began an affair with the American-born Duchesse de Choiseul. From 1910, he mentored the Russian sculptor, Moissey Kogan...

Crepis Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at...

Reclining Doe by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark brown patina signed "Barye" on the base old edition cast – probably from the Barye's workshop (...

John Davies (Cheshire, 1946), British sculptor. Bronze sculpture head Unique cast (1/1) This was shown at Marlborough Fine Art (London) Ltd in a show called John Davies New Sculpt...

A rare round relief cast, elaborate chiseled bronze/copper with brown patina by Jean François Marie Garnier (1820-1895). Cast c.1859-1864. Not signed. The motif is taken from Dantes...

"Woman-Flower" Lamp by MARS-VALLETT (1869-1957) Art Nouveau sculpture forming a table lamp, made in gilded bronze with two light arms Signed on the base "Mars-Vallett" Old edition ast France circa 1900 height (without light bulbs) 35 cm width 25 cm Biography: Mars-Vallett, pseudonym of François Marius Vallet (1869-1957), was a French caricaturist and sculptor. Son of a marble worker from Chambéry, Mars-Vallett was a student at the Paris School of Fine Arts. Working as a caricaturist during his youth, he worked for numerous Parisian publications such as the newspaper “Soleil du Dimanche”. Mars-Vallett won several awards at the Salon of French Artists and the Salon of the National Society of Fine Arts. He was also the curator of the Savoy museum in 1904 and the Charmettes museum (Jean-Jacques Rousseau's house) in 1907. He was one of the founding members of the Society of Friends of Old Chambéry in 1933. During his life in Paris, Mars-Vallett received visits to his studio, among others, from Auguste Rodin and Albert Bartholomé. He was very close with the painter François Cachoud...

What is unique about this artwork is the grace and elegance of the greyhound but designed in a most difficult stance frought with technical challenges. Yet the result offers a stance...

The Secret by Pierre-Félix FIX-MASSEAU (1869-1937) Gilded bronze Signed on the side "Fix-Masseau" Cast stamped "Siot-Decauville Paris" Raised on a rough red marble base France circ...

Signature Horse Collection of Barcelona-based Spanish sculptor Joan Artigas Planas. This work is inspired by Leonardo Da Vinci who could't finish the commissioned work of a big bronze horse...

The deer. Circa 1920. Good quality bronze model of a doe, probably cast around 1970. Standing animal, looking forward, catching the scent, tense, dynamic posture characterized only b...

Francisco Vazquez Diaz, known as Compostela (1898-1988). Portrait of a Man, 1949. Carved mahogany, measuring 18.75 inches h, 8.5 inches w, 11 in...

The French Art Deco Bathing Nude Female Statue, crafted by the Belgian sculptor Guillaume Dumont in 1923, is a testament to his artistic brilliance. Dumont, born in 1889, though the ...

Organic, abstract bronze sculpture by Yulla Lipchitz of a woman lying down with a tree. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Ge...

Bear Bagpiper by Christophe FRATIN (1801-1864) Bronze with nuanced dark brown patina Signed on the base "Fratin" Old edition cast France mid-19th century height 10,5 cm Biography ...

Self-portrait "Fratin by himself" by Christophe FRATIN (1801-1864) Bronze with nuanced dark brown patina Signed on the base "Fratin" Raised on a wooden base, with an old collector s...

Monica Piloni was born in Curitiba in 1978 and graduated from the Paraná School of Music and Fine Arts in 2002. She lives and works in Brussels, Belgium. Looking at her work as a whole, one can see the artist's interest in the representation of the female figure, which began as a consequence of having her own body as a living model. Most of her works have a common feature in the way they are constructed: mirroring. This feature distorts the body by omitting or multiplying elements, creating another dimension in the perception of the human figure that attracts at the same time as it repels. In this way, Monica reflects on the female experience, which includes subjective procedures for adapting to characters, patterns of behavior and archetypes, fashion and cosmetics, as well as physical procedures such as mutilation and other body modifications...

Boldi is a Hungarian sculptor born October 31, 1970 in Budapest. In 1990, he studied at the School of Fine Arts in Vienna in the sculpture section. In 1995, he graduated as a sculpto...

Antique Bronze Dog Bulldog Playing with a Mouse on Sheaves of Wheat Henri Émile Adrien Trodoux (1815-1881) 6 1/8 x 3 7/5 inches Signed on the terrace Henri Émile Adrien Trodoux (Fre...

A very large 24" (61cm) Franz Xavier Bergmann (1861-1936) cold painted bronze group statue, signed, Austria, circa 1910. The bronze in the Orientalist manner & depicts a young slave ...

Ting Shao Kuang (B. 1939) "Pensive Seated Woman" 1989 Cold painted bronze sculpture; signed in casting, stamped "15/250 [copyright symbol] Segal Fine Art 1989" Dimensions: 16 1/2 x 15 1/4 in. (41.9 x 38.7 cm.) Ting Shao Kuang was born in 1939, in Chenggu, a small village located in the Northern province of Shanxi, China. His earliest childhood was marked by the horrors of the Sino-Japanese war that destroyed his land and left him abandoned after the evacuation of his parents to Taiwan. He found his consolation and escape in painting and by the age of 11, he painted on a daily basis, using the cooking oil as a medium for the pigment. Even besides his limited supplies, Ting Shao Kuang managed to use his extraordinary talent and got the opportunity to attend a prestigious high school which was connected with the Beijing’s Central Academy of Arts and Crafts where he later gained his further education. His painting lessons were based on rules of Social Realism without freedom of expression and with the strict prohibition of any foreign influences. After graduation in 1962, Kuang obtained a position to teach at the Yunnan Art Institute in Kunming. Painting the unacceptable abstract paintings during the night, he would destroy every piece of them in the morning, fearing of the arrestment of the authorities of the country. Still, Ting Shao Kuang’s progressive and modern vision did not fail to attract the attention and he was suspended from his work and escaped to northern China, finding the refuge in Buddhist monasteries in Gansu where he studied ancient sculpture and cave paintings on the old Silk Route which had been preserved for centuries. Using the distinctive technique, Ting Shao Kuang’s work combines traditional Chinese influences with the Western art forms. Always turning to the female characters as his favorite subjects, their sophisticated shapes have been created from the artist’s deepest feelings and literature that inspired him. After the death of Mao, Kuang and his colleagues founded the famous Yunnan Shen She Art...

Lying German Shepard Dog A bronze cast of a resting German Shepard Dog, by Georges-Lucien Guyot (1885-1973). An early work, and a cast of 1920 with a brown patina with some reddish u...

Bear Dentist by Christophe FRATIN (1801-1864) Bronze with nuanced old gilt-light brown patina Signed on the base "Fratin" Old edition cast France mid-19th century height 15 cm A s...

A bronze hound sculpture on marble based. Signed by French animalier sculptor Antoine-Louis Barye 1795-1875.

Akop GURDJAN (après)(1881-1948) Sitting Baboon Bronze Akop Gurdjan (1881-1948) Akop Gurdjan (also Hakob Gyurjyan) was born in Shusha (Nagorno Karabakh)...

Roofvogel met Muis Prey Bird with Mouse Bronze Sculpture Animal Bird Limited Edition Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a ...

Landende Uil no. 3 Landing Owl Bronze Sculpture Bird Limited Edition Special Patina Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sc...

Tiger surprising an antelope (terrace without profile) Bronze with a shaded green patina, circa 1880 Signed 'BARYE', stamped 'H' by the founder Brame Antoine-Louis Barye (1796-187...

Lentestier no. 2 Spring Bull Bronze Sculpture Animal Contemporary Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the Rot...

Pair of finely worked solid silver scutures signed Gemito with Chiurazzi's gallery stamp. The woman is depicted half-length dressed in period clothing and rests on a circular base. ...

This sculpture by Natalie Krol is made of plaster with a beautiful bronze color finish. It is the cast for the bronze. It shows a nude, pregnant woman resting. The expression on her ...

Robert Ingersoll Aitken Comrades in Arms (Brothers in Arms), 1919 Inscribed "AITKEN" on the base Bronze 19 inches high Robert Aitken attended San Francisco's Mark Hopkins Institute of Art where he studied sculpture with Douglas Tilden and drawing with Arthur Mathews. At the age of eighteen, he opened his own studio in the city. He went to Paris in 1895, but deciding that the influence of the French was not beneficial for American artists, returned to the United States having stayed only three months. Aitken's first major commissions included a bronze monument to Bret Harte which the young sculptor executed for San Francisco's Bohemian Club, an organization that was to give him encouragement and patronage for the rest of his life. His first public exhibition was held at the Club's headquarters in 1896. In 1901, he won the competition for a memorial to Admiral Dewey to be placed in San Francisco's Union Square; his conception of Victory for the monument received much critical acclaim. Between 1901 and 1904, Aitken was head of the Department of Sculpture at the Hopkins Institute. In 1905, fifty-three of his sculptural models were featured in an exhibition at the Bohemian Club. Despite his earlier derision of French artists, he returned to Paris in 1904, this time he remained for three years, even having a work accepted in the Salon of 1907. He came back to the United States in the latter year, and settled in New York where he opened a studio and began teaching at the Art Students League. His artistic career was interrupted by World War I, when he served in Europe, achieving the rank of Captain in the infantry. Aitken first exhibited at the Academy in 1907, received the Barnett prize in the winter exhibition of the following year, and continued to be a consistent exhibitor in NAD exhibitions. Particular critical attention was given his Michelangelo, which he showed at the Academy in 1912. He designed the Academy's Elizabeth N. Watrous Gold Medal, an award he won himself in the Winter Exhibition of 1921, for a model of his monument to George Rogers Clark...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the Middle East. Anne is a French artis...

Classic female torso inspired by examples of high Greek sculpture. Sculptor explores the lines and shapes of the female body, embodied the diversity, slightly changed the poses. Thi...

Pair of bookends with Elephants by Ary BITTER (1883-1973) A very fine pair of bronze sculptures with old gilded nuanced dark brown patina Signed " Ary Bitter Sclp " on an original plaque Old cast by Susse Frères Raised on wooden bases France Circa 1935 total height for one: 27,5 cm total height for the other: 17 cm Biography: Ary Jean Léon...

In this work, the author turned to classical mythology and created the image of the goddess Venus. Goddesses of youth, beauty and love. He created the classical female torso on a mar...

Nature unveiling in front of Science by Louis-Ernest Barrias (1841-1905) Bronze sculpture with multiple patina. Signed "E. Barrias" on the side of the base cast by "Susse Frères" (foundry mark and stamp) The model of this statue was commissioned in 1889 to decorate the new medical school in Bordeaux. When he had finished the first version in white marble for the school, Barrias designed a second marble and onyx statue in 1899 for the ceremonial staircase of the Conservatoire des Arts et Métiers in Paris. France circa 1900 height 58 cm Biography : Louis-Ernest Barrias (1841-1905) was a French sculptor . He came from a family of artists. His father was a porcelain painter and his older brother, Felix-Joseph Barrias, a recognized painter. Louis-Ernest Barrias entered the School of Fine Arts in Paris in 1858, he abandoned painting to move towards sculpture under the direction of François Jouffroy. In 1864, he won the Prix de Rome, on the theme of "The Foundation of Marseille", and was engaged on the site of the Paris Opera house. He later produced many sculpted works, most of them in marble. In 1881, Louis-Ernest Barrias was awarded a medal of honor of the fine arts and named knight of the Legion of Honor in 1878, then promoted officer in 1881 and commander in 1900. The artist replaced Auguste Dumont at the Institute in 1884, then succeeded Jules Cavelier as a professor at the School of Fine Arts, where, among his most notable students, there were Victor Ségoffin, Charles Despiau and Paul Landowski.

Antique bronze sculpture. The Herculaneum runner. After the antique model in the Villa of the Papyri, Herculaneum, now located in Naples Royal Museum.

Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in Spain, Europe and the USA). He has got works of art in...

The author admires the beauty of the female body. Her movement - smooth, graceful and beautiful. The moment of awakening is very sensual. The girl stretches, revealing the beauty of her young body. Realistic manner shows her original beauty. Sculpture shapes create a play of light and shadow, curves, polished and brushed metal. The work is made of bronze- polish and patina. This sculpture was created in the early period of Alex Radionov...

"This is one of my earliest sculptures. I depicted a naked girl at the waterfall. She bathes under jets of water. The fabric of clothing hugs her body and lies down to her feet. The ...

"Classical ballet was my main source of inspiration. Grace and beauty of ballerinas combining with extremely hard work they do. This combination is shocking and inspiring in the same...

"Classical theme of a Greek art inspires me. I am a big fan of a Greek mythology, so I depict it often". This sculpture shows beautiful woman in wet fabrics that emphasize body curve...

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

Head of a girl by Paul BELMONDO (1898-1982) Bronze with a nuanced dark brown patina Signed "P. Belmondo" Stamped with the foundry mark "Alexis Rudier. Fondeur Paris" Raised on its ...

Antique Horse Bronze: Mare in the Stable Playing with a Dog (Good Companions) Jument à l'écurie jouant avec un chien Pierre-Jules Mene (French, 1810-1879) Bronze 19 x 10 inches One of Mene's most beloved bronze, well-loved early example with beautiful rich patina. A sensitive portrait of a horse nuzzling his companion while the terrier is giving kisses to the horse’s nose. Cast by Mene’s own foundry and is very well detailed with a medium brown patina. Pierre-Jules Mêne (1810-1879) was one of the most successful and prolific animalier sculptors of the 19th century, known for his naturalistic representation of animals. Mêne received no formal education in sculpture but was taught to draw and model by his father and later began casting his own sculptures. He was largely self-taught, possessing a keen observation of nature that enabled him to capture the essence of his animal subjects with remarkable accuracy and vivacity. His work debuted at the Paris Salon in 1838, and from that point onwards, he exhibited his sculptures regularly. Mêne specialized in small-scale domestic animals, his subjects often including horses, dogs, bulls, and sheep. Interestingly, almost no big game are found in Mêne's ouevre. Beginning in 1837 as orders started coming in, Mêne worked as Antoine-Louis Barye before him, opening his own foundry where he personally oversaw the manufacture and production of his art. The work produced there bears the hallmark of extraordinary attention to detail and thoughtfulness shown in every element of presentation and assembly. His mastery in the technical aspects of casting bronze without relying on professional founders for the completion of his models gave him a significant advantage in producing his pieces with fine detail and at a lower cost. This operation was expanded in 1852 to handle the casting of models for his new son-in-law, Auguste Cain. Mêne’s sculptures...

"Strength of the Maker" by Denny Haskew Figurative Bronze with wood base, ed/25 21x21x14" Signed and numbered 10/25. This is a sold-out limited edition available on the secondar...

A fine bronze cast of a young antelope or male deer licking its back, by Sirio Tofanari (1886-1969). An old model with degraded dark-brown patina and lighter brown tones. Signed Siri...

"Dance Every Dance and Carry a Quiet Heart" by Denny Haskew Figurative Bronze Male and Female Busts, Companion pieces, Native American Dance= 24x17x17" ed/25 #8 of 25 available as pi...

Lucien Alliot French Art Deco Bronze The Gazelles 1930. The brown patina on a marble base signed on the bronze L Alliot and stamped bronze on the deer. This particular piece has exceptional rhythm where the two gazelles interplay in a movement depicting leaping over the hills or water—a very three-dimensional treatment showing the movement of the animals. Lucien Charles Eduoard Alliot (1877-1967), the sculptor, was born in 1877 Paris, France. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics. He exhibited regularly at the Salon des Artistes Français, was a member and the gold medal in 1920, out of competition, and was a member of the sculpture jury from 1934 to 1939. Alliot was well known for his figurative sculptures, exhibited at the Salon de Paris for many years. He received a third-place award in 1907 (which included funds for travel expenses) and a first-place award l in 1920. After he declared himself out of the artistic competition, he became a jury member at the Salon evaluating sculptural works from 1934 to 1939. Alliot created several allegorical groups, La Paix in 1939, and several religious illustrations: Sacré Cœur in 1924, La Vierge Marie...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2023. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location and ...