Art Nouveau

Osamu Tatematsu, Japanese (1935 - ) - Blue Flowers, Medium: Offset Lithograph, signed in pencil and blind stamped lower right, Image Size: 9 x 9 inches, Size: 15 x 13 in. (38.1 x 33....

Der Kuss The Kiss (plate facing page 116) Color lithograph, 1898 Signed with the artist's initials in the image (see photo) Published in Pan, Volume IV.2 (Jul-Aug-Sept 1898) Publishe...

Ballarina having make up applied by Cupid Watercolor and gouache on heavy wove paper, c. 1905 Signed in ink lower right Titled in pencil, verso Condition: Aging to sheet Colors...

CHERET, JULES (1836 -1932) "Oeuvre de l'Hospitalite de Nuit" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower ri...

Lithograph of Edward Penfield’s 1897 advertisement for Mark Twain's short story, Tom Sawyer Detective (1896). While this poster was printed in multiple siz...

Hard earthenware vase, matte white with blue-gray accents made to evoke ice and winter. The 1900 EDDA series from Amphora was named after two medieval Icelandic poems of Norse mythology...

Vase with a Damselfly by Etablissements GALLE A bud vase with a flattened body Multilayer glass decorated with orange and green acid-etched water landscape with a Damselfly on a wh...

Vase with Roses by DAUM A baluster-shaped vase, with flared neck, Multi-layer blown-molded glass, with roses decoration. With acid-etched decor in reserve, and wheel-carved rose pet...

Henri BOUCHÉ-LECLERCQ (1878-1946) Portrait of the painter Louis Degallaix (1877-1951), 1910 Oil on canvas Signed, dated “1910” and dedicated “à mon ami Degallaix” lower right 55 x 4...

Louis John Rhead 🇺🇸 (1857 - 1926) was an English-born American artist, illustrator, author and angler. In the early 1890s, Rhead became a leading poster artist and was strongly in...

Choubrac is one of the pioneers of poster art in France. In 1884, when Maindron published his first article on posters, he listed only nine active poster artists known to him, and in...

Beautiful poster by Louis Galice for the Bois de Boulogne flower festival for the victims of duty. Louis Galice was an excellent draughtsman, as well a...

Dudley Hardy (1867 – 1922) was an English painter and illustrator. His interest in illustration led to the production of French graphic influenced poster imagery, most notably the Yellow Girl...

Title: Decorative Documents Author: Alfons Mucha. Publisher: Paris: Librairie Centrale des Beaux-Arts, 13 Rue Lafayette. Emile Levy publisher. Published ...

"From: Ilsee, Princess of Tripoli Recto: "Title Page" Verso: "Art Nouveau Motif" is an original by Alphonse Mucha. Exquisite double-sided lithographs from "Ilsee, Princesse de Tripo...

In the world of art and design, the work of J. Thorn Prikker (1868-1932) stands as a testament to the enduring beauty of aesthetic craftsmanship. In 1903, Prikker's original poster f...

Vin Mariani was the world's first commercial cocaine-based product, pre-dating the notorious cocaine-based soda Coca Cola by over two decades. The stimulat...

HELLEU, PAUL CÉSAR (1859 -1927) "MADAME GEORGES MENIER" Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full...

A young woman wearing a floral dress examines photographic works in a gallery display. Auguste Donnay created this poster for the Second International Photographic Art Exhibition, he...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...

Antoine Calbet presents his works, mainly portraits and genre scenes, at the Salons of the Société des artistes français from 1881 until 1940, as well as at the international exhibit...

Nice original poster of the begining of the 20th century by Paul Destez. This charming winter scene shows a fashionable woman perfectly comfortable in the cold, thanks to her newly purchased cape and coat. As was the fashion, the store provided shoppers with fresh bouquets of flowers brought in from Nice by train. The wonderful street scene is filled with precious details such as street signs, an omnibus and the architectural silhouette of the Place Clichy.

Henri Meunier’s Gonthier-Meymans lithographic poster, published by Verlag von Gerhard Kühtmann in Dresden, 1897. While this poster was printed in multiple sizes and formats, this edi...

Elegantly-dressed society women observe silhouettes of Commedia dell’Arte characters Pierrot, Columbine, and Harlequin at the shadow play theater Le Cénacle. In a manner reminiscent...

Nice poster of the beginning of the century for the Vaudeville theater, entitled A night out and printed by David Allen & sons in London. John Hassall ( 1...

Tall Amphora vase with a floral wreath encircling the mouth, trailing down on two sides into light green and rose crackling, and finished with a linear "Dachsel style" relief in the ...

This wonderful bronze speaks to an important movement in the 1920's toward expression in exotic cultures and to explore not only ethnicities but celebration of that through artistic ...

Poster for the Saxon Trade and Art Exhibition, Dresden 1896 Color lithograph poster mounted on heavy linen, 1896 Signed in the stone lower left corner (see photo) Proof before additi...

Vintage poster by Henri Privat-Livemont created for the Exposition Universelle (the 1900 Paris Exposition) before the lettering was added on the upper portion of the image. Palais d...

Reclining Nude on Bed Lithograph, c. 1910 Signed in pencil lower right and in the plate, lower right Image size: 7-1/4 x 13" Sheet size: 12 1/2 x 19 inches Condition: very good Some aging to the tan paper Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

School Girls of Vienna Packing Rations from England and America for the Little Children Color lithograph poster, 1921 Signed lower right in the text (see photo) Created in the Wein (...

A delicate gold iridescent favrile art glass bowl by Tiffany and Co., featuring a flared and ruffled mouth. Height: 3.25 in Diameter: approx. 5.5 in.

Le Caf’ Conc A poster for a post-liberation costume ball (retrospective 1900) on 23rd June 1945 designed by Jean Paul Le Verrier (1922-1996)

HELLEU, PAUL CÉSAR (1859 - 1927) MADAME GEORGES MENIER Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full Margins 22 1/4” x 13...

Monogram and date of etching in the plate bottom left. 220mm by 305mm (platemark) 310mm by 390mm (sheet)

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Very nice original lithograph that was actually a menu for the Association Artistique Le Cornet and the 245th Dinner at the Café Cardinal in 1926. Fernand-Louis Gottlob (1873 - 1935)...

Antoine Calbet presents his works, mainly portraits and genre scenes, at the Salons of the Société des artistes français from 1881 until 1940, as well as at the international exhibit...

Austrian Art Nouveau vase featuring a maiden standing at the base of a tree, drinking from a leaf, with gentle shades of green and blue. An ex...

A beautiful red-haired woman enjoys a Quinquina Dubonnet aperitif with her white cat companion. In early advertising, artists commonly used a redhead as an example of modern-thinking...

Shaker for sugar by DAUM Shaker with Thistles decoration Blown-molded multilayer glass Acid-etched decor in reserve enhanced with gold Pink frosted background The top and the foot i...

Antoine-Louis Barye (1796-1875.) Bronze maribou stork and snake with rich brown patina, signed “Barye” on the embankment. Antique edition cast marked F. Barbedienne Fondeur (caster.)...

Jules Cheret (1836-1932) A couple, 1909 signed and dated in the lower right Charcoal and heightenings of white chalk 23 x 23 cm Framed under glass : 33.8 x 33.8 cm This work is hi...

Jules Cheret (1836-1932) La Confidence (The confidence) 1909 signed and dated in the lower right Charcoal and heightenings of white chalk 22.7 x 22.7 cm Framed under glass : 33.8 x...

an exquisite vintage pattern of climbing plants and vegetables creating a colourful contrast on a dark purple background and beige . Diptych - Original oil painting - 70х30 cm ea...

Lucien Victor Guirand de Scevola (1871-1950) Portrait of Marie-Thérèse Piérat in Les Marionnettes, 1910 Pencil on paper, signed, dated and annotated lower ...

Jean Garnier (1853-1910) Art Nouveau Bronze Sculpture circa 1890s A Fine bronze sculpture by listed French artist Jean Garnier. A young nude woman with long flowing hair and a tamb...

Vase with sloes by DAUM Vase with a sloe plaques decor Multilayer blown-molded glass, colored by vitrification of powders With an acid-etched decor in reserve for the leaves, then f...

Kunsttöpferei Kandern (1897-1927), Thrown vase with two layers of glaze, between 1914 and 1927, terracotta, marked 'KTK' on the underside and marked as model number '781', 19 cm (hei...

Burret, Jean-Leonce. Imprimerie National Mvsiqve/Dessines et Gravure/Affiches Artistiques. Bruxelles Ca.1898, Color lithograph. 33.5 x 24.5; image, 34.75 x 26; on linen. Burret was ...

Frans Van Holder Ixelles 1881 – 1919 Geneva Belgian Painter 'Portrait of a Young Woman in White – The Artist’s Wife' Signature: Signed top left and dated 1906 Medium: Oil on canvas Dimensions: diameter: image size 96 cm, frame size 120,50 cm Biography: Van Holder Frans, born in Brussels in 1881, emerged as a prominent post-Impressionist painter during the Belle Epoque and Art Nouveau era. Initially a painter-decorator in his father’s workshop, he contributed to the adornment of Brussels’ bourgeoisie interiors, setting the stage for his alignment with the Art Nouveau movement. Van Holder studied under Alfred Cluysenaar at the Saint-Gilles Academy. His artistic evolution embraced Impressionist principles, influenced by luminosity proponents like Manet and Pissarro. After formal training at the Sint-Gillis Academy and travels through Spain, Italy, and Switzerland, Van Holder returned to Brussels in 1905, joining the esteemed ‘Pour l’Art’ association. Rejecting theoretical constraints, he prioritized harmony in his art, viewing color as a musical composition requiring rhythm and balance. Van Holder’s mastery extended to intimate post-impressionist portraits, notably capturing the Brussels aristocracy like the Wolfers family...

Degas, Edgar (after) (1834 -1917) "Ludovic Halevy Backstage" Monod 5797, Adhemar 71, Skira 58, Stern 25 Soft-Ground Etching created from a Monotype, 1938-9 First State. # 251 from ...

"July" by Olga Suvorova is an Oil on Canvas painting measuring 37x46 in. and is a prime colorful example of Russian figurative realism at its finest. Her...

Nymph with Child Feeding Swallows Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Dimensions: Image size 140 x 235 cm, frame size 145 x 240 cm Medium: Oil on canvas Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice...

an exquisite vintage pattern of climbing plants and vegetables creating a colourful contrast on a dark purple background - Original oil painting - 70х30 cm (27.6 W x 11.8 H x 0.4 D ...

Louis Rhead’s 1897 Art Nouveau poster features a well-dressed man with a top hat, cane, and other late Victorian winter fashions. “America was quick to reveal strong Art Nouveau vo...

The drawing by an anonymous artist, featuring a young woman in the snow, struggling to protect herself from a large figure in a black cout. This scene is framed by the tumultuous ele...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...