Art Nouveau

Allegory of Progress by Louis CHALON (1866-1940) Bronze with dual patina Raised on a yellow Siena marble base Signed on the side of the base " L. Chalon " Old period cast France ci...

The artwork features a nude figure adorned with long red gloves and draped in a flowing crimson fabric that cascades down to the floor. The character stands confidently, clutching a ...

Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 Image Size: 15" x 11" 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...

Rare Original 1912 Théâtre National de L'Opéra Paris Poster - ROMA Opera - Rochegrosse Art - Jules Massenet - Classical Theater Collectible. This poster is archival, linen-backed, ...

Henri De Toulouse-Lautrec (French 1864 - 1901) BABYLONE D'ALLEMAGNE Printed in 1894 Lithograph printed in colors, 1894, on linen-backed wove paper, printed by Chaix, Paris, tasteful...

Agathon Leonard (French, 1841 - 1923) Art Nouveau Silvered Bronze A French Art Nouveau gilt bronze sculpture, "Marguerite", by Agathon Léonard of Margeruite, placing a flower in her...

Framed lithograph, signed ("Rónai") and numbered ("no. 50") by the artist. Also includes a silver József Rippl-Rónai coin, made in 1977 for the 50th anniversary of his death. The li...

Lithograph of Ignatius Taschner’s Electricity, published as Plate 95 in Gerlach’s Allegorien by Gerlach & Schenk, Vienna. This artwork arrives accompanied by a certificate of authenticity. Allegorien-Neue Folge...

Bone-colored two-headed candlestick featuring faces, moths, and stars in a design presented at the 1900 Exposition Universelle (World’s Fair) held in Paris. Titled "The Magic of Fire...

A turn-of-the-century fantasy illustration by female illustrator May Audubon Post features a charming fairy with expanded wings resting on Lilly s...

Ex libris Olav Tähe Paper, woodcut, 11x7cm

Achille Chainaye (Belgian, 1852-1915) "Dancer" Gilt Bronze Sculpture, late 19th century, cast by H. Luppens & Co., Brussels, depicting a corset-wearing dancer balancing on a sphere, ...

A magician billed as The Fakir Shah Rabey is pictured with his "astral" subject, The Aerial Woman, who levitates above in a hoop. Original lithographic magic poster...

Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...

Figural vase with a golden maiden on an iridescent form. This vase features a beautiful juxtaposition of the smooth and sinuous texture of the woman against a psychedelic stone-like ...

A Brun (French, circa 1900) Raising a glass Pencil, watercolour and gouache on canvas Signed ‘A Brun’ (lower right) 20.1/2 x 15.3/4in. (52 x 40 cm.)

Cristallerie – Ewer with insects by Emile GALLE (1846-1904) A small gadrooned ewer in form of a nautilus known as "Cristallerie by Gallé", raised on a foot, with a pouring spout an...

The Flowers is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La ...

L'Aieule (The Grandmother) Etching and aquatint printed in colors, 1904 Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo) Edition: 100 (81/100) Reference: Arwas 202 iv/IV IFF 98 Condition: Excellent, the sheet aged as usual Image size: 14 1/4 x 18 5/8" Sheet size: 16 15/16 x 24 1/4" Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

Lucien LEVY DHURMER (1865 - 1953) Beauty of Last Century Original litograph Platesigned 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") I...

Berlin (K.P.M.) Porcelain Plaque Depicting an Exotic Nude Woman is a sheer dress carrying a vase in a courtyard. Possibly a royal or aa slave. Late 19th century Impressed "K.P.M....

“Mozart en France” – Original French Exhibition 1956 Poster, Linen-Backed. Grade A- condition, ready to frame. Fold marks restored. A striking, authentic mid-century poster creat...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century...

"From: Ilsée, Princesse de Tripoli Recto: "Blaye Castle" Verso: "Reflecting Pool" is an original color lithograph by Alphonse Mucha. Exquisite double-s...

Bowl "Marquetry with Crocus" by Emile GALLE (1846-1904) An elongated form bowl, with hot-applied handles. Multi-layered blown-molded glass, with an inlaid decor of purple and orang...

Vase with Sweet peas by DAUM A bud vase decorated with Sweet peas Blown-molded multilayer glass Acid-etched decoration in reserve and lightly wheel cut Hammered background Signed u...

Exhibition of the Rose (Plate 74) is an 1887 lithograph of Carlos Schwabe's poster, printed at Imprimerie Chaix by Jules Chéret and included in the fame...

Alphonse Mucha (Czech, 1860-1939) Flirt Biscuits Lefevre Utile. 1899, Lithograph in colors on wove paper. Linen backed. Imp F. Champenois Paris. Measures : sheet: 24.75 x 11.75 inche...

 The new engagement is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories...

Fantasy illustration for children's book - "Princess Signelill and her brother” from “Sagobok av Elsa Beskow” Ink on paper, High-end archival matted. Unsigned Provenance: The Artis...

Lovers lunch is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La...

CHERET, JULES (1836 - 1932) "Quinquina Dubonnet" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #28, 1898. Plate #109 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. “The Dubonnet poster...

oil on canvas signed unknown 55x 45 cm unknown artist

Stone lithograph of Albert Morrow’s Illustrated Bits, printed by Imprimerie Chaix (Ateliers Chéret), Paris in 1897. This world-class example of lithography captures superior resoluti...

CAPPIELLO, LEONETTO (1875 - 1942) "Katabexine" Lithograph in color, linen-backed c. 1903 Sheet size: 54.25” x 39” Cap./GP, 252; Cap/StV, 4.22; DFP-II, 118; Schardt, pp. 174-5; PAI-V...

Lithograph for Luigi Emilio Caldanzano’s Art Nouveau advertisement for Lenti Radio-Attive, which marketed “radioactive” eyeglass lenses claim...

Jean-Gabriel Domergue (1889-1962) Paris, Les Bouquinistes sur les quais, (The booksellers on the banks) Signed and titled lower right Pencil on paper 17 x 27 cm In good condition, ...

This reproduction of Gustav Klimt's The Dancer captures the essence of the original masterpiece, a work completed shortly before the artist's death in 1918. The Dancer is a mesmerizi...

"The Japanese Bridge, 1928" François Beauck (Belgian, 1876-1946) Oil on cardboard Signed and dated with inscriptions on the back 27.25 x 13.5 (33 x 19...

Louis Ernest Barrias (French 1841-1905) Nature Revealing Herself La Nature se dévoilant devant la Science Gilt, and silver patinated bronze with blue glass scarab Signed on base “E...

America's greatest female illustrator draws a heartwarming picture of a mother putting to bed her child. Motherly love towards their children is the artist's most iconic theme. This ...

Program for Theatre Libre Boubouroche Valet De Coeur. Sixth program for Le Theatre Libre, four-color lithograph, 1892-1893. Ref: The Color Revolution 101: Artistes et Theatre d' Ava...

Scottish female illustrator Annie French renders a charming cropped portrait of a bride in an Art Nouveau / Aubrey Beardsley style with curved theme borde...

Vase with sloes by DAUM Vase with a sloe plaques decor Multilayer blown-molded glass, colored by vitrification of powders With an acid-etched decor in reserve for the leaves, then f...

The Secret by Pierre-Félix FIX-MASSEAU (1869-1937) Sculpture in bronze with a gilded patina Signed on the side " Fix-Masseau " Cast by " Siot-Paris " (with the foundry mark) France...

Alphonse Mucha (Czech, 1860-1939) Original Lithograph 1913 - Very Large - "Zdenka Cerny" The Greatest Bohemian Violincellist Prague, Czechoslovak Color lithograph Signed and dated "...

1930s painting by the important Italian artist Tito Corbella Beautiful and rare work by the important Italian artist of the first half of the 20th century Tito Corbella. It depicts w...

In 1897, Alphonse Mucha created illustrations for "Ilsee, Princesse de Tripoli." This double-sided print is a rare proof of an original color lithograph before any text from the story was added. This is a special edition print from edition 252 and is 12/35 on Chinese paper. 4.25" x 5.0625" image 20.75" x 17.5" frame Alphonse Mucha was born in 1860 in what is now the Czech Republic. His career began in decorative painting for theater scenery...

Ibels, Henri-Gabriel.."Le Devoir", fouth programme for Le Theatre Libre. four-color lithograph, 1892-1893. 9 1/2 x 12 1/2". Ref: Artistes et Theatre d' Avant-Gardes, Programmes ...

"H. L'Illusion (L'Estampe Moderne I)" is an original color lithograph by Henri Bellery-Desfontaines. This piece depicts a nude child before a dream-like woman in a blue translucent robe. This piece was published in the French Art Nouveau publication L'Estampe Moderne. Signed in plate. 15 3/4" x 12" art Henri Bellery-Desfontaines , born with Paris in 1867 and dead the October 6th 1909, is a French Noveau artist Jack-of-All- Trades, who produced tables, illustrations, posters, lithographies, drawings of carpet, pieces of furniture and banknotes, and even dabbled with decoration & architecture. In the 1900s, Paris was the perfect place for a group of young artists influenced by artistic currents like neogothic style or symbolism. Most of them started as painters and they switched later to decorative arts, attracted by the idea of an ever-present art, a lifeless art, a total art. Henri Bellery-Desfontaines was a member of this group and he started as as painter in Pierre-Victor Galland’s atelier. He entrusted him the decorative motifs which would frame Panthéon de Paris' drawings: Maillot, Bonnat, Humbert and specially Jean-Paul Laurens, who proposed him to join his atelier in l’École des Beaux-Arts de Paris. With him, he decorated l'Hôtel de Ville de Paris or Le Salon Lobau, Henri Bellery-Desfontaines is thought to have Luc-Olivier Merson (1846-1920) as a teacher. During his years as a student, he started to illustrate magazines and books of tales and in 1895, Bellery-Desfontaines opted rapidly for illustration, probably due to financial problems, and he participated in magazines such as L’Image, L’Estampe Moderne or L’Almanach des Bibliophiles. This year, the Salon des Artistes Français hosted one of his design of tapestry. From 1900 on, he gradually evolved toward an ambitious decorative artist, making tapestries and furniture for rich leaders and patrons. Bellery-Desfontaines was an important artist of his epoch, and he took part in numerous events like Bal de...

Lucien Victor Guirand de Scevola (1871-1950) Portrait of Marie-Thérèse Piérat in Les Marionnettes, 1910 Pencil on paper, signed, dated and annotated lower ...

Original Ambassadeurs Les Cinq Demi-Vierges. Linen backed in B condition. It was folded at one time with the fold marks laid down during the linen backing process. There are som...

Alphonse Mucha (Czech, 1860-1939) Lorenzaccio Printed: 1896 Printed By: F. Champenois, Paris Hand signed in lower left. Signed in plate; Mucha, F. Champenois, Paris Lithograph paper ...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blues and white pigments on vel...

The Treason is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La ...

"Invocation" is an original lithograph with the blindstamp of L'Estampe Moderne in the bottom right corner. L'Estampe Moderne commissioned Marcel Lenoir ...

"Le Passant" is an original Art Nouveau color lithograph. It depicts two women in the foreground wearing medieval white robes and a knight passing behind them on a black horse. Features the L'Estampe Moderne blindstamp bottom right hand corner. 1898. 15 3/4" x 12" art 23" x 19 1/4" framed Robert Engels studied in Dusseldorf and moved shortly thereafter to work in Munich. Later, he became a professor at a school of applied arts at the KGS in Munich. He created many decorative prints as well as stained glass windows and also created compositions to illustrate Joseph Bedier's rendition of "Tristan and Iseult...

The Giant is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F.Bac 1922....

Vase with Chrysanthemums by DAUM Large vase decorated with Chrysanthemums flowers Multi-layer blown-molded glass Glass colored by vitrification of powders Decor in reserve acid-etch...