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Henri Gabriel IbelsAu Cirque (At the Circus; also called Circus Ring).1893
1893
$8,500
£6,423.17
€7,417.19
CA$11,877.47
A$13,179.05
CHF 6,903.47
MX$161,610.53
NOK 87,809.76
SEK 82,888.67
DKK 55,314.60
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About the Item
4 Color lithograph. 19 3/8 x 10 5/16; 23 x 16 5/16".
HG Ibels lower right on stone; No.86 lower left margin, pencil. Blind Stamp (upside down) upper left margin. Published by L'Estampe Originale publiee par le Journal des Artistes.
Ibels’ images were powerful and heavily graphic, in keeping with the movement that was a generous admixture of fine art, graphic design and advertising, as seen in the lithographs and posters for theater, cabaret, and book illustration.
Ibels drew his inspiration from life on the street, cafés, the circus and boxing ring, as did Adolphe Willette, Henri de Toulouse-Lautrec and Théophile-Alexandre Steinlen. His graphic style owed much to the art of Honoré Daumier, Japanese woodcuts, Paul Gauguin and the Pont-Aven School.
- Creator:Henri Gabriel Ibels (1867 - 1936, French)
- Creation Year:1893
- Dimensions:Height: 23 in (58.42 cm)Width: 16.031 in (40.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU2922932373
Henri Gabriel Ibels
Henri-Gabriel Ibels (30 November 1867 Paris – February 1936 Paris), was a French illustrator, printmaker, painter and author. He studied at the Académie Julian* with Pierre Bonnard and Édouard Vuillard and was a member of Les Nabis* from its 1889 founding. Other members were Gauguin, Utrillo, Félix Vallotton and Émile Bernard. Ibels took part in Les Nabis’ exhibitions at Le Barc de Boutteville gallery. With Vuillard and Maurice Denis he soon caught the public eye and earned the nickname ‘le Nabis journaliste’. Ibels’ images were powerful and heavily graphic, in keeping with the movement that was a generous admixture of fine art, graphic design and advertising, as seen in the lithographs and posters for theater, cabaret, and book illustration. Ibels drew his inspiration from life on the street, cafés, the circus and boxing ring, as did Adolphe Willette, Henri de Toulouse-Lautrec and Théophile-Alexandre Steinlen. His graphic style owed much to the art of Honoré Daumier, Japanese woodcuts, Paul Gauguin and the Pont-Aven School. Ibels collaborated with Toulouse-Lautrec and became involved in avant-garde theater. He exhibited at the Salon des Indépendants* for the first time in 1891.
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