Canvas Art

Named by the New York times as an outstanding artist of the mid 20th century, David A. Rhodes (1933-2019) was an award winning Artist, Author and Woodworker from Absecon, NJ. This ac...

Daniel Brice Untitled NY 12, 2016 watercolor, charcoal and pastel on paper 22 x 30 in. This original abstract oil painting on paper by Daniel Brice is bold and modern, rendered in v...

Jay Patel THE MAPLE FOREST Acrylic on Board Year: 2022 Size: 12x12x1.5in Signed verso COA provided Ref.: 924802-1115 "The rich color spectrum represents the...

The Two Crowns from the Series "The Divine Comedy" - Purgatory plate 26 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dan...

Sunset on the river by French artist, Leon Richet. Oil on wood panel. Circa 1885. Signed lower left. Framed size 13.5 by 16.5 inches. Born in Solesme, France in 1847, Léon Richet was of the generation of painters raised during the height of the Barbizon school. He was a student of Narcisse Virgile Diaz de la Pena...

"Winter Blues" is a semi-abstract oil painting showcasing a serene winter landscape. With harmonious tones of blue and grey, this impressionist artwork evokes timeless tranquility. C...

A beautiful and unique large scale oil painting by Israeli artist Menashe Kadishman. Featuring a figure of a shepherd and his flock of sheep.

One of a kind acrylic expressionist canvas painting by Linda Coppola.

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

Artist: Roger Koenig b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Koenig combines modern painting with acrylic with old...

Bodegon 36 Juan Manuel Gomez-Quiroz, Chilean (1939) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 40 Image Size: 25.5 x 17 inches Size: 29 in. x 20.5 ...

Outstanding American / English Impressionist, Sunset over a lake in Connecticut. Charles Bertie Hall is a painter from England and America. He pain...

Heavily influenced by the works of his close friend the famous Mexico City painter Rufino Tamayo, Forster created a special focus on the supremacy of color. And of larger context paintings that explored both nature and the universe. His paintings speak to all and of our oneness within this realm and an appreciation of it. The work is positive and wishes to unite and expand our vision outward from ourselves. This painting has a warmth of color that will enrich any room and compliment furniture and ambience. It is in a gold frame that has some wear to the gold patina. It is signed on the verso with an artist's cache of initials and it has the inventory # 798A from the estate, along with a date of 1992 on the back. The work comes out of the artist's estate as well as Messums Gallery from London. The piece measures 35 x 49 inches inside its frame. Forster's all-absorbing passion for color resulted in such magnificent gestural pictures as Sunrise Dance, 1992 with its intense color palette. Consistently experimenting and initiating fresh use of paint, Michael Forster...

Pietro Bianco Bortoluzzi, known as Pieretto Bianco (Trieste 1875 - Bologna 1937) - Satyr and Nymph. 50.5 x 50.5 cm without frame, 57.5 x 57.5 cm with frame. Oil on cardboard, in a ...

The 1967 original exhibition poster for Hans Hofmann's at the André Emmerich Gallery in New York is a vibrant and captivating visual representation of the renowned artist's abstract ...

Arthur Prince Spear: 1879-1959. Well listed American painter with auction results up to $6900, but sells for much more in galleries as his works ar...

Claude MANOUKIAN Normandy : A Colorful Spring Day Original lithograph Printed signature in the plate On Arches vellum 43 x 56 cm (c. 17 x 22 inch) ...

Flower Vase is an artwork realized in the early 20th Century by Marcel Gilly. Original oil painting on panel. Hand-signed on the lower right. Good cond...

"Dragon," by Quang Ho, is a secondary market work with one previous owner. It is signed and dated (1988) on the lower left. The painting comes with it's original frame (measures 50 x...

Firmado en la parte inferior En la parte trasera va nuevamente firmado y fechado del año 1959 Se presenta enmarcada la obra Medidas obra: 81 x 100 cm. Medidas marco: 89 x 109 cm. BIOGRAFIA DE JOSEP NAVARRO VIVES Pintor español de Barcelona perteneciente a la generación de los 50. Estudió en la Escuela de Artes y Oficios de Barcelona a mediados de la década de los años 40. Más tarde completará su formación académica en París y Londres, hecho que le proporcionó el contacto con los movimientos de vanguardia de posguerra. Trabajó dentro del informalismo matérico, exploró en el campo de la abstracción geométrica y el cinetismo formando parte del Grupo de Trabajo MENTE. Años más tarde volvió al mundo de la figuración. Durante los últimos, la creación de Josep Navarro continúa gravitando entre la abstracción y la figuración. Nace en Francia, en Castelsarrasin (1931), una localidad situada en el Tarn-et-Garonne, muy cerca de Moissac y Montauban donde pasa los primeros años de su infancia hasta que se traslada, con parte de su familia, a Barcelona donde al poco tiempo estallará la Guerra Civil Española. En Barcelona se matriculó a los 14 años en la Escuela de Artes y Oficios. Pronto entra como aprendiz en una casa de imágenes religiosas, conocida como Casa Reixac, donde aprende el oficio de restauración, la técnica de la policromía, y sobre todo el arte de dorar. En ese entorno conocerá a Lluis M. Saumells Panadés y Ramón Sabi. En 1952 ingresa en la Academia de Bellas Artes de Sant Jordi de Barcelona. Durante el segundo curso, conoce al pintor Joan Serra, con quien descubrirá el Ampurdán y la Costa Brava. Gana el primer premio en la Exposición de pinturas universitarias y obtiene una beca que le ayuda a seguir estudiando, y participar en exposiciones colectivas en Barcelona y Madrid. Su estancia en Madrid le permitirá visitar con frecuencia el Museo del Prado, estudiando a los grandes maestros como Velázquez, Zurbarán, El Greco, Tiziano, etc. En 1957, obtiene una beca para completar su formación en París, asistiendo a los cursos de l’École des Beaux Arts y de l’Accadémie de la Grande Chaumière. En la capital francesa entra en contacto con un panorama artístico e intelectual distinto, que le abre las puertas a nuevas ideas. Durante su estancia en París recibe el encargo de la restauración de algunas de las salas del Elysée, trabajo muy reconocido por lo que es felicitado personalmente por el Presidente Monsieur Cothy. Más tarde realizará otra importante restauración: la de la oficina del Ministro de la Marina y finalmente el palco presidencial del Palais Garnier. Terminada su estancia en París, obtiene una nueva beca para ir a Londres donde se matricula en el Sant Martin’s School of Art (Londres). En Londres empieza a participar en algunas exposiciones colectivas e individuales y además obtiene el primer premio en la competición de carteles publicitarios del Ferrocarril Británico. En estos años de viajes entre París y Londres, Josep Navarro comienza a investigar dentro del informalismo matérico, corriente artística dominante en la Europa de mediados de siglo. En 1963, Josep Navarro regresa a Barcelona y entra en contacto con la Escuela de Barcelona, con Tàpies al frente. En esta época, Josep Navarro inicia su etapa informalista. Esta exploración matérica en la obra de Josep Navarro marcará la década de 1959 a 1969. El trabajo con texturas y materia va consolidando un lenguaje propio que desembocará en la inclusión de algunos elementos figurativos que marcarán el inicio del período marcado por la serie “Puertas”. La serie “Puertas”, es un trabajo basado en las puertas de Barcelona. En esta serie Josep Navarro establece una recuperación de la forma basada en la materia. Utiliza pigmentos naturales, mezclándolos entre sí para lograr el efecto del hierro, y de la madera. Estas puertas serán el elemento de transición entre su etapa informalista y su evolución hacia la abstracción geométrica. En 1970 se incorpora a los campos de trabajo del grupo MENTE (Muestra Española de Nuevas Tendencias Estéticas) impulsado principalmente por Daniel Giralt-Miracle y Joan Mas...

Alain BONNEFOIT Beauty in a Dream, 1975 Original lithograph Handsigned in pencil Numbered / 100 On vellum 38 x 55 cm (c. 15 x 22 inch) Excellent condition

Oil on canvas. Gold. "Female Aesthetics in Chrome and Gold" The figure of a woman in this oil painting is turned away from us, creating an aura of mystery and intrigue. The nude fo...

Painted by Victor Papkov (Russian-American, 20th century); stamped, verso, with certification of authenticity and titled, 'San Francisco Sunset'. A dramatic Impressionist oil seasca...

Green and yellow oil paint was swirled together, followed by streaks of magenta, purple and turquoise. This form was placed on top of an acrylic wash of orange and yellow. This is p...

Multicolor Flowers III Miriam Bromberg Date: 1970's Oil on Canvas, signed l.r. Size: 30 x 24 in. (76.2 x 60.96 cm)

Oil on board. Signed in the lower right and dated 1966.

The work was created in nature under the inspiration of the beauty of the Ukrainian landscape.

Oil on canvas board. Signed to the lower left. Well presented in a contemporary wooden frame.

Discover the fascinating world of spiritual quest in the monumental work The Way by contemporary Ukrainian artist Oleksandr Khrapachov. Created in 2014, this 120 x 150 cm work is a u...

ABUNDANCE is an expressive, gestural painting evoking a feeling of energy, nature and sunshine. The painting is built up of veils of colour, scribbles and scratches.There is a variet...

“The Horse Race" #50 A Pierre Bosco, (1909-1993) Oil n canvas Signed lower right 12 x 15 inches “The savage art of Bosco bears its rudeness and its mystery. It is an art of pure ex...

Nude is original artwork in mixed media, ink and tempera applied on cardboard, realized by Sergio Barletta in 1994. Hand-signed on the lower right, dated on the lower left. Image Di...

Pale Cat Orchid on Red floral still life explores the many subtleties of hue found on pale, nearly white, Catasetum Orchid flowers. Descriptive brushstrokes shape cheerful petals, di...

Beth Van Hoesen (1926-2010) was born in Boise, Idaho. She moved with her family to California, and in 1944, enrolled at Stanford University to study fine arts, earning a Bachelor of ...

"Paris 2" is a colorful acrylic painting on canvas in a small format. It has many layers, furrows, lines - it has many stories to tell. As is Paris, the city where it originated. ...

Acrylic & watercolor on paper with frame Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art director, she was involved f...

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...

Man is born free and always strives for freedom.! It's a maternal instinct. I think the main thing is not to lose this gift.

Signed and dated to the lower left-hand corner. Presented in a card mount and in a light wooden frame, as shown. On watercolour paper.

From the estate of Jerry Opper & Ruth Friedman Opper Yellow c. 1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

'Colors in the Breeze III' 2021 by American artist, Ken Elliott. Oil on canvas, 30 x 30 in. / Frame: 31.5 x 31.5 in. This painting of a forest and a field comprises of colors in green, purple, yellow, pink, and blue. Framed in a gold painted frame. Colorado based artist Ken Elliott, focuses on the western landscape and its rich store of ideas and inspiration. Painting rural scenery, the artist does not try to recreate nature or attempt storytelling but instead, wields color boldly, creating vibrant, contemporary landscapes that are both animated and peaceful. Early in his career, he was a student of Wolf Kahn, who inspired his work. Since 1988, Elliott’s work has been exhibited in numerous galleries nationwide. His work is collected in corporate art...

Evelyne Ballestra's work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged....

Set of 2 Photographs, 2022 by Paola Davila 1. 27° 42' 26.32'' N, 7° 42' 26.32'' W-15. 2. 28° 14' 22.942'' N, 114° 6' 4.129'' W-6. Cyanotype on 300 gr cotton paper Overall size: 60 H ...

Figure IV, 2017

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

Compelling fauvist seascape with boldly colorful ocean waves and glowing sunset by Northern California artist John Ramm (American, 1879-1948), 1929. Impasto brush strokes add depth and interest to high voltage color palette. Signed lower right corner and dated on stretcher "29" . Condition: Good; minor edge losses professionally restored/in-painted. Signature slightly augmented to enhance readability. Image size: 22"H x 28"W. The son of German immigrants, John Henry Ramm was the son of German immigrants, and his father had been a Duke in his native land. Ramm moved to San Francisco in 1893 and worked as an apprentice to a photographer. He married Nettie Hoist in Sacramento and they lived in San Francisco. He was a close friend of painter Manuel Valencia...

Yoshitomo Nara Lollipop Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

"The Fire," night landscape by Gabrielle Ricard - Cordingley. Yr 1967. A night landscape with forest fire, painted by Gabrielle Ricard-Cordingley (b. 1924), daughter of a well-known ...

Wrestling Woman is an original mixed media, ink and tempera, realized by Sergio Barletta in 1998. Hand-signed on the lower right. Titled on the lower center, dated on the lower left. In good conditions. The artwork represents a nude wrestling...

DAVID DUNLOP is a modern-day old master whose luminous paintings draw from both Renaissance techniques and contemporary science. His paintings have been shown internationally and a...

Pink Blush 220602 is a minimalist white abstract painting created with palette knives and non traditional tools. These bright paintings are part of colorful abstracts series which ar...

Storm over the Cove is a dramatic 24 x 48 inch original oil painting by Christina Kent, capturing the raw beauty and shifting light of the Newfoundland coast. This atmospheric seasca...

Vibrant large-scale pastel landscape of colorful reflections rippling on a calm lake with three small ducks and a boat by an unknown artist (American, 20th Century). Signed with the ...

Closeup lips and pink

Flowers. 1970s. Paper, watercolors. 75, 5 x 54, 5 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 1930 – learn...

Pastel on paper. Signed in the lower left. Well presented in a contemporary off-white frame.

SUNRISE II is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techniques on archival paper, 100% acid free. SUNRISE II features a pop art landscape with a black line drawing depicting an elegant woman wearing an off shoulder dress against an imaginary rainbow color landscape. SUNRISE II is a magical, hippie art...

Marc CHAGALL Lovers with a Rooster Lithograph and stencil (Jacomet workshop) Printed signature in the plate Numbered /500 On vellum 65 x 54 cm (c. 26 x 21...

For Elaine Coombs, the title of her latest group of paintings, Untethered, “encompasses feelings of freedom, joy, and lightness.” In her semi-abstract compositions, reflective metall...

Artist: Slonem, Hunt Title: Cockatoo Whisper Birthday Date: 2020 Medium: Oil on canvas Unframed Dimensions: 36 x 30 inches Signature: Signed verso Edition: Unique