Canvas Art

“Summer glow” 48 x 36 inches is a one-of-a-kind original, modern, landscape impressionist painting by Juanita Bellavance. In this highly expressive abstract work, Juanita combined ye...

A Summer French Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), un...

Joyce Wieland (1931-1998) was one of the most accomplished and versatile Canadian artists of the 20th century. Emerging on the Toronto art scene at the beginning of the 1960s, over t...

'Silk, Blood and Thorns' Original Artwork. Framed, ready to hang ___________________________________ "But he, that dares not grasp the thorn, should never crave the rose." - Anne Bronte...

Part of a diptych (or can be sold separately ) this painting explores shape, colour and rhythm and how that can be echoed and explored more in a paired painting. Camilla has spent m...

This painting conveys the feeling of a calm winter dawn, when the sky still retains the soft shades of night, and a subtle light envelops the landscape. Cold blue, silver and delicat...

Gold abstract painting #0018 is large oil painting with Gold leafs ( please find photos of Gold leafs in gallery) Gold, Gold and more gold! What could be more brighter attrac...

Sepia ink drawing on paper. Part of my Nude in interior series. In mat, overall dimensions 52x42cm / 20x16.5 in. Shipped in mat, from the artist's studio.

Joan Miro, Spanish (1893 - 1983) - Bagatelles Vegetales, Year: 1956, Medium: Etching with Aquatint and Carborundum, on Richard de Bas, Edition: 300, Size: 9.25 x 14.5 in. (23.5 x 36...

"Grandiose" is a stunning oil painting of an elegant tree with pink blossoms. The background is gold and has a rich feeling. Artist Anastasia Gklava is an expert at applying gold lea...

This is a unique original acrylic painting on board in a fantasy abstract style by Serg Graff Titled "Boxing Gloves". It comes signed, dated, and with COA (Certificate of Authenti...

Seascape Original oil Painting on Linen, Framed Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2021 Style: Impressio...

Over the course of his career, John Grillo showed in 85 one-man and over 100 group exhibitions. One of the most influential of the San Francisco school...

Scenic view of Melbourne City Australia by David savage On wood. Like the 70’s then this would be perfect!

Michael Forster has a unique blend of Mexican symbolism and an approach to universal themes such as "Celestial Skies". This work explores both the mys...

Each 20 x 20 inch canvas is framed in a separate 2 inch deep solid wood floater frame, increasing the dimensions to 21. 5 x 21.5 inches. Total span together is 44 x 22". Hung with...

André Cottavoz (1922-2012) Rise of the Sun in Provence Original oil painting Signed in the right corner On panel 24 x 41 cm (c. 10 x 16 inch) Very g...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. The "Spring" series c...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Forest Trees, Size: 44" x 30.5"...

Gorgeous vibrant coastal lookout landscape by San Francisco artist Frederico Domondon (American, b. 1964). Rendered in Domondon's unique style, an overgrown arch of flowers nearly ob...

In this piece, I channeled the serene yet vibrant essence of nature's transitions. Wisps of oil paint blend to capture the fleeting moments when light kisses the landscape, creating ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

ITEM DETAILS The edges are painted Some parts of the picture glow under blue light The painting was part of an exhibition 'Ancestral call' in Switzerland ABOUT THE ARTWORK On this canvas is the portrait of a woman deeply immersed in her inner emotions. Her thoughts not only accompany her but also shape the world around her, infusing it with explosive passion and glow. This woman doesn't just exist in her space - she creates it, reflecting her deepest emotions and thoughts. The inspiration for this artwork comes from an intimate moment of experiencing feelings of love and uncertainty. It's a time of sweet longing for a loved one when the heart is filled with anticipation of meeting and dreams of a future together. The artist behind this painting invites the viewer not only to observe what's on the canvas but also to experience these emotions with the protagonist. It's an invitation to rediscover those warm feelings of budding love, to feel love and empathy, and to embrace the possibility of being sensitive and open to the world. ABOUT ARTIST Olha Vlasova...

Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...

Black and White Figurative Nude - Oil on Canvas Black and white figurative nude by F Vasquez (20th C). The nude torso of a woman takes up the canvas. Her right hand is on her hip wh...

"Nude at the Window" Tempera on paper, Part of my Nude in Interior series. Inspired by Matisse. Shipped rolled in a tube. Free shipping with 1stDibs code Freeship for items over $500...

ABOUT THE ARTWORK "Shelter Me" is an evocative portrayal of the human need for protection and emotional safety. The central figure, with her eyes closed in a serene, almost meditati...

'Desert Dream’ - 2016, 20 x 32,2 cm, edition 1/10, digital C-Print based on two Polaroids. Numbered and signed on the back by the artist. Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 th...

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

Acrylic on board. Signed to the lower left. Well presented in a contemporary wooden frame.

“Abstract Trees” – Acrylic and Oil on Canvas This vibrant and expressive painting was created in the artist’s backyard, drawing inspiration from the natural surroundings. Influenced...

Large scale and dramatic, ""Langostina, an abstract painting by Harold Black (American, 1913–1993). Signed lower right and on verso. Presented in giltwood frame. Image, 40”H x 22”W. ...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Harbor, Size: 17.5" x 46" x 0.8...

This limited edition print titled Composition, September 1951 by Pierre Soulages is produced on thick, high-quality paper and is hand-numbered 31 out of 150 in pencil. It features a ...

Available at Madelyn Jordon Fine Art. 'Colors in the Breeze IV' 2023 by American artist, Ken Elliott. Oil on canvas, 36 x 36 in. / Frame: 37.75 x 37.75 in. This painting of a forest incorporates a palette of colors in green, purple, yellow, pink, and blue. Framed in a gold painted frame. Colorado based artist Ken Elliott, focuses on the western landscape and its rich store of ideas and inspiration. Painting rural scenery, the artist does not try to recreate nature or attempt storytelling but instead, wields color boldly, creating vibrant, contemporary landscapes that are both animated and peaceful. Early in his career, he was a student of Wolf Kahn, who inspired his work. Since 1988, Elliott’s work has been exhibited in numerous galleries nationwide. His work is collected in corporate art collections such as Hewlett Packard...

An oak tree at sunset… sculpted by the wind over decades, bent, gnarled and beautiful Rachael Dalzell’s works on paper are particularly organic. Diluted paint is allowed to migrate ...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

This work comprises two panels (diptych) depicting an autumn woodland. Although the paintings could be available separately, they form a continuous landscape when hung side by side, ...

Christopher Clark's (US based) "Misty City" is an original, handmade oil painting that depicts orange and green hued clouds arching over a water and city lights Bio/artist statement: Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger...

"The Mystic" is a soft abstract expressionist oil painting on canvas by artist and trusted seller Trixie Pitts. The soft palette includes white, pale violet-gray, pale blue, pale tur...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2020 Style: Impressionism, Subject: Grove, Size: 33" x 30" x 1'' in...

Salvador Dali (1904-1989) Purgatory 15 - The Envy From the "Divine Comedy" Wood engraving from "Divine Comedy" with the signature printed in the plate 1960/63 Printed on paper Vél...

"New Orleans," Encaustic, Molly Cliff Hilts (1958- ) Molly Cliff Hilts is an artist whose work is part of an emerging form that fuses painting, phot...

Maura Petersen (American, born 1956) "Lounging Figure" 2019 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. In "Lounging Figure", Maura Petersen en...

Landscape painting Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Contemporary Art, Subject: Morning D...

A charmingly expressive watercolour captures a wild landscape of woodland trees. Unsigned. Acquired as part of a studio collection. Presented in a contemporary white frame. On paper.

An entrancing work about the artists childhood trip to Entally, India! A master abstractionist having spent years in Mexico with famous artists such as Rufino Tamayo - this artist had a way of presenting feelings through color and revertive brushwork. Here his childhood memory is colored in yellow - a color which speaks of his warm and rich experience which remained etched in a vivid way in his mind even in later years. He had a technique of sponging over and over dabs of paint and thru sponging could create rhythmic dots that pulsate and make his canvases glow and feel alive. He did a series of work called "To Celebrate a Childhood" and this one has a curious draw to it. It is complimented by a high quality silvered leaf frame that allows the yellow to function and glow. It measures 27 x 35 inches inside the frame and is signed with the artists cache on the back along with the estates inventory #. This work as one can see from our in-situ photo - enlivens a room and brings a positivity and welcoming aspect to a room. Would be great too with wood tones or just about any interior as yellow is a color to punctuate with yet there is a lot of detail within this canvas that draws a viewer in to take a closer look! Its provenance is estate of the artist to Messums Gallery in London. To Celebrate A Childhood-Entally, 1985 another of Michael Forster...

Sargy Mann (1937-2015) Studio with standard lamp Signed, upper right Inscribed with title to the reverse Oil on board 48 x 60 inches Provenance: Cadogan Contemporary Private Collection Exhibited: Sargy Mann and Graham Giles, Christchurch Mansion, Ipswich, 1991 A truly beautiful work but also highly significant within Sargy's oeuvre. The painting dates to the late 1980s when Sargy and his family were living at 58 Lyndhurst Grove, SE15. Sadly by this time, Sargy's eyesight had greatly deteriorated to ‘“a very little, blurry, peripheral vision” in his left eye, (he was registered blind)....(he) found it a struggle to paint from direct observation and began to rely on short term memory and tape recordings. Working on a large scale, he taped canvas to the living room wall of the family home on Lyndhurst Grove, “rather as Bonnard had pinned primed canvas to his studio wall”’. The space depicted had initially been a dark, depressing attic space but this was transformed by the addition of some French windows. The painting has an almost abstracted quality with the two light sources creating pools of cool, luminescent energy radiating throughout the picture space. Peter Mann describes the paintings from Lyndhurst Grove as, ‘in some sense a precursor to the very late work, The little sitting room paintings...

Marc Chagall (1887-1985) - Rahab and the Spies of Jericho Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fa...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/ gouache painting on card, signed size: 7.75 x 10.75inches Beautifully colourful, original painting by the very popular and highly regard...

Oil painting by Lowell Nesbitt (1933 - 1993). Titled "Rose Iris" and dated 1982. Wonderful vibrant painting in excellent condition. In 1958...

The 1971 original travel poster by Pagès for Air France promoting travel to Israel is a captivating piece that reflects the burgeoning interest in international travel during the ear...

Greg's witty and charming oil painting on aluminium comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomise...

Oil on paper laid down to board Signed William Brown date 1961 below right Provenance Felix Landau Gallery LA Andre Previn Private Collection Painted in 1961 the year East German ...

Original, Modern, Joyful and Delicately Complex Colors are buttery Yellow, subtle greys, muted aqua green and white. This piece ships unframed and will arrive rolled in a tube. I...

Infinity 9 is an original painting, created with acrylic paint on gallery-wrapped canvas. It has a width of 8 inches and a height of 8 inches with a depth of 1.5 inches (8x8x1.5). ...

This vibrant and dynamic artwork by Koko Hovaguimian is a celebration of jazz through color and form. Measuring 20x24 inches, the painting features a lively composition that captures...

ESCAPADE IN EMERALD AND RUBY is an expressive, gestural painting evoking a feeling of warmth, movement, nature and brightness. The painting is built up of veils of colour, scribbles ...

Artist: Oliviero Masi, Italian (1948 - ) Title: Untitled - Tree Lined Landscape Year: 1980 Medium: Pastel on paper, signed and dated in pencil Size: 17.5 x 17.75 in. (44.45 x 45.09 cm)