Pottery Antiquities

Antique Chinese painted pottery standing court lady, with original pigments remaining. Age: China, Northern Wei Dynasty, A.D. 386 - 535 Size: Height 20.4 C.M. / Width 5 C.M. / Depth...

A pair of Antique Chinese pottery lion panel with stand. Age: China, Song Dynasty, 10th - 12th Century Size excluding stand: Height 23.6 - 24.3 C.M. / Width 18.8 - 20.5 C.M. / Thick...

A pair of large antique Chinese pottery standing court men with Oxford TL test. Thermoluminescence (TL) test result from Oxford Authentication Ltd. is included. Age: China, Tang Dyn...

A large and attractive pre-Khmer red pottery kendi, pouring vessel, 6th - 8th century, Cambodia. The large vessel crafted of a red pottery, with a wid...

A magnificent and large early Tang dynasty (618-906 AD) model of a prancing or dancing horse, circa 7th century. The majestic animal is caught mid-motion, one leg raised, head grace...

A Japanese antique ceramic vase with a quiet, time-worn presence. The piece shows a small chip along the rim, and several kiln marks remain visible on the body—subtle traces of its h...

It is believed that pottery baked in southern China in the early Ming dynasty was imported into Japan. It is a small size. The upper part is slightly ...

Exceedingly rare Chinese pottery caparisoned horse from the Northern Qi region. A beautiful sculptural piece, created in China during the Northern Qi dynasty period, between the 549 and 577 AD. This horse statue is extremely finely modeled of earthenware pottery, standing in a very elegant and majestic position striding on a trapezoidal shaped base. The animal has a gracefully arched neck to the left and its extremely well modeled. The head is adorned with a large detailed tassels of plumes and the body is embellished with a beautiful saddle and intricate harnesses. The trapping around the chest and rump is adorned with elaborated tassels and the straps are accented with multiples florets and bosses in high relief. The surface is treated with applications of natural pigments such; red, white and others. Has a measurements of 394 mm by 343 mm by 257 mm (15.53 x 13.52 x 10.15 Inches) (39.4 x 34.3 x 25.7 Cm). Northern Qi, was the successor state of the Chinese Xianbei state of Eastern Wei...

Fine-grained, buff-colored clay. Potted thin. Upper part of body painted with symbolic patterns in black and chocolate brown. Majiayao culture, Banshan type, 3rd millennium BC Peri...

A Japanese antique ceramic vase with a calm, understated presence shaped by time. Although an older piece, it remains in good condition with no cracks or chips, retaining the integri...

Right arm raised and both hands pierced and held in a fist, also wearing layered armor with epaulets at the shoulders, extensive pigment remaining. TL testing was not conducted due t...

Neolithic Jar with strap handle from Gansu Province. Acquired in Hong Kong in the late 1990s. Date : 3,000-2,000 BC Made in : Gansu province Dimension : 23cm (Height) x 8.5cm(Mouth ...

A pair of antique Sukhothai pottery jars with natural shell and barnacle from shipwreck. Age: Thailand, Sukhothai Period, 14th - 16th Century Size: Height 26.5 - 26.9 C.M. / Width 1...

A fine and unusual Chinese Tang Sancai glazed model of a horse and rider, Tang Dynasty (618 to 906 CE), early 8th century, China. This fantastic sculpture portrays a male figures se...

The vessel’s plump ovoid body—rising from a low foot to a short neck with a flaring mouth—evokes the silkworm’s cocoon, a form that echoes the central role of sericulture in early Ch...

An elegant Chinese Ming dynasty pottery figurine depicting a horse in a standing pose with polychrome finish (aubergine, light brown and g...

Sukhothai pottery jar with natural shell and barnacle from shipwreck. Age: Thailand, Sukhothai Period, 14th - 16th Century Size: Height 31.6 C.M. / Width 16.8 C.M. Condition: Ni...

Antique Chinese pottery brick tile with musician flute player. Age: China, Song Dynasty, 10th - 12th Century Size excluding stand: Height 31.6 C.M. / Width 18.8 C.M. Height includin...

A pair of antique Sukhothai pottery brown glazed jars with naturally running glaze on the body, natural shell and barnacle from shipwreck. Age: Thailand, Sukhothai Period, 14th - 16...

Antique Chinese painted pottery kneeling camel with original pigments remaining. Thermoluminescence (TL) test result from Oxford Authentication Ltd. is included. Age: China, Tang Dy...

A Ming dynasty pottery horse modelled in a standing posture on a rectangular base, with a robust yet stylised anatomy, elongated neck, covered in a warm buff-toned slip with survivin...

Statues of horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green and Amber-glazed Pottery Type: Figure Provenance : ...

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...

A pair of antique Chinese pottery brick tile with lion and figures. Age: China, Song Dynasty, 10th - 12th Century Size of panels only: Height 21.3 C.M. / Width 32.8 - 33 C.M. / Thic...

An evocative large pottery pouring vessel, kendi, pre-Khmer, 6th-8th century, Cambodia. The large kendi of typical form, with a bulbous body set on a...

This bowl is made from Tokoname ware, a type of pottery from Aichi Prefecture. Tokoname ware has a history dating back to the 12th century, and there are still several active kilns t...

Statues of attendants crafted from terracotta, featuring glazes in green, Set on rectangular bases. Period: Ming Dynasty Medium: Glazed Pottery Type: Figure Condition : Excellent(It has soil on it, which is presumed to be evidence of excavation) Provenance : Acquired in late 1990s from Hongkong Reference : V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Tokoname ware is a historic kiln in Japan, where pottery has been made since before the Common Era, and a kiln was established in the 5th century. This kiln is located in Aichi Prefe...

Chinese pottery lotus jar. Age: China, Five Dynasties, A.D.907 - 960 Size: Height 24.8 cm. / width 18.2 cm. Condition: Well-preserved old burial condition o...

A pair of antique Chinese pottery brick tile with musician drummers. Age: China, Song Dynasty, 10th - 12th Century Size excluding stand: Height 30.2 - 30.8 C.M. / Width 18.3 - 19.2 ...

This Han dynasty horse sculpture adopts the standard funerary pose of a neighing steed with its mouth open. It is fired without glaze, leaving the clay body exposed, and holes indica...

Antique Thai Sukhothai pottery jar. Age: Thailand, Sukhothai Period, 14th - 16th Century Size: Height 29.7 C.M. / Width 17.3 C.M. Condition: Nice condition overall (some expected de...

An attractive Neolithic Chinese burnished red pottery vessel, Qijia Culture (2200 BC - 1600 BC), modern day Gansu Province, China. The vessel of compressed globular form set on a short, pieced pedestal foot, and featuring two ear handles, a short, wide neck, and slightly everted mouth. A simple incised band decorates the otherwise plain body. The red pottery with a beautiful rich terracotta hue. The slight burnishing makes the vessel glow. The Qijia Culture was a late Neolithic...

Chinese pottery bowl support by three legs. Age: Chinese, Han Dynasty, B.C. 206 - A.D. 220 Size: Diameter 23.7 C.M. / Thickness 11.7 C.M. Condition: Well-preserved old burial condit...

This is a very old cup-shaped earthenware from Korea. It was made in a country called "Kaya" located at the southern tip of the Korean peninsula. This is fired at a kiln temperature ...

A set of very refined green glazed attendants and one sedan chair, each with benevolent facial expression, beautiful colors and lines, Ming dynasty 1368-1644. Three glazed attendants...

A Japanese antique ceramic vase with a simple, quiet presence shaped by years of use. The piece shows a small chip along the rim, and several kiln marks are visible on the body—subtl...

This Ming Dynasty painted pottery horse is depicted standing on a tiered rectangular pedestal. The horse has a well-proportioned body, with sturdy legs and a slightly arched neck. The eyes and muzzle are subtly outlined and incised. The mane is sculpted with deep, parallel grooves. The tail is long and slightly curved left, extending downward. The saddle is prominently featured at the center of the horse’s back, detailed with a raised, rounded seat and an attached stirrup hanging down one side. The saddlecloth is textured with a crosshatch pattern, bordered by a row of carved fringe-like elements. The horse's legs display subtle musculature, and the hooves are clearly defined, with black pigment accentuating their edges. The original painted pigments, including white, black, and ochre, are still visible, though faded in some areas. The black pigment highlights the mane, tail, and parts of the bridle, while the ochre tones accentuate the saddle and decorative elements. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

A white-glazed chicken-comb ewer fired in late Liao-dynasty, its form derived from leather water flasks and clearly reflecting the culture of nomadic horse-riding peoples. The soft w...

A well modelled pair of Tang dynasty painted pottery soldiers. The warriors portrayed standing, dressed in form fitting, elaborate layered Armor with fitted helmets. The breastplate...

A delightful and rare Chinese painted high fired gray pottery model of a wooly camel, Northern Wei Dynasty (386 - 535 AD), China, with TL test. The charming camel is portrayed stand...

This artwork, acquired in Hong Kong during the 1990s, is presumed to have been produced in the same kiln from the Han dynasty, based on the head of the Sotheby's reference piece, which also originated from Hong Kong. Furthermore, given its almost identical shape to the piece from the Artemis Gallery...

Painted pottery figure of an opulent Chinese court woman with up-swept hair and standing in a simply draped robe from the Tang Dynasty (618-907 AD). Her beauty is illuminated by the ...

A pair of Ming dynasty green-glazed pottery court figures, fully glazed and modeled with neat court caps and long flowing robes forming a balanced silhouette. The surface shows natur...

Pottery figures of a mounted soldier and horse made from reddish-brown earthenware, constructed in a modular manner with the horse’s legs and tail, as well as the soldier’s hands, or...

A Han dynasty green-glazed pottery vessel with a gently flaring rim and a stable high-footed base, covered overall in a green glaze. The exterior features motifs of deer, cicadas, an...

A stunning and massive Chinese high fired gray pottery jar of remarkable size and girth, with impressed geometric design, Eastern Han Dynasty (25-220 AD), ...

A sublime Chinese neolithic burnished red pottery jug, Qijia Culture (2200 BC - 1600 BC), modern day Gansu Province, China. The simple jug of alluring form, with a voluptuous body, short, narrow neck with slightly everted mouth, and a single ear handle. The red pottery of gorgeous shades of terracotta, and slightly burnished. Overall surprisingly contemporary for a piece over three thousand years old. The Qijia Culture was a late Neolithic...

Modeled after wooden architectural forms, this miniature gate is constructed with two vertical posts and three horizontal crossbars, set on footed bases with projecting support brack...

Pair of 15th Century (or earlier) Encrusted ceramic vessels from Fujian encrusted by the Sea air. SOLD SEPARATELY Period of Southern Song to Yuan Dynas...

A charming Korean high fired gray pottery stoneware footed vessel, Three Kingdoms Period, Silla Kingdom, circa 6th century. The vessel of traditiona...

This tripod jar, dating from 2000 to 1500 BCE, is attributed to the Lower Xiajiadian Culture, which flourished in Northeast China. It exemplifies the early ceramic craftsmanship of N...

The dog faces forward, with clearly defined eyes that stand out. Its ears are slightly curled, giving the impression of a relaxed, natural stance. The collar around its neck, connect...

A dark gray pottery vessel with a smooth, unglazed surface and three rounded legs. The body is encircled by a twisted band, with a slanted spout and a large opening shaped like a fac...

A stoneware ewer with an ovoid body set on a slightly recessed foot, featuring a dish-shaped flaring mouth, a loop handle, and a short pouring spout at the shoulder; the pale buff gl...

This vase is sturdily potted with a robust ovoid body that rises from a short, spreading foot to a gently tapering neck, finishing with a lipped mouth rim. The exterior is decorated ...

This jar features carved decoration typical of Cizhou ware. It is characterized by a creamy white slip contrasting with the brown clay body, and the principal motif appears to be a lotus flower. The decoration was created by coating the vessel with a layer of white slip and carving through it to reveal the darker body beneath, producing a strong visual contrast between the background and the motif. Period : Song-Yuan Dynasty Type : Jar Medium : Cizhou Ware Size : 21.5 cm(Height), 11cm(Mouth Diameter) Provenance : Acquired in 1999, Hongkong * Cizhou Ware Cizhou is the name given to a number of stonewares, grey or buff, of varying degrees of hardness, with painted, incised or carved decoration on a clay slip. These stonewares were not only made in the region of Cizhou, Hebei Province, but in several provinces of China during the Song, Yuan and Ming periods. The great centres of production were in the north of China in the provinces of Hebei, Henan and Shanxi. Cizhou wares seem to have been very popular, made for a clientèle of rich merchants, at a period when the paintings of famous...

A wonderful Han Dyansty (206 BC-200 AD) storage vessel. The circular body set upon three legs and fitted with a lid. The entirety covered in heavy leaded green glaze, imitating bronz...

Neolithic Vase with raised neck, slightly flared, two handles. Geometric designs and stylized bovine heads in black. Acquired in Hong Kong in the late 1990s. Date : 3,000-2,000 BC M...

This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustrous finish. The body features a flaring, trump...