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Place of Origin: Spanish
Contemporary Glass Cabinet with Doors – Display & Storage Showcase
Located in CAMBRE, ES
This modern glass cabinet created by Díaz Marentes Studio embodies refined simplicity inspired by mid-century aesthetics, carefully designed to showcase your treasured collections. Handcrafted from select hardwoods, this piece features elegant glass doors, allowing clear visibility while protecting valuable contents from dust and damage.
The cabinet’s interior comprises three glass doors enclosing a carefully structured space, housing three meticulously crafted drawers, followed by a Carrara marble shelf...
Category
2010s Mid-Century Modern Spanish Furniture
Materials
Carrara Marble
18th Century Spanish Cathedral Trunk
Located in Dallas, TX
Beautiful cathedral trunk with detailed design on the front resembling arches. Trunk originates from France.
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18th Century Antique Spanish Furniture
Materials
Wood
1930s Vintage Bamboo and Wood Octagonal Side Table
Located in Marbella, ES
Charming vintage rustic style side table, with bamboo structure and octagonal wooden top. Its exotic and artisanal design brings a warm and natural touch to any space. It has a lower...
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Early 20th Century Spanish Furniture
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Bamboo
Chinoiserie Bench
Located in BARCELONA, ES
Authentic Choiserie
An exceptional and elegant bench in the Chinoiserie style, crafted from rich mahogany and adorned with delicate gold-painted motifs. This rare decorative piece r...
Category
18th Century Chinoiserie Antique Spanish Furniture
Materials
Gold Leaf
$34,388
Table Lamp, Goya, Full Size, Classical Acoustic Guitar
Located in BUNGAY, SUFFOLK
This full-size, classical, acoustic guitar is in a natural, multi-wooden finish and has a vibrant, exciting tone.
Mahogany back and sides, rosewoo...
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Late 20th Century Bohemian Spanish Furniture
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Maple
Japanese lacquered Black Cabinet , brass handles and woodcuts with orient
By Chow's Oriental Furniture Co.
Located in Valladolid, ES
Extraordinary Japanese Lacquered Sideboard with Antique Brass Handles and Woodcuts with Oriental Calligraphy
Exquisite cabinet in precious black lacquered wood with an antique effect...
Category
Early 2000s Japonisme Spanish Furniture
Materials
Bronze
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H. 88 x W. 100.5 x D. 54 cm
This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame.
The latter can be designed and added to your specific needs.
The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one.
Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard.
The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology.
The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre.
A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains.
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Vargueno or Bargueno, Late-16th-Early-17th Century, Spanish Renaissance, Walnut
Located in BUNGAY, SUFFOLK
Spanish writing desks from this period are the most distinctive pieces of Spanish furniture conceived as visual displays of incredible virtuosity. They have been highly prized since the 16th century when they were objects of status for Spanish court culture which required portable furniture to travel within Spain’s global Empire. The characteristic decoration of the outer fall front of this vargueno with its metal pierced mounts over red velvet, locks and catches is arresting and the interior displays the finest, decoration of the period. Carved and gilded architectural features, turned bone colums and finials flank, painted geometric decoration within carved and gilded panels; decoration which was the height of grandeur in the Spanish Golden Age. Varguenos with open stands are almost always associated either with a modern Stand or a marriage of different pieces and this vargueno has its original Stand, probably because it reputedly passed by descent in one family ownership and one house for around two hundred years also accounting for its high degree of originality. The quality of the construction, ornamentation and decoration combined with the originality of the escritorio and its Stand together with its provenance translate into this being as good an example of an early vargueno from Salamanca as can be found.
In two parts. The outside edge of the vargueno box or escritorio has two decorative pierced metal mounts along the top, three down the sides and two on the top edge with iron catches to secure the fall-front in place when it is not locked. The elaborate double-hasp is attached to the top edge of the frame and fits into a central hexagonal framed, pierced metal escutcheon covering the working lock. This escutcheon is surrounded by five large diamond-shaped panels with pierced metal mounts, the top two have central drop handles for lowering the fall and the remaining three have central cone shaped bosses as decorative features. The four side panels have pierced metal mounts which are really charming featuring lions and an exotic birds and hearts and latches to lock and release the fall. The sides are fitted with a hexagonal panels with pierced mounts and carrying handles. All of these metal panels retain their original red velvet which is typically worn due to age and use. A pair of three iron Santiago shells at the bottom hide the fixings for the hinges which are fixed on the inside.
The fall opens to reveal a stunning architecturally inspired, fitted interior with carved and gilded ornament, black and white painted decoration and spiral bone columns. The central cupboard has a broken volute scroll pediment, spiral bone columns and floral painted cartouches and retains its original working lock and hinges. There are two long short drawers on either side above two short deep drawers with secret drawers below repeating the architectural decoration on the central cupboard beside them flanked by two pairs of short drawers all with original working locks and hinges. A deep drawer below the cupboard with a secret drawer below is flanked by two pairs of long drawers. All the cupboards and drawers are moulded and faced with chip carved decoration and the drawers retain their original Santiago shell handles. The fall front retains its original hinges and cleated sides.
The H-shaped, pie de puente (bridge foot) or turned base has two pull-out bars with Santiago shell ends to support the fall when the vargueno is open. It has six turned uprights joined with arcading with turned finials attached to three turned uprights on each side standing on sledge feet.
Provenance: Deceased estate of private collector. Private collection, reputedly by descent in the same family since the 18th century.
Literature: 'Varguenos have the simplicity, rigid regularity, and austere dignity that have always appealed to Spanish taste in furniture. . . When open, the effect is one of flamboyant splendor . . . like Moorish artesonados . . .'; see Grace Hardendorff Burr, former Curator of Furniture of the Hispanic Society of America,
This vargueno has all the features associated with those illustrated in the standard textbooks on Fine, Spanish furniture of the period which are largely from museum collections, notably the publication by the Hispanic Society of America entitled 'Spanish Interiors & Furniture' and a modern publication by Maria Alonso entitled 'El Mueble en Espana' and Feducci's ‘El Mueble Espanol’.
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