Early in his artistic career, Doel Reed knew he wanted to be a printmaker. Influenced by Goya's aquatints, he extended himself beyond his formal art training to learn this technique, and he established himself as one of its masters. For decades, he devoted himself to the art program at the University of Oklahoma, taking it from a faculty of one to a major mid-Western department. Upon retirement, Reed focused totally on his work, moving with his family to Taos, New Mexico, where they had previously summered. Marked by strong tonal contrasts, his landscapes of this region are deeply emotional renderings with a sense of mystery — Modernist forms combined with romantic moodiness. Born and raised in Indiana, Reed originally studied architecture, which he credits with lifelong attention to "how something is constructed." His mature style can be characterized as architectonic in his concern with assembling volumes and planes. Even the intense northern New Mexico light becomes the means to articulate three-dimensional patterns into cubistic interplay. When painting, Reed used thick strokes of oil and casein as another structural element. Transferring to fine art, his studies at the Art Academy of Cincinnati were then interrupted by military service in World War I. Suffering a gas attack in the trenches of France, Reed spent months in a hospital temporarily blinded. The effects of the gas also damaged his lungs, which later prompted him to live in the dry climates of Oklahoma and New Mexico. After the war, he returned to his studies, but it was the discovery of Goya's aquatints rather than his art classes that inspired. Considered the master, Goya drew on the tonal range available with this medium to create powerfully haunting imagery. Perhaps Reed responded personally to the eloquent series "The Disasters of War." Now his course was set, and he built his etching press, which he continued to use for the rest of his life. In 1924, he accepted a teaching position at Oklahoma State University, where he remained for 35 years. Emphasizing drawing, Reed encouraged students to go to nature and translate the scene through their sensibilities. Beginning as the sole art professor, he developed the program when it became an independent department in 1930. Through his stewardship, the university gained a reputation as one of the best for printmaking in the country. During the 40s, Reed also prepared a series of lectures and demonstrations on aquatint for the Association of American Colleges and Universities. His most public offering in art education is the book, "Doel Reed Makes An Aquatint" (1965). Sabbaticals allowed him to visit Paris in 1926 and 1930–31. Summer travel took him to Nova Scotia and Mexico, but gas rationing during World War II necessitated a closer destination. Thus the Reed connection with Taos was established. Finally, in 1959, he, his wife, and daughter moved there to Talpa Ridge, the same outlying area in which artists like Andrew Dasburg, Howard Cook and Barbara Latham resided. Settling into a complex of three adobe buildings, Reed was welcomed by these artists, who referred to their community as the Neurosis Ridge. Rena Rosenquist of Mission Gallery remembers that Reed was "the most affable man" who liked cold martinis. For Reed, the surrounding Sangre de Cristo Mountains offered "end of abstract pattern." His inventive mind came up with techniques to transform a natural scene into a richly dimensional object. He fashioned a rosin box and concocted his formula of etching ground to achieve a velvety texture with his prints. Described as "not for the faint-hearted,” casein became a medium with which built up paint surfaces that almost seem sculpted. Both the prints and drawings are characterized by a tension between the two-dimensional surface pattern and the articulated space it conveys. In addition to landscapes, Reed produced several works of voluptuous women with the figures echoing landscape elements. As a boy, his first art experience was a grade-school field trip to the John Herron Art Museum (now the Indianapolis Art Museum), where he expressed his admiration for a painting of a nude mermaid, an image that made a lasting impression. Reed was proudest of his recognition by the National Academy of Design (now just the National Academy). In 1942, he was named associate member; in 1952, he was named full academician.
PICURIS PUEBLO - WINTER
By Doel Reed
Located in Santa Monica, CA
DOEL REED (1894 - 1958) PICURIS PUEBLO - WINTER ca. 1954 Aquatint, signed in pencil. Image. 9 7/8 15 ¾”, Sheet 13 ¼ x19” with deckle edges. Very good rich impression. Very small ...
Aquatint
$9,200Sale Price|36% Off
Doel Reed “Spring Storm” 1980 – Southwestern Modernist Landscape Painting
By Doel Reed
Located in Denver, CO
A commanding late-period work by American modernist Doel Reed, Spring Storm (1980) exemplifies the artist’s mature exploration of tonal landscape and atmospheric drama. Painted just ...
Casein
WEDDING PREPARATIONS
By Doel Reed
Located in Portland, ME
Reed, Doel (American, 1894-1985) WEDDING PREPARATIONS.. Etching and Aquatint, 1973. Signed in pencil, lower right, and numbered 26/30. 12 x 17 1/2 inches (plate), 15 x 22 1/4 inches ...
Etching, Aquatint
Doel Reed Original Aquatint, 1948, "Evening Music"
By Doel Reed
Located in Phoenix, AZ
Aquatint by Oklahoma/New Mexico Artist Doel Reed (1895-1985). This etching is in excellent condition and unframed. Signed in pencil lower right. Image measures: 15 3/4" H x 11" W Edition: 100. Created 1948. Titled: "Evening Music" Remembered as an important member of the Taos art Community, Doel Reed achieved an international reputation as a landscape artist and printmaker, and was known as the 20th century master of the aquatint. From 1924-1959, he chaired the art department at Oklahoma State...
Paper
Doel Reed 1972 Aquatint Etching Reclining Nude Winter Bouquet Print, Signed
By Doel Reed
Located in Denver, CO
Nude with Winter Bouquet is an elegant and atmospheric 1972 aquatint etching by celebrated American printmaker Doel Reed. This refined composition depicts a reclining female nude res...
Etching, Black and White, Aquatint
$750
H 20.75 in W 11.75 in D 1 in
Etching and aquatint of Wall Street, New York, 1920s
By Max Pollak
Located in Colfax, CA
Etching and aquatint of Wall Street, New York circa 1928 by Max Pollak. Painter and printmaker Max Pollak, (1886-1970), was born in Prague, Czechoslovakia and was raised in Vienna, A...
Etching, Aquatint
Untitled (Fantastic Scene)
By Michael Bowen
Located in San Francisco, CA
This artwork "Untitled, Fantastic Scene" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed in pencil by the artist. The plate mark (image) size is 14.85 x 18 inches, sheet size is 21.5 x 26 inches. It is in excellent condition, has never been framed. About the subject: Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy. About the artist: Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...
Etching, Aquatint
$2,500
H 15 in W 16.5 in D 1.5 in
Untitled Acrylic Architectural Landscape Painting
By Anthony V. Martin
Located in Houston, TX
Architectural landscape painting by Anthony V. Martin of a white house with a lovely green velvet mat and a gold frame. Artist Biography: Anthony V. Martin grew up in east Texas. H...
Egg Tempera
$1,411
H 11.19 in W 8.98 in D 0.04 in
Jean Cocteau - White Book - Original Handcolored Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograp...
Lithograph
after Henri Matisse, "Sitting Blue Nude"
By Henri Matisse
Located in Collonge Bellerive, Geneve, CH
Lithograph after Henri Matisse - Sitting Blue Nude Artist : after Henri MATISSE Edition of 200 76 x 56 cm With stamp of the Succession Matisse References : Artvalue - Succession Ma...
Lithograph
$2,353
H 22.05 in W 14.97 in D 0.04 in
Jean Cocteau - Marine Mountains - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...
Lithograph
$2,300
H 8.25 in W 11.88 in
'Riders at Sundown' — Mid-Century Southwest Regionalist Signed Aquatint
By Gene Kloss
Located in Myrtle Beach, SC
'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...
Drypoint, Aquatint
Reindeer In The Forest Chinese
Located in Lake Worth Beach, FL
Reindeer In Forest Tempera on silk, gold leaf frame under glass, by Chinese artist Ma Hai Feng born 1958.
Silk, Egg Tempera
$1,975
H 11.38 in W 16.82 in
'Brooklyn Bridge' — Signed Color Etching, New York City, 1927
By Luigi Kasimir
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Etching, Aquatint
$3,500
H 13 in W 13 in D 1.5 in
Paper Plate Screenprint, Pop Art Style, Framed, 1960s, Excellent
By Roy Lichtenstein
Located in New York, NY
Roy Lichtenstein grounded his profoundly inventive career in imitation—beginning by borrowing images from comic books and advertisements in the early 1960s, and eventually encompassi...
Paper, Acrylic
Self Portrait
By William Ashby McCloy
Located in Los Angeles, CA
Self-Portrait, c. 1940, oil and tempera on Masonite, artist’s name inscribed verso, 30 x 25 inches William Ashby McCloy was an American artist, educator, and clinical psychologist. ...
Masonite, Oil, Tempera
$8,500
H 24 in W 37.5 in D 0.13 in
'Rural Landscape with Horse and Buggy', Antique Americana, Folk Art, Naive, Oil
Located in Santa Cruz, CA
Inscribed indistinctly verso, 'Painted by H. Herneisen' (?) and dated 1916. Displayed in a period, polished walnut, swept frame. Framed dimensions: 26 H x 2 D x 39.75 W inches Paint...
Casein, Fiberboard
UNTITLED (RESTING WOMEN; SLEEPING WOMEN)
By Doel Reed
Located in Portland, ME
Reed, Doel (American, 1894-1985). UNTITLED (RESTING WOMEN; SLEEPING WOMEN). Etching and Aquatint, 1940. Signed in pencil, lower right. 10 1/2 x 15 inche...
Etching, Aquatint
Sold
H 24.75 in W 29.5 in D 1.25 in
Untitled (Original Drawing of a New Mexico Landscape)
By Doel Reed
Located in Denver, CO
Original vintage 1975 framed charcoal and pastel drawing of a New Mexico landscape with hills, trees and snow-capped mountains in black and white by Doel Reed (1894-1985). Presented ...
Charcoal
Mountain Grove (New Mexico)
By Doel Reed
Located in Denver, CO
Casein on paper. Housed in a custom frame with all archival materials and UV Protection/Anti-reflective glass. Outer dimensions measure 29 ¼ x 37 ¼ inches; image size is 19 ½ x 27 ½ inches. About the artist: Early in his artistic career, Dole Reed knew he wanted to be a printmaker. Influenced by Goya’s aquatints...
Casein
Evening Music
By Doel Reed
Located in Plano, TX
Evening Music. 1946. Aquatint. Cohen & Rogers 62. 15 5/8 x 11 (sheet 18 7/8 x 14 1/4). Edition 100 for Associated American Artists. A rich, glowing impression printed on cream wove p...
Aquatint