William Meyerowitz

Horses, Colorful Horses, expressionistic, post-impressionistic

William Meyerowitz, originally from Russia, embarked on his journey to the United States in 1908 alongside his father, followed shortly by the rest of their family. Upon his arrival in New York, young Meyerowitz was already deeply engrossed in the twin pursuits that would define his existence for the ensuing seven decades: music and art. Between 1912 and 1916, William Meyerowitz pursued his artistic education at the National Academy of Design, with a primary focus on the craft of etching. During this period, he sustained himself by both lending his voice to the Metropolitan Opera and engaging in architectural drafting. Following the completion of his formal studies, Meyerowitz collaborated with fellow artists George Bellows and Robert Henri to establish the People's Art Guild. This organization was conceived with the noble objective of democratizing art by offering alternative exhibition venues, even within the tenement houses of the East Side. It was through this endeavor that Meyerowitz crossed paths with the artist Theresa Bernstein. Their union was sealed...

Wonderful and strong example of Bernard Chaet. He was born 1924 and was an American painter, printmaker, and educator known for his contributions to the field of art. He had a signi...

Northeast 86 is a wonderful abstract landscape by Alison Cooley who was born in Washington, DC and studied at Sarah Lawrence College. Cooley’s atmospheric abstraction is simply beaut...

Northeast 88 is a wonderful abstract landscape by Alison Cooley who was born in Washington, DC and studied at Sarah Lawrence College. Cooley’s atmospheric abstraction is simply beaut...

Philip Barter, born in Boothbay Harbor, Maine, in 1939, stands as a self-taught artist who navigated his craft without the confines of formal or academic art training. His passion for art, particularly drawing, ignited at an early age and was propelled by his intrinsic motivation. By his mid-teens, drawing evolved into a daily ritual for Barter. Over the years, he meticulously refined his artistic skills, and a transformative period in California during the early Sixties solidified his commitment to a career as a painter. By the 1980s, Philip Barter had ascended to become one of Maine's foremost regionalist painters. His body of work, numbering close to two thousand paintings, is scattered across the United States, Canada, and Europe, adorning both individual and corporate collections. In 1988, Barter's reputation as a distinguished regionalist folk-art painter and interpreter of Maine's Down East experience, predominantly conveyed through his narrative paintings, caught the attention of officials at Massachusetts' DeCordova Museum. Six of his narratives found a place in their traveling exhibition, "Stories to Tell: The Narrative Impulse in Contemporary New England Folk Art." This marked a pivotal moment for Barter, gaining significant exposure in a publication dedicated exclusively to the world of art and artists. In 1992, Bates College in Lewiston, Maine, paid homage to Philip Barter with his inaugural retrospective, recognizing his quarter-century contribution to the realm of Maine art...

William Meyerowitz, originally from Russia, embarked on his journey to the United States in 1908 alongside his father, followed shortly by the rest of their family. Upon his arrival in New York, young Meyerowitz was already deeply engrossed in the twin pursuits that would define his existence for the ensuing seven decades: music and art. Between 1912 and 1916, William Meyerowitz pursued his artistic education at the National Academy of Design, with a primary focus on the craft of etching. During this period, he sustained himself by both lending his voice to the Metropolitan Opera and engaging in architectural drafting. Following the completion of his formal studies, Meyerowitz collaborated with fellow artists George Bellows and Robert Henri to establish the People's Art Guild. This organization was conceived with the noble objective of democratizing art by offering alternative exhibition venues, even within the tenement houses of the East Side. It was through this endeavor that Meyerowitz crossed paths with the artist Theresa Bernstein. Their union was sealed...

Josep Coll Bardolet (1912-2007) - Musicians and dancers Mallorca - Oil on panel Oil measurements 33x41 cm. Frame measurements 44x52 cm.

Abstract landscape, oil painting This is hand signed lower right dated 1947 There is also a hand written inscription in french lower left. Moussia Toulman ( 1903-1997), Artist and poet, was born in Uman Ukraine (famed as the tomb site of Chassidic Rebbe Nachman of Breslov) and came to Israel (British mandate Palestine) when she was 19 years old. Just a few months after her arrival she married, settled in Metula however, she didn’t forgo her ambition to study art. In 1923 she enrolled to study at the Bezalel Art Institute in Jerusalem and completed her studies there in 1926. Like Ziona Tagar, who preceded her a few years earlier, Moussia Toulmann chose to become an artist-woman in the full significance of the term. She wasn’t satisfied with the local studies framework that was available and chose to continue her studies in Paris, France which at that time was considered the art capital. From 1929 onwards Musia lived in Paris, studied art and joined the ‘Independent Salon’ society. She made contacts with artists and writers and exhibited during the 1930’s in a number of select group exhibitions. In 1936 Tolman visited Israel and forged bonds with artists she studied with at Betzalel, among them Aharon Avni, Gliksberg and Avigdor Stematsky. She exhibited at the Tel Aviv Museum of Art in 1936 in a group exhibition with Aharon Avni, Arie Aroch, Yosef Zaritsky, Mordechai Levanon, Eliyahu Sigad, Chaya Schwartz, and Yehezkel Streichman. She painted landscapes and portraits and presented one of the works she painted in Paris to the Tel Aviv museum. It was a portrait of the poet and art critic Gustave Kahn who had died the same year. Moussia returned to Paris and exhibited a one-man show just before the outbreak of the Second World War. During the war all the works she exhibited in this exhibition were lost without a trace and Moussia Toulman herself wandered around France moving from one hiding place to another. After the war, in 1946 Moussia Toulman continued painting but was reluctant to exhibit her works. She became a well-known public figure and volunteered for aid programmes for Holocaust survivors, especially orphans. Later on she founded together with Mane Katz, Jacques Atlan and other artists the ‘Art’ organization with the object of developing cultural ties with Israel and to aid Israeli artists during their stay in Paris. In addition to painting Moussia Toulman wrote poetry, published articles and was involved in art criticism. She was included in the rare publication of 'Association des artistes, peintres et sculpteurs juifs de France' in French and Yiddish. The School of Paris Jewish artists included Edmond Kayser, Abram Krol, Meyer Lazar, David Lan-Bar, Jacques Lipchitz, Jacques Loutchansky, Lubitch, Rene Mendes-France, Adolphe Milich, Lea Nikel, Jules Pascin, David Peretz, Camille Pissarro, Nathan Rapoport, Moussia Toulman, Roger Worms...

Landscape painting "Field of Dreams III" 24x30 by artist H.M. Saffer II. Painted in the style of pointillism, a series of tiny painted brushstrokes , this colorful oil painting depicts a vivid red and orange sky over a purple field. A path recedes into the background. About the artist: Born July 18, 1942 in Philadelphia, Pennsylvania, H.M. Saffer II launched his career by exhibiting his art at a public art show at the tender age of six. Upon graduation from Temple University in 1965, he traveled to Paris, France to enroll in graduate economics courses. Concurrently, HM's path took a different twist, as he soon leveraged his musical talent performing with notable French stars Hugues Aufray, Jacques Brel, Charles Aznavour, and many others. He was later hired by Barclay Records as a producer, and had several hit records in 1968 and 1969. During this period, he was also the chef / owner of two restaurants in Paris, and later a third located in Ibiza, Spain. Remarkably, as engaged as he was, HM never stopped painting and exhibiting his works. Several of his shows - sponsored by his restaurants and music associates - "sold out" and were favorably written up by the press. Before returning to the United States in 1970, he completed selected studies at L'Ecole Des Beaux Arts and exhibited in Paris and Brussels, Belgium. HM continued on with his music career in the United States at Warner Brothers Productions where he co-wrote the international hit song, "Look What They Done To My Song, Ma", recorded by Ray Charles, Melanie and other performers. While at Warner he painted a forty foot mural in their Madison Ave., NY headquarters and exhibited his works in the firm's lobby. In 1972 HM was hired by the dynamic songwriter/producer Bob Crewe as Senior Vice President for the Crewe Group of companies where he worked with the industry's top names including Frankie Valli and the Four Seasons, Vicki Carr, and Oliver. Later that year, he established HMS Two Music Ltd. and spent his time writing and producing music for films, commercials, recordings and Broadway productions. HM's work in the commercial field is familiar to us all with creations for Pepsi, Mountain Dew...

This elegant oil on mounted canvas is by André Hambourg (France, 1909-1999) and features a seaside composition. The artwork is signed in the bottom left corner. The landscape is a lovely pastel color composition, by the beach, on the French Atlantic coast nearby Cabourg or Deauville. Newly framed with a gray and green ceruse wood frame and a blue canvas matte. Measurements: With frame: 22.82 in. wide (58 cm) x 19.32 in. high (49 cm). Opening: 16.13 in. wide (41 cm) x 12.63 in. high (32 cm). About: André Hambourg was born in Paris on 5 May 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the Ecole Nationale Superieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old. Because of the early recognition of his talent, Hambourg became active in major Paris salons in the first stages of his fledgling career. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. The first of Hambourg’s many honors was the Prix de la Villa Abd-el-Tif, awarded in 1933. As a result, the artist traveled to North Africa for the first time and spent nearly ten years working in Algeria and Morocco. The strong light of the sun, and the bleak poverty of this region, inspired Hambourg’s works. In 1937, he executed a large mural for the Algerian Pavilion at the Exposition Internationale of Paris. Throughout his years in North Africa, Hambourg would exhibit his paintings in numerous solo exhibitions in Algeria and Paris. In 1939, Hambourg was mobilized as a military reporter and draughtsman and worked on the staff of the Journal de Commissariat a la Guerre, the newspaper of the French army, under the pseudonym Andre Hache. Special missions on combat vessels led to his appointment as a war correspondent in 1944 with the staff of inter-allied SHAEF. As such, he participated in the campaigns of Germany, Alsace, the Atlantic front, and the Liberation of France. After returning to his artistic career for a short time, Hambourg became the official painter of the Navy in 1952. He undertook numerous voyages aboard French Navy vessels on missions worldwide, including Venice, the Soviet Union, Israel, Great Britain, The Ivory Coast, The United States, and Mexico. From these extended trips, the artist brought back numerous sketches and preparatory drawings for future paintings and illustrations. His international trips would have a lasting influence on his artwork. Hambourg’s adventurous maritime career resulted in his receiving the honor of Laureate of the Salon de la Marine and becoming the official painter of the Marine Ministry. In 1970, five hundred of his works created a prestigious retrospective at the Maison de Culture in Bourges, France. Other notable shows include Drawings of Venice...

JANET AMENT DE LA ROCHE (American 1916-2000) "Still Life of Table with Lemons and Vase of Flowers," Oil painting on canvas wrapped board in carved gilt wood frame Hand signed L/R, "de la Roche," and signed verso Provenance: Private Collection, Pearland, Texas. Dimensions: framed 15 X 19.5 sight 12 X 16 Janet Ament De La Roche (1916-2000) was active/lived in California. She is known for Post impressionist, abstract figurative painting. This painting while clearly figurative bears the influence of the emerging Abstract expressionist movement. Janet Ament De La Roche was born in Hollywood, CA on December 31, 1916. Janet first studied in Los Angeles at Otis and Chouinard art institutes. While studying at Jepson Art Institute in 1947, she met and soon married artist, Victor Di Gesu. Janet de La Roche was often called one of the last Bohemians. She was an artist as well as an avid Flamenco dancer. The couple spent four years in Europe and further studied in Paris at Académie de la Grande Chaumière and Andre Lhote Institute, and in Barcelona at Escuela de Bellas Artes de San Jorge .She also studied with the artist, Ejnar Hansen. as well as with Earl Kerkam, Yves Brayer, Jean Aujame, Edouard Goerg, F.Tolles Chamberlin and George Stanley. Upon returning to California in 1956, they settled on the Monterey Peninsula and built a home in Pacific Grove. She exhibited widely and with much success, including at the Salon d'Automne (1954), the Salon des Artes Decoratifs, Museum of Modern Art, Paris, (1955), the San Francisco Museum of Modern Art and the Los Angeles County Museum of Art. She was the winner of the Prix Othon Friesz. She was included in the exhibit at the Pacific Grove Art Center, A Salute to 14 Major Artists, (Other “Legacy” artists include, Janet Ament, Carolyn berry, Joan Savo, Justine Weber, Virginia Conroy, George Degroat, Eldon Dedini, Sam Colburn, Alex Gonzalez...

Colorful landscape painting "Quiet Sundown" by artist H.M. Saffer II. Painted in the style of pointillism, a series of tiny painted brushstrokes , this 16x20 oil landscape depicts a colorful and serene sunset featuring bright yellows and oranges to deep blues and greens. A meandering stream makes it's way through a pocket of trees. About the artist: Born July 18, 1942 in Philadelphia, Pennsylvania, H.M. Saffer II launched his career by exhibiting his art at a public art show at the tender age of six. Upon graduation from Temple University in 1965, he traveled to Paris, France to enroll in graduate economics courses. Concurrently, HM's path took a different twist, as he soon leveraged his musical talent performing with notable French stars Hugues Aufray, Jacques Brel, Charles Aznavour, and many others. He was later hired by Barclay Records as a producer, and had several hit records in 1968 and 1969. During this period, he was also the chef / owner of two restaurants in Paris, and later a third located in Ibiza, Spain. Remarkably, as engaged as he was, HM never stopped painting and exhibiting his works. Several of his shows - sponsored by his restaurants and music associates - "sold out" and were favorably written up by the press. Before returning to the United States in 1970, he completed selected studies at L'Ecole Des Beaux Arts and exhibited in Paris and Brussels, Belgium. HM continued on with his music career in the United States at Warner Brothers Productions where he co-wrote the international hit song, "Look What They Done To My Song, Ma", recorded by Ray Charles, Melanie and other performers. While at Warner he painted a forty foot mural in their Madison Ave., NY headquarters and exhibited his works in the firm's lobby. In 1972 HM was hired by the dynamic songwriter/producer Bob Crewe...