Alison Hall Cooley

Northeast 86

Northeast 88 is a wonderful abstract landscape by Alison Cooley who was born in Washington, DC and studied at Sarah Lawrence College. Cooley’s atmospheric abstraction is simply beaut...

William Meyerowitz, originally from Russia, embarked on his journey to the United States in 1908 alongside his father, followed shortly by the rest of their family. Upon his arrival in New York, young Meyerowitz was already deeply engrossed in the twin pursuits that would define his existence for the ensuing seven decades: music and art. Between 1912 and 1916, William Meyerowitz pursued his artistic education at the National Academy of Design, with a primary focus on the craft of etching. During this period, he sustained himself by both lending his voice to the Metropolitan Opera and engaging in architectural drafting. Following the completion of his formal studies, Meyerowitz collaborated with fellow artists George Bellows and Robert Henri to establish the People's Art Guild. This organization was conceived with the noble objective of democratizing art by offering alternative exhibition venues, even within the tenement houses of the East Side. It was through this endeavor that Meyerowitz crossed paths with the artist Theresa Bernstein. Their union was sealed...

Wonderful and strong example of Bernard Chaet. He was born 1924 and was an American painter, printmaker, and educator known for his contributions to the field of art. He had a signi...

Philip Barter, born in Boothbay Harbor, Maine, in 1939, stands as a self-taught artist who navigated his craft without the confines of formal or academic art training. His passion for art, particularly drawing, ignited at an early age and was propelled by his intrinsic motivation. By his mid-teens, drawing evolved into a daily ritual for Barter. Over the years, he meticulously refined his artistic skills, and a transformative period in California during the early Sixties solidified his commitment to a career as a painter. By the 1980s, Philip Barter had ascended to become one of Maine's foremost regionalist painters. His body of work, numbering close to two thousand paintings, is scattered across the United States, Canada, and Europe, adorning both individual and corporate collections. In 1988, Barter's reputation as a distinguished regionalist folk-art painter and interpreter of Maine's Down East experience, predominantly conveyed through his narrative paintings, caught the attention of officials at Massachusetts' DeCordova Museum. Six of his narratives found a place in their traveling exhibition, "Stories to Tell: The Narrative Impulse in Contemporary New England Folk Art." This marked a pivotal moment for Barter, gaining significant exposure in a publication dedicated exclusively to the world of art and artists. In 1992, Bates College in Lewiston, Maine, paid homage to Philip Barter with his inaugural retrospective, recognizing his quarter-century contribution to the realm of Maine art...

The 18x26 painting by William Meyerowitz is a captivating piece featuring a group of horses. The painting showcases the artist's ability to capture the beauty and grace of these maje...

A great classic Rockport (MA) scene of Motif #1 by listed American Impressionist Charles Curtis Allen. Great color and design. Housed in a beautiful hand-made 22k golf leaf...

BOOM! mixed oils on panel 40 x 70 inches (unframed, raw wood sides) $14,500 Joe Ostraff is a professor of art at Brigham Young University. He received a BFA from Brigham Young Univ...

THE OCCUPANT 2020 Paris, France A smaller work done in parallel to a complimentary piece ‘WOMBS, TOMBS, TOOLS,’ which portrays hand-painted serif typeset words ‘THE OCCUPANT.’ A ribbon of black along the base of the work hosts a line which reads: “The offices in the desert vending out futures -- if you had gotten a good one you too would want them all to know -- where our bodies have been.” The work is a commentary on the spaces we inhabit, and how they are all temporary. Paint is acrylic with the exception of the red elements, which are formed with oil paint. The painting is executed on two connected, reclaimed wood panels...

Artist: Maya Kabat Title: Super Spatial 4 Medium: Oil on canvas on panel Size: 22x12 inches Year: 2019 Price: $2000

AUSPICE 2020 Paris, France An auspice is a ‘prophetic sign’ which the artist was inspired by. This textured, abstract piece features a lying skull, looking up to the sky...

Artist: Maya Kabat Title: Super Spatial 18 Medium: Oil on Canvas on Panel Size: 34x20 in Year: 2020 Price: 3,800

Oil on canvas. Use of different abstract techniques on a deep blue colour. The artist uses his fingerprints to give more character to the work, which is completed by a spiral that inspires the artwork itself. In Antonio Buonfiglio...