Caroline DurieuxPlayboys (2 American male refugees from the Gatsby era preen on Mexican beach)1936
1936
About the Item
- Creator:Caroline Durieux (1896 - 1989, American)
- Creation Year:1936
- Dimensions:Height: 13.25 in (33.66 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU84133580452
Caroline Durieux
Caroline Durieux was a printmaker, painter, satirist, innovator and social activist. She was born in New Orleans and was already making sketches, by the age of four. Her formal art training was at Newcomb College (1912–17) and the Pennsylvania Academy of Fine Arts (1918–20). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero and later, worked with Diego Rivera and the other Mexican masters. Her lithographs of the 1930s and 1940s rank as some of the finest satirical pieces ever made. Durieux joined the art faculty at Newcomb College and taught there from 1938–43. She also served as the director for Louisiana’s WPA Art Project, which she administered without regard for the race of the participants, within a segregated society. In 1943, she left New Orleans to teach at Louisiana State University, wherein in the early 1950s, she began experimental work on electron printmaking, demonstrating the peaceful use of atomic technology. She also successfully produced the first color cliché verres, while simultaneously, perfecting her technique for making electron prints. Durieux’s work is exhibited in the Museum of Modern Art, the Chicago Art Institute, the National Gallery of Art, the New Orleans Museum of Art, the Library of Congress and the Philadelphia Museum of Art.
- ShippingRetrieving quote...Ships From: New Orleans, LA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- SurvivorBy Caroline DurieuxLocated in New Orleans, LACaroline Durieux's "Survivor" is a pencil-signed lithograph created in 1947 in an edition of 20. It is illustrated in Carl Zigrosser's book on the artist published in 1949. Durieux on Survivor "An extra-terrestrial spotlight falls on this battered subhuman figure; he does not look directly into the light but away from it, raising his hand to it like a beggar. The worn pads on his hands and knees shows that he has walked on them, like an animal, for a long time. There is nothing to suggest that he can stand. The beam of light looks cold, machine like, impersonal. Scornful satire marks the limit of comedy for '. . . there is nothing funny about scorn which comes round again almost to the attitude of divine comedy.' Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...Category
1940s American Modern Figurative Prints
MaterialsLithograph
- MorningBy Caroline DurieuxLocated in New Orleans, LACaroline Durieux created the technique (electron print) used in the depiction of "Morning".e. This is only one of 5 impressions. Some have theorized that the image is close to that of the artist's brother, Professor Charles Durieux. In the electron print technique, radioactive isotopes are mixed with printing ink. A drawing is made and exposed face-to-face to paper coated with a radio-sensitized substance. The paper is then developed and produces an exact image of the original drawing. “The image is transferred from the radioactive drawing to the sensitized paper by invisible beta rays,” says Dr. Wheeler. “Since beta rays are electrons, we named the process Electron Printing.” Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...Category
1950s American Modern Figurative Prints
MaterialsLithograph, Photographic Paper
- Untitled (Portrait of a young woman - wife of the artist)By Francisco SoutoLocated in New Orleans, LAThis is a self portrait of a young woman who is the wife of the artist. Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...Category
Early 20th Century American Modern Portrait Prints
MaterialsMezzotint
- Mexican Barber Shop (Getting a shave amidst revelry of community)By Irwin D. HoffmanLocated in New Orleans, LAIrwin Hoffman created a lively scene of a Mexican barber shop that serves as a focal point of the community's life. A man is being shaved as people cook, eat and revel in the camaraderie of the scene. This print was issued by Associated American Artists and is in the permanent collection of the San Francisco Museum of Art. Born in East Boston...Category
1930s American Modern Figurative Prints
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- Follies of Princely Power (A chess match as a metaphor for warfare)By Fritz EichenbergLocated in New Orleans, LAFritz Eichenberg created ten wood engravings to illustrate 'The Praise of Folly' by Erasmus. This particular image seems to portray the idea that "War, civil society and the arts ar...Category
Late 20th Century American Modern Figurative Prints
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- Settling II Homage to the Mezzotint (Self Portrait of Artist with his Tools)By Francisco SoutoLocated in New Orleans, LAFrancisco Souto has created his self portrait working on the plate of a mezzotint. This is impression #14 from an edition of only 23. Souto received a BFA from Herron School of Art ...Category
Early 2000s American Modern Portrait Prints
MaterialsMezzotint
- Time After Time.By Ann ChernowLocated in Storrs, CTLithograph with watercolor. 22 3/8 x 30 5/8. Edition 56 (plus 5 artist's proofs). A bright impression printed on the full sheet of Arches paper. Signed and numbered 4/56 in pencil. ...Category
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- Burlesque Girl.Located in Storrs, CTLloyd William Wulff. Burlesque Girl. 1938. Lithograph. 10 1/4 x 11 3/8 (sheet 12 1/2 x 15 1/8). Edition 28, #16. Federal Arts Project blind stamp. Printed on cream wove paper with fu...Category
Mid-20th Century American Modern Figurative Prints
MaterialsLithograph
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Late 19th Century American Modern Figurative Prints
MaterialsLithograph
- Tête-à-Tête in the GardenBy James Abbott McNeill WhistlerLocated in Storrs, CTTête-à-Tête in the Garden. 1894. Lithograph. Way 54, Levy 85, Tedeschi, Stratis and Spink 90. 8 x 6 1/2(sheet 10 7/8 x 8 1/2). Edition of 25-lifetime impressions plus a few proofs re...Category
Late 19th Century American Modern Figurative Prints
MaterialsLithograph
- Large George Grosz 1923 Lithograph Die Rauber German Expressionism WPA RealismBy George GroszLocated in Surfside, FLFrom The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...Category
1930s American Modern Figurative Prints
MaterialsLithograph
- Large George Grosz 1923 Lithograph Die Rauber German Expressionism WPA RealismBy George GroszLocated in Surfside, FLFrom The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...Category
1930s American Modern Figurative Prints
MaterialsLithograph