Frederick Arthur Bridgman

A stunning oil on canvas by American orientalist painter Frederick Arthur Bridgman. The piece depicts the risk of Emperor Trojan, also know as Pharaoh's bed - on Philae on the River ...

Oil on canvas. Signed centre lower right. This painting is not currently framed but a suitable frame can be sourced if required. Frederick Bridgman started out in 1863 as an engraver for the American Banknote Company and went on to produce steel engravings. He went to Paris in 1866 and worked in Gérome's studio at the École des Beaux-Arts. He spent time in Brittany at Pont-Aven until 1871, before going to North Africa and Egypt in 1872 and remaining there for five years. He took part regularly in the Paris Salons, notably the Salon des Artistes Français and the Salon of the Société Coloniale des Artistes Français. He also exhibited in London at the Royal Academy and the Suffolk Street Gallery. Bridgman exhibited at the Exposition Universelle of 1878, 1889 and 1900, receiving a silver medal at each of the exhibitions. He was decorated with the Légion d'Honneur in 1878 and was made Officier in 1907. He became a member of the National Academy, New York, in 1881, and of the Société des Artistes Peintres, Paris. Bridgman's travels in North Africa and Egypt brought about a radical change in his palette, which became much paler. He was also a photographer and often worked from his photographs when painting, depicting a world of richly adorned women in veils and using transparent effects and white on white. As well as his scenes of everyday life, Bridgman also painted historical subjects from Ancient Egypt and Assyria, such as Pharaoh Crossing the Red Sea...

A wonderful oil on canvas by American orientalist painter Frederick Arthur Bridgman depicting The Colossi of Memnon - two large stone statues of Ph...

Oil on canvas circa 1910 by Frederick Arthur Bridgman depicting sailing boats at sea at sunset. Signed lower left. Framed dimensions are 12 inches high by 15.5 inches wide. Frederick Bridgman started out in 1863 as an engraver for the American Banknote Company and went on to produce steel engravings. He went to Paris in 1866 and worked in Gérome's studio at the École des Beaux-Arts. He spent time in Brittany at Pont-Aven until 1871, before going to North Africa and Egypt in 1872 and remaining there for five years. He took part regularly in the Paris Salons, notably the Salon des Artistes Français and the Salon of the Société Coloniale des Artistes Français. He also exhibited in London at the Royal Academy and the Suffolk Street Gallery. Bridgman exhibited at the Exposition Universelle of 1878, 1889 and 1900, receiving a silver medal at each of the exhibitions. He was decorated with the Légion d'Honneur in 1878 and was made Officier in 1907. He became a member of the National Academy, New York, in 1881, and of the Société des Artistes Peintres, Paris. Bridgman's travels in North Africa and Egypt brought about a radical change in his palette, which became much paler. He was also a photographer and often worked from his photographs when painting, depicting a world of richly adorned women in veils and using transparent effects and white on white. As well as his scenes of everyday life, Bridgman also painted historical subjects from Ancient Egypt and Assyria, such as Pharaoh Crossing the Red Sea...

Oil on canvas. Signed centre lower right. This painting is not currently framed but a suitable frame can be sourced if required. Frederick Bridgman started out in 1863 as an engraver for the American Banknote Company and went on to produce steel engravings. He went to Paris in 1866 and worked in Gérome's studio at the École des Beaux-Arts. He spent time in Brittany at Pont-Aven until 1871, before going to North Africa and Egypt in 1872 and remaining there for five years. He took part regularly in the Paris Salons, notably the Salon des Artistes Français and the Salon of the Société Coloniale des Artistes Français. He also exhibited in London at the Royal Academy and the Suffolk Street Gallery. Bridgman exhibited at the Exposition Universelle of 1878, 1889 and 1900, receiving a silver medal at each of the exhibitions. He was decorated with the Légion d'Honneur in 1878 and was made Officier in 1907. He became a member of the National Academy, New York, in 1881, and of the Société des Artistes Peintres, Paris. Bridgman's travels in North Africa and Egypt brought about a radical change in his palette, which became much paler. He was also a photographer and often worked from his photographs when painting, depicting a world of richly adorned women in veils and using transparent effects and white on white. As well as his scenes of everyday life, Bridgman also painted historical subjects from Ancient Egypt and Assyria, such as Pharaoh Crossing the Red Sea...