Kristen Brown Landscape Paintings

N198, 50x50cm

N195, 50x50cm

Edgar Longstaffe (1852–1933) Children Playing by a Lakeside landscape , oil on canvas, circa 1890 This serene and luminous landscape by Edgar Longstaffe, painted circa 1890, capture...

6000 Antique birch trees landscape,oil on artist board displayed in a wood frame.Signed lower left by Mori.Image size 9.5 H x 7.5 W

Wind N Sea - Seascape Painting - Contemporary Art By Marc Zimmerman Along the Oregon coast where wind n sea and the shore collide for our deep joy! Marc Zimmerman creates playful...

N194, 50x50cm

5-3170a Rare and finely painted American Colorful Pointillist landscape oil painting of a woman with an umbrella.Signedn Baxter Set in a vintage wood frame

Oil on Canvas. Central European school of the late 1700s. The large painting depicts a rural landscape, with a peasant dwelling on the left, the shepherdess in the left foreground wa...

5193 American Modernist Sailboat at Full Mast Inscribed on back Proud Little Coaster John Chancelor" Gilt frame Image size 16.5x23" Signed Ranrd 1996

This luminous oil painting by William R. Davis captures a fleeting moment of peace and stillness at the close of day. Titled Becalmed, the composition is masterfully restrained. A sa...

6011 Oil on canvas the streets of Paris set in a vintage wood frame Image size 9.5x8"

Julian Onderdonk "Summer Evening S. W. Texas" Texas Hill Country (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 15 x 18 Medium: Oil on panel Dated 1909 "Summer Evening S. W. Texas" "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New...